The Fujifilm GFX 100 II brings a new, blazingly fast 102-megapixel large-format sensor to deliver up to 8 frames per second in high-speed continuous mode, surgically accurate subject detection and tracking AF, and advanced video features that have never existed in any previous GFX System or X Series camera. Upgraded AI-developed autofocus algorithms and a new 9.44-million dot EVF bring the action accurately into view for photographers, while full-width 4K/60p, 4:2:2 ProRes video and accessory-free delivery of files to Frame.io directly from the camera, give filmmakers access to new streamlined workflows and the ability to immediately collaborate with project team members.
IT'S A TRIFECTA — SMART, FAST AND STABLE:
The Fujifilm GFX 100 II’s new 102 Megapixel sensor and X-Processor 5 combination deliver astounding performance when it is needed most. Enhancements to autofocus algorithms, now incorporating internal subject detection propelled by artificial intelligence, allow photographers and filmmakers to accurately track moving subjects and create 102MP images at up to 8 frames per second using the camera’s high-speed mechanical shutter, or to record 4K/60p video at the full width of GFX 100 II’s massive 55mm (1) imaging sensor. An updated 9.44M dot EVF with 120fps live view and 5.3fps of blackout-free (8.7 frames per second of blackout-free in 35mm format mode), continuous shutter use, also helps photographers stay close to the action, frame by frame, while internal in-body image stabilization (IBIS) provides up to 8-stops of stability to help transform the way any professional will make their next great image and share their next great story.
STAY WITH THE ACTION, STAY WITH THE VISION:
Internally record 4:2:2, 10-bit Apple ProRes, or use HDMI to record 12-bit 4:2:2 Apple ProRes RAW or Blackmagic RAW in resolutions of up to 8K/30p, or, at the full width of GFX 100 II’s massive 55mm1 sensor, at 4K/60p, for a seamless transition from creative vision to post-production. Accelerate a project’s delivery to color grading workflows in Da Vinci Resolve or Adobe Premiere Pro without any need to transcode Original Camera Files (OCF) before editing.
CHOOSE YOUR OWN ADVENTURE, PICK YOUR FAVORITE CINE FORMAT:
GFX 100 II provides specified crops and aspect ratios for multiple cinema formats, which includes full-width GF Format, FUJINON PREMISTA (Vista Vision), and 35mm. With a basic GF to PL adapter, cinematographers anywhere can now use GFX 100 II’s 55mm large format imaging sensor with some of the world’s most legendary cinema optics, including Fujifilm’s collection of FUJINON PREMISTA and CABRIO Zoom Lenses. For storytellers with wider aspirations, GFX 100 II offers two different high resolution 35mm Anamorphic recording modes that provide various de-squeeze monitoring options in-camera.
WORKFLOW, MEET CLOUD – NO ADDITIONAL HARDWARE NEEDED:
Embrace cloud-first workflows and open lines of collaboration with GFX 100 II’s World First, accessory-free integration for Frame.io Camera to Cloud, and deliver photos or video straight to the cloud moments after they are created. Utilize the camera’s built-in Wi-Fi or Ethernet LAN connection to connect to Frame.io and deliver hi-res RAW or JPEG images, send h.264 video proxies, or upload 8K ProRes Video securely for immediate project team review and consideration.
A COMPLETE IMAGING SOLUTION, MADE ONLY BY FUJIFILM:
With updated video functions that lead to simple post-production workflows, GFX 100 II allows creators to go from an idea to the perfect story faster than ever. Native video functions like object priority AF, waveform and vector scope monitoring, a prominent recording flag that is visible around the live view area, and direct-to-SSD recording truly make GFX 100 II an impressive, complete filmmaking tool, while a native integration with Atomos AirGlu BT(2), brings timecode synchronization(3) to a GFX System camera for the first time and IDT Support for the Academy Color Encoding System (ACES)(4) brings the GFX System offerings into the world of motion production in ways never before available. And thanks to Fujifilm's one-of-a-kind color science; photographers and filmmakers can take advantage of exclusive film simulation modes directly within GFX100 II, which now includes REALA ACE mode, a film simulation mode that delivers neutral color reproduction with high-contrast tonal gradations. Inspired by decades of analog film development, image-makers can choose REALA ACE mode, or otherwise a film simulation mode that best fits the mood and that aligns with their creative inspiration.
*1* GFX100 II uses an image sensor measuring 55mm diagonally (43.8mm x 32.9mm), which provides an area approximately 1.7 times that of a 35mm full-frame sensor.
*2* Atomos AirGlu™ BT uses Bluetooth technology to wirelessly synchronize timecode with the GFX100 II when in close proximity.
*3* Timecode synchronization provided through AirGluTM BT can be affected by a frame delay of at least 1 frame when syncing with multiple devices.
*4* ACES is a free, open, device-independent color management and image interchange system that can be applied to a wide variety of motion production workflows.
43.8mm×32.9mm GFX 102MP CMOS II HS with primary color filter
Sensor Cleaning System
Ultra Sonic Vibration
Storage Media
SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90* / CFexpress Type B Card (-2TB) / SSD (-2TB) *Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.
File Format (Still)
DCF:Compliant with Design rule for Camera File system (DCF2.0), JPEG: Exif Ver.2.32, HEIF:4:2:2 10bit, RAW: 14bit/ 16bit RAW RAF original format, TIFF: 8bit/ 16bit RGB (In-camera RAW Conversion Only) *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
Image sensor shift mechanism with 5-axis compensation
Image Stabilizer Compensation Effect
Up to 8 stops (based on CIPA standard). Pitch/yaw shake only. *With GF63mmF2.8 R WR lens mounted
Image Stabilizer Digital Image Stabilization
Yes (movie mode only)Yes (movie mode only)
Image Stabilizer Is Mode Boost
Yes (movie mode only)
Shutter Type
Focal Plane Shutter
Shutter Speed Mechanical Shutter
P mode: 30sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min to 1/4000sec. Bulb mode: up to 60min
Shutter Speed Electronic Shutter
P mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min to 1/32000sec. Bulb mode: up to 60min *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
Shutter Speed Electronic Front Curtain Shutter
P mode: 30sec to 1/4000 A mode: 30sec to 1/4000 S/M mode: 60min to 1/4000 Bulb mode: up to 60min *Electronic front curtain shutter works until 1/1250sec. *When using the electronic front curtain shutter, the continuous shooting supports CL only
P mode: 30sec. to 1/32000 A mode: 30sec to 1/32000 S/M mode: 60min to 1/32000 Bulb mode: up to 60min *Mechanical shutter works until 1/4000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
Speed E-Front + Mechanical Shutter Shutter
P mode: 30sec. to 1/32000 A mode: 30sec to 1/32000 S/M mode: 60min to 1/32000 Bulb mode: up to 60min *Mechanical shutter works until 1/4000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
Speed E-Front + Mechanical + Electronic Shutter
P mode: 30sec to 1/32000 A mode: 30sec to 1/32000 S/M mode: 60min to 1/32000 Bulb mode: up to 60min *Electronic front curtain shutter works until 1/1250sec, Mechanical shutter works until 1/4000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. *When using the electronic front curtain shutter, the continuous shooting supports CL only
Shutter Speed Movie
8K/DCI8K: 1/4000 to 1/24 sec, 5.8K:1/4000sec. to 1/24 sec., 4.4K: 1/4000sec. to 1/24 sec., 4.8K:1/4000sec. to 1/24 sec., 4.6K(ANAMOR): 1/4000sec. to 1/24 sec., 4K/DCI4K:1/4000sec. to 1/8 sec., FHD: 1/4000 to 1/8 sec. *Cannot choose slower shutter speed than framerate for some settings.
Synchronized Shutter Speed For Flash
1/125sec. or slower
Continuous Shooting
CH Approx. 8.7fps(35mm Format Mode ON) (JPEG: 1000+ Frames, Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ Frames, Uncompressed RAW: 1000+ Frames, Compressed RAW + JPEG: 156 Frames, Lossless compressed RAW + JPEG: 148 Frames, Uncompressed RAW + JPEG: 71 Frames) CH Approx. 5.8fps(35mm Format Mode ON) (JPEG: 1000+ Frames, Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ Frames, Uncompressed RAW: 1000+ Frames, Compressed RAW + JPEG: 1000+ Frames, Lossless compressed RAW + JPEG: 1000+ Frames, Uncompressed RAW + JPEG: 1000+ Frames) CH Approx. 5.3fps (JPEG: 1000+ Frames, Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ Frames, Uncompressed RAW: 390 Frames, Compressed RAW + JPEG: 119 Frames, Lossless compressed RAW + JPEG: 119 Frames, Uncompressed RAW + JPEG: 98 Frames) CH Approx. 8.0fps (JPEG: 1000+ Frames, Compressed RAW: 325 Frames, Lossless compressed RAW: 302 Frames, Uncompressed RAW: 76 Frames, Compressed RAW + JPEG: 75 Frames, Lossless compressed RAW + JPEG: 75 Frames, Uncompressed RAW + JPEG: 55 Frames) CH Approx. 5.0fps (JPEG: 1000+ Frames, Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ Frames, Uncompressed RAW: 497 Frames, Compressed RAW + JPEG: 153 Frames, Lossless compressed RAW + JPEG: 152 Frames, Uncompressed RAW + JPEG: 116 Frames) CL Approx. 2.0fps (JPEG: 1000+ Frames, Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ Frames, Uncompressed RAW: 1000+ Frames, Compressed RAW + JPEG:1000+ Frames, Lossless compressed RAW + JPEG: 1000+Frames, Uncompressed RAW + JPEG:1000+ Frames) *Electronic Front Curtain Shutter support CL only. *No. of recordable frames are calculated based on CFexpress Type B card in a cold start *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames
AE Bracketing
AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: 1/3EV up to ±3EV steps) Film Simulation Bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100%, 200%, 400%) ISO Sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV) White Balance Bracketing (±1, ±2, ±3) Focus Bracketing (AUTO, MANUAL) Multiple Exposure Yes (Max. 9 frames), Additive, Average, Bright, Dark Pixel Shift Multi Shot HIGH RESOLUTION + ACCURATE COLOR YES ACCURATE COLOR YES
Focus Mode
Single AF/ Continuous AF/ MF
Focus Type
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Focus Low-Light Performance
Contrast: -2.5EV with GF80mmF1.7 attached Phase Detection: -5.5EV with GF80mmF1.7
AF Frame Selection
Single point AF: 13×9/ 25×17 (Changeable size of AF frame) Zone AF: 3×3/ 5×5/ 7×7 Custom1-3 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide/ AF-C: Tracking) All Face/eye detection Yes Subject detection Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)
White Balance
Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)/ Custom1-3/ Color temperature selection (2500K-10000K)/ Daylight, Shade, Fluorescent light -1, Fluorescent light -2, Fluorescent light -3, Incandescent light, Underwater
Self-Timer
Still 10sec. / 2sec. Movie 10sec. / 5sec. / 3sec.
Interval Timer Shooting
Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)
Flash Sync Mode
Shoe Mount Flash:1st Curtain/ 2nd Curtain/ AUTO FP (HSS) Synchronized terminal:1st Curtain/ 2nd Curtain
Flash Mode
Shoe mount flash:TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF Synchronized terminal: Manual
Hot Shoe
Yes (Dedicated TTL Flash compatible)
Viewfinder EVF
0.64 inch OLED Color Viewfinder Approx. 9.44 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 21mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5~+2m-1 Magnification: 1.00x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: Approx. 47° (Horizontal Angle of View: Approx. 38°) Built-In Eye Sensor
Viewfinder OVF
v.s Capturing Area
LCD Monitor
3.2 inch, Aspect Ratio 4:3, Approx. 2.36 million dots Tilt-Type(Three Direction), Touch Screen Color LCD Monitor
Touch Screen Shooting Mode
AF, Focus Area, OFF Double Tap ON/OFF Setting, Touch Function ON/OFF Setting, EVF Touch Screen Area Setting
Touch Screen Playback Mode
Swipe, Pinch-in / Pinch-out, Double-tap, Drag
Sub LCD Monitor
2.09 inch, Aspect Ratio 4:3, Approx. 320x219-dot, Monochrome LCD Monitor
5.4K(17:9) (5440x2868)/5.8K(2.35:1) (5824x2476) 29.97p/25p/24p/23.98p ,720Mbps/360Mbps/200Mbps/100Mbps/50Mbps 4.8K(3:2) (4776x3184)/4.6K(1.38:1) (4664x3380)/8K(17:9)(8192x4320) /8K(2.76:1)(8192x2968) 24p/23.98p ,720Mbps/360Mbps/200Mbps/100Mbps/50Mbps 4.8K(16:9) (4776x2688)/8K(16:9)(7680x4320) 29.97p/25p/24p/23.98p ,720Mbps/360Mbps/200Mbps/100Mbps/50Mbps DCI4K/17.9 (4096x2160)/4K/16.9 (3840x2160) 59.94p/50p/29.97p/25p/24p/23.98p ,720Mbps/360Mbps/200Mbps/100Mbps/50Mbps Full HD(17:9)(2048×1080)/Full HD(16:9)(1920×1080) 59.94p/50p/29.97p/25p/24p/23.98p, 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps Full HD High speed rec. (17:9)(2048x1080)/(16:9)(1920x1080) 120p/100p,720Mbps (recording), 360Mbps (recording),200Mbps (recording) *Selectable mode will be changed depending on the "Image Format" setting. *For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher. *For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher. *Selectable bitrate will be changed depends on the setting. *Apple ProRes codec can be only recorded to CFexpress Type B card *Bitrate for Apple ProRes codec is not selectable. *Recording time can become short depending on the temperature and/or shooting conditions
Film Simulation Mode
20 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Hi, PRO Neg.Std, Classic Neg, Nostalgic Neg, ETERNA/Cinema, ETERNA BLEACH, BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Clarity Setting
±5 steps
Monochromatic Color
Yes
Grain Effect
Roughness: STRONG, WEAK, OFF Size: LARGE, SMALL
Color Chrome Effect
STRONG, WEAK, OFF
Color Chrome Blue
STRONG, WEAK, OFF
Smooth Skin Effect
STRONG, WEAK, OFF
Dynamic Range Setting
AUTO, 100%, 200%, 400% ISO restriction:DR100%: No limit、DR200%: ISO160 or more、DR400%: ISO320 or more
Dynamic Range Setting(Movie)
100% / 200% / 400% ISO restriction:DR100%: No limit、DR200%: ISO200 or more、DR400%: ISO400 or more
Wireless Transmitter Standard
IEEE802.11a/b/g/n/ac (standard wireless protocol)
Wireless Transmitter Encryption
WPA/WPA2 mixed mode, WPA3
Wireless Transmitter Access Mode
Infrastructure
Bluetooth® Standard
Bluetooth Ver. 4.2 (Bluetooth low energy)
Bluetooth® Operating Frequency
2402〜2480MHz
Terminal - Digital Interface
USB Type-C (USB3.2 Gen2x1)
Terminal - Hdmi Output
HDMI connector (Type A)
Terminal - Others
ø3.5mm, stereo mini connector (Microphone and Remote Release) ø3.5mm, stereo mini connector (Headphone) LAN Terminal 1000BASE-T、100BASE-TX、10BASE-T Hot shoe Synchronized terninal
Power Supply
NP-W235 Li-ion battery (included)
Battery Life For Still Images
Normal Mode: Approx. 540 frames When GF63mmF2.8 R WR is set Auto power save ON
Actual Battery Life For Movie Capture
[8K] Approx. 60min. (29.97p) [4K] Approx. 60min. (59.94p) [Full HD] Approx. 80min. (59.94) *Face detection is set to OFF *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Continuance Battery Life For Movie Capture
[8K] Approx. 80min.(29.97p) [4K] Approx. 90min. (59.94) [Full HD] Approx. 80min. (59.94p) *Face detection is set to OFF *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Camera External Dimensions
Including EVF 152.4mm (W) x 117.4mm (H) x 98.6mm (D) 6.0in. (W) x 4.62in. (H) x 3.88in. (D) Minimum Depth : 46.5mm / 1.83in E x cluding EVF 152.4mm (W) x 103.5mm (H) x 73.5mm (D) 6.0in. (W) x 4.07in. (H) x 2.89in. (D) Minimum Depth : 46.5mm / 1.83in