{"title":"Sony Alpha Products","description":"","products":[{"product_id":"sony-fe-24mm-f1-4-gm","title":"Sony FE 24mm f\/1.4 GM Lens","description":"-\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eCompact G Master™ wide prime lens w\/ stunning wide-open resolution\u003c\/strong\u003e\u003cbr\u003eThe FE 24mm F1.4 GM realizes consistently high resolution across the entire frame and delivers soft and natural bokeh - a signature feature of Sony’s G Master lens series. It also boasts a new optical design comprised of 10 groups with 13 elements, including two XA (extreme aspherical) and three ED (Extra-low Dispersion) elements. The incorporation of two XA elements ensures that point light sources can be accurately reproduced, making the FE 24mm F1.4 GM a compelling proposition for astrophotography. For impressive clarity, Sony’s unique Nano AR Coating is applied to reduce lens flare and ghosting, even in landscape shots where the position of the sun can be problematic with a normal lens.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eF1.4 max aperture\u003c\/strong\u003e\u003cbr\u003eThe F1.4 max aperture maintains exposure and depth of field, allowing you to isolate your subject from the foreground and background with amazing light gathering capabilities when shooting wide open. When changing your aperture to defocus the background, the areas out of the focal plane appear blurred. This ‘bokeh’ effect of the blurred background is enhanced with circular aperture blades used in this lens.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e11-blade circular aperture contributes to gorgeous bokeh\u003c\/strong\u003e\u003cbr\u003eThe 11-blade circular aperture maximizes the beauty of this large-aperture prime-lens, contributing to impressive images in which the subject stands out against a smoothly defocused foreground and background, as well as perfectly round points of defocused light. Conventional aperture blades have flat sides that create unappealing, polygonal-shaped defocused points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eDirect Drive SSM (DDSSM) for fast, quiet, precise focusing\u003c\/strong\u003e\u003cbr\u003eThe 24mm F1.4 GM lens supports hybrid autofocus for both contrast and focal-plane phase detection AF. It has a high-precision Direct Drive Super Sonic Motor (DDSSM) system that ensures exceptionally fast, quiet and accurate AF performance. The precision internal focus mechanism aids in AF speed by moving only the middle groups of the optical system and effectively minimizing focus breathing, while keeping the lens size compact and lightweight. In addition to being the ideal wide prime lens for stills, it is also exceptionally suited for video with a linear motor that takes on the vital role of ‘wobbling’ to providing high-speed actuation for the contrast AF detection system, for smooth, continuous AF.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTwo XA (Extreme Aspherical) lens element\u003c\/strong\u003e\u003cbr\u003eThe 24mm F1.4 GM employs two XA (Extreme Aspherical) lens element, one of which is the front lens. This large-diameter front XA lens element features a new optical design, maximizing the advantages of the short mirrorless camera flange distance, and effectively suppresses various aberrations, especially the peripheral area in the frame and sagittal flare. Two XA elements compensate for coma, field curvature, and astigmatism that can be problems with wide-angle large-aperture optics. This also contributes to the compact and lightweight design.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThree ED (Extra-low dispersion) glass elements\u003c\/strong\u003e\u003cbr\u003eThree ED (Extra-low Dispersion) glass elements take axial chromatic aberration and chromatic aberration due to differences in magnification out of the picture, maximizing resolution and bokeh while leaving precisely rendered edges with no fringing or unnatural coloration, while significantly reducing flare and ghosting.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNano AR coating suppresses reflections, flare and ghosting\u003c\/strong\u003e\u003cbr\u003eSony’s original Nano AR Coating technology minimizes flare and ghosting, for dynamic range that achieves lifelike detail and gradation with advanced camera sensors. This precisely defined regular nano-structure allows accurate light transmission, contributing to high-quality images, even more so than with lenses that use coatings with an irregular nano-structure. The reflection suppression characteristic of the Nano AR Coating is superior to conventional anti-reflective coatings, providing a notable improvement in clarity, contrast, and overall image quality.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCompact, lightweight design\u003c\/strong\u003e\u003cbr\u003eThis remarkably compact and lightweight lens weighs in at only 15.7oz (445g) with smallest in class dimensions of 3” (75.4mm) diameter and 3-3\/4” (92.4mm) in length. It’s compact, lightweight design enhances portability and mobility thanks to the combination of optical design utilizing two XA elements and the newly developed DDSSM (Direct Drive SSM) AF system.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eManual aperture ring w\/ selectable on\/off click for stills or movie\u003c\/strong\u003e\u003cbr\u003eA responsive manual aperture ring offers positive action that will satisfy professional photographers and moviemakers alike. The aperture ring click stops can be switched on or off as required. “Off” is the preferred setting for moviemaking since it results in the least aperture operation noise. When “On” the ring provides tactile feedback that is useful when shooting stills.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFocus hold button, programmable for multiple functions\u003c\/strong\u003e\u003cbr\u003eThe focus hold button not only performs its primary function to lock focus when recomposing, but can be customized to a number of other functions depending on your needs. In addition to Focus Hold, these custom functions include: Eye AF, AF On, Aperture Preview, Shot Result Preview or Bright Monitoring.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDust and moisture resistant for robust reliability\u003c\/strong\u003e\u003cbr\u003eThe dust and moisture resistance design makes this lens appropriate for heavy-duty outdoor use, especially when combined with a camera that employs weather resistant measures.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAstrophotography Sagittal flare suppression\u003c\/strong\u003e\u003cbr\u003eSagittal flare is a phenomenon that results in an unnatural spreading of point light sources that appears somewhat like a bird spreading its wings and becomes more pronounced towards the image periphery. It is most common in large-aperture lenses. The 24mm F1.4 GM incorporates a new optical design, including two XA lens elements, to effectively suppress and correct for sagittal flare, making this lens ideal for night sky and astrophotography.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eInstant auto\/manual focus selection\u003c\/strong\u003e\u003cbr\u003eInstantly and quickly switch between auto and manual focus via an AM\/MF switch on the side of the lens. 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Other benefits include fast, precise focus and versatile control for stills and movies.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eBreathtaking resolution and contrast\u003c\/strong\u003e\u003cbr\u003eTwo aspherical elements, including one AA (advanced aspherical) element, plus ED glass elements maintain high resolution and contrast at all apertures, from corner to corner.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eF1.4 for versatility and beautiful bokeh\u003c\/strong\u003e\u003cbr\u003eF1.4 and an 11-blade circular aperture can create images with beautiful bokeh, while also making it possible to shoot at high shutter speeds in low light.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAutofocus that supports high resolution\u003c\/strong\u003e\u003cbr\u003eA ring drive SSM (Super Sonic wave Motor) system positions the lens’s heavy focus group with speed and precision, bringing out the best in high-resolution camera bodies.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eConvenient fingertip control\u003c\/strong\u003e\u003cbr\u003eA physical aperture ring allows intuitive aperture control. An aperture click switch makes it possible to enable or disable the aperture ring click stops as required. Moviemakers will want the clicks OFF, while photographers often prefer tactile click feedback. There’s also a focus mode switch for convenient manual\/autofocus selection.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eA fast, sharp, 50mm F1.4 prime lens\u003c\/strong\u003e\u003cbr\u003eThis high-performance ZEISS® 50mm prime lens features a large F1.4 maximum aperture as well as spectacular contrast and resolution throughout every image. The large aperture makes it easier to shoot in low light and, in combination with an 11-blade aperture design, can produce gorgeous bokeh. 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An aperture click switch makes it possible to enable or disable the aperture ring click stops as required. Moviemakers will want the clicks OFF, while photographers often prefer tactile click feedback. 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Multiplies focal length by 1.4x with only a 1-stop light loss.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCompatible lenses\u003cbr\u003e\u003c\/strong\u003eThe SEL14TC teleconverter is currently compatible with the SEL70200GM lens only.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLens Configuration\u003cbr\u003e\u003c\/strong\u003eImpressive optical performance for Sony cameras, precision engineered for versatility and reliability in a wide range of applications.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003e1.4x reach with top optics and operation\u003cbr\u003e\u003c\/strong\u003eA 1.4x teleconverter that maintains full G Master performance.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eExtend your range by 1.4x\u003cbr\u003e\u003c\/strong\u003eFull optical quality and operability are retained, offering outstanding performance for sports of wildlife photography in a compact, lightweight kit. Multiplies focal length by 1.4x with only a 1-stop light loss.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCompatible lenses\u003cbr\u003e\u003c\/strong\u003eThe SEL14TC teleconverter is currently compatible with the SEL70200GM lens only.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLens Configuration\u003cbr\u003e\u003c\/strong\u003eImpressive optical performance for Sony cameras, precision engineered for versatility and reliability in a wide range of applications.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":35176097579053,"sku":"32508","price":599.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/1454514360000_1222777.jpg?v=1614021878"},{"product_id":"sony-fe-2-0x-teleconverter","title":"Sony FE 2.0x Teleconverter","description":"\u003cp\u003e\u003cstrong\u003e2x reach with top optics and operation\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA 2x teleconverter that maintains full G Master performance.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDouble your focal length\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eFull optical quality and operability are retained, offering outstanding performance for sports and wildlife photography in a compact, lightweight kit. 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With the multi-terminal connection on radio receivers, you can also trigger multiple simultaneous camera shutters, for boundless creativity.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCreative freedom with minimum equipment\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eControl multiple flashes for unique looks\u003cbr\u003eSpend less time setting up, and more time capturing great images. After attaching FA-WRC1M to your compatible camera1, attach up to 15 radio receivers to flashes, then quickly and easily pair FA-WRC1M to each receiver. Pair up to 15 receivers within up to 5 groups2 for accurate radio transmissions. Easily control multiple flash units for more creative lighting options.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eReliable and precise control in any setting\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eRadio signals deliver more detailed, more precise shooting information over a wider shooting area (about 30m \/ 98.4ft). Signals reach wireless receivers, even in bright light or around obstacles, even when installed behind the camera. Achieve more consistent results without pairing errors.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eConvenient remote flash setting confirmation\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eRemotely adjust flash settings on FA-WRC1M. Easily control complex lighting setups alone or with a small crew. Confirm exposure compensation, flash intensity, etc., or independently adjust receiver settings. Adjust flash strength or use Zoom to change flash angles.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUse remote release function to control multiple cameras\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSimultaneously release shutters on multiple cameras using remote shooting function. Use separately sold Multi Terminal cables to connect wireless radio receivers to cameras to accurately and reliably shoot one subject from multiple angles at the same time.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEssential wireless radio system components\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCombine these tools for complete wireless radio control\u003cbr\u003eTo enjoy wireless flash triggering, you must pair the FA-WRC1M wireless radio commander with at least one wireless radio receiver (FA-WRR1) for a complete wireless radio control system. Add Multi Terminal cables (VMC-MM1) between cameras and receivers to further expand the possibilities of your wireless radio control system with remote and multi-angle shooting.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eRadio remote flash control for creative lighting ideas\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eTrigger multiple flash units or multiple camera shutters\u003cbr\u003eConnect the FA-WRC1M to up to 15 wireless receivers (FA-WRR1) for radio wireless flash control of even large lighting setups. Use your existing α flash units such as HVL-F60M, F43M or F32M over a wide range of up to 30m (98.4ft). With flash unit grouping you can expand your lighting in inventive ways. 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Use separately sold Multi Terminal cables to connect wireless radio receivers to cameras to accurately and reliably shoot one subject from multiple angles at the same time.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEssential wireless radio system components\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCombine these tools for complete wireless radio control\u003cbr\u003eTo enjoy wireless flash triggering, you must pair the FA-WRC1M wireless radio commander with at least one wireless radio receiver (FA-WRR1) for a complete wireless radio control system. Add Multi Terminal cables (VMC-MM1) between cameras and receivers to further expand the possibilities of your wireless radio control system with remote and multi-angle shooting.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":35176097677357,"sku":"32522","price":349.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/1468268043000_1265415.jpg?v=1614021881"},{"product_id":"sony-wireless-receiver","title":"Sony FA-WRR1 Wireless Radio Receiver","description":"\u003cp\u003eUse receivers together with the FA-WRC1M Wireless Radio Commander to wirelessly control up to 15 flash units in 5 groups\u003cbr\u003eCommunication distance: Approximately 30 m (98.4 ft.)\u003cbr\u003eUse separate Multi Terminal Cable to connect receivers to cameras for remote multi-camera shutter triggering from the Wireless Commander\u003cbr\u003eBuilt-in Sync Terminal\u003cbr\u003eThis product is designed for use with Multi Interface Shoe flashes. 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The new design of this well-balanced lens, reduces the number of elements deployed at the front of the barrel, resulting in quicker, more precise panning, whether shooting handheld or on a monopod.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXD (extreme dynamic) Linear Motors for fast precise autofocus\u003c\/strong\u003e\u003cbr\u003eTo make full use of the rapidly evolving performance speed of modern and future camera bodies, the lens’s focus group is driven by two - newly developed - XD (extreme dynamic) Linear Motors that achieve higher thrust and efficiency than conventional types of AF drive motors. The XD Linear Motors deliver new levels of fast, precise, quiet autofocus operation and contribute to reliable and tenacious AF tracking (up to a 5x improvement3 in moving-subject tracking) that sports photographers will appreciate. Additionally, a new algorithm developed specifically for the XD motors, notably improves their response, minimizing lag and instability that can occur when driving a large aperture focus lens group, resulting in quiet, low-vibration operation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuperlative G Master quality\u003c\/strong\u003e\u003cbr\u003eAll lenses bearing the G Master brand are designed to extremely high standards, ensuring that outstanding contrast at high spatial frequencies is maintained right out to the image edges. The optical design includes three fluorite elements that help to minimize axial chromatic aberration that can be a problem in large-aperture lenses, as well as lateral chromatic aberration that can reduce resolution towards the image periphery. Color bleeding is effectively suppressed, allowing clear reproduction of the finest subject details, while Sony’s original Nano AR coating suppresses any unwanted reflections, glare, or ghosting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3x fluorite elements, 1x ED glass element reduces flare and ghosting\u003c\/strong\u003e\u003cbr\u003eBased on a new optical design that conforms to stringent G Master standards, the FE 400mm F2.8 GM OSS includes three fluorite elements and one ED (Extra-low Dispersion) glass element that help to reduce chromatic aberration, a common problem in telephoto lenses. Extremely high resolution is maintained right out to the image edges. Spherical aberration is optimized to create a perfect balance between high resolution and soft, beautiful bokeh through careful control at both the design and manufacturing stages. 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(1) standard XQD (2) QD-G240F\/QD-G120F.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFile Rescue Software\u003c\/strong\u003e\u003cbr\u003eSometimes things go wrong and data such as photos and files get damaged or lost. Sony's File Rescue is a powerful tool for recovering damaged or lost data that is simple enough for anyone to use. Applying an advanced algorithm, Sony’s File Rescue realizes a higher rate of recovery for RAW image, MOV files, and 4K XAVC-S video files captured on both Sony and Nikon devices. Available as a free download to memory card customers.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":35176751562797,"sku":"38120","price":199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/1536248209000_1433124.jpg?v=1614035071"},{"product_id":"sony-tough-64gb-sd-uhs-ii","title":"Sony 64GB SF-G Tough Series UHS-II SDXC Memory Card","description":"Sony Tough 64gb Sd Uhs II\u003cbr\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":35176761688109,"sku":"39779","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/39779_Hero.png?v=1649117192"},{"product_id":"sony-a6400-body-black","title":"Sony Alpha a6400 Mirrorless Camera","description":"Sony A6400 Body Black\u003cbr\u003e\u003cp\u003eAdvanced APS-C camera with 24.2 MP Exmor® CMOS sensor, the World’s fastest autofocus (AF) speed1at 0.02 sec., advanced Real-time Eye-AF and Real-time object Tracking AF with Wide 425-phase\/425-contrast detection AF points over 84% of sensor, up to 11fps continuous shooting with continuous autofocus and auto-exposure,4K HDR video, 180-degree tiltable touchscreen LCDand Wi-Fi® for easy file transfer and remote control.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e24.2MP and incredible image quality\u003c\/strong\u003e\u003cbr\u003eThe a6400’s APS-C image sensor with approximately 24.2 effective megapixels uses copper wiring and a highly effective circuit process, resulting in efficient light collection that achieves a wide sensitivity range (Expandable ISO 100 – 102400) and excellent low noise performance even at high ISO. The design significantly increases readout speed, enabling functionality including 11fps continuous shooting, 4K recording with full pixel readout without pixel binning and Full HD 120fps high-speed shooting. A front-end LSI supports the image processing of the new-generation BIONZ X image processing engine. Advances in image processing algorithms have further improved the superb image clarity, texture reproduction and image quality.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWorld’s fastest autofocus with 4D FOCUS™\u003c\/strong\u003e\u003cbr\u003e\"The α6400’s unrivaled 4D FOCUS™ system boasts the world’s fastest autofocus (AF) acquisition time that can lock focus on even the fastest moving subject in as little as 0.02 seconds. It also boasts an incredible 425 phase detection and 425 contrast detection AF points that are densely positioned over 84% of the image area, effectively tracking subjects as they move across the frame. Moreover, the α6400 takes full advantage of its enhanced fast hybrid AF for movies in both HD and 4K. With the optimized new-generation subject motion prediction algorithm from the α9. Both AF detection accuracy and tracking performance have been boosted.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAdvanced Real-time Eye-AF\u003c\/strong\u003e\u003cbr\u003eAdvanced “Real-time Eye AF” employs artificial intelligence to detect and process eye data in real time, resulting in improved accuracy, speed and tracking performance of Eye AF. With a half press of the shutter button, the camera can automatically detect the eyes of the subject and activate Eye AF in all autofocus modes and when in either AF-C or AF-A mode, eye capture is continuously maintained. Additionally, the preferred eye (left or right) of your subject can be selected as the focus point. Choices include Auto\/Right Eye\/Left Eye, and a Switch Right\/Left Eye function is assignable to a custom function as well.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eReal-time Tracking AF\u003c\/strong\u003e\u003cbr\u003eReal-time Tracking” utilizes a special object recognition algorithm that processes color, subject distance (depth), brightness (pattern) as spatial information, plus AI information including face and eye location, ensuring that all subjects can be captured with extreme accuracy and precision. This can be activated by a simple half press of the shutter button, or can be assigned to a custom function as well.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUp to 11fps at 24.2MP with AE\/AF tracking\u003c\/strong\u003e\u003cbr\u003eThe α6400 has been designed to allow for high resolution, continuous shooting at high frame rates. It features a front-end LSI that works with the image sensor, BIONZ X image processing engine and a newly designed shutter mechanism with ‘braking feature’ to enable continuous shooting at impressive speeds up to 11fps with continuous autofocus and auto-exposure tracking at full 24.2MP resolution while utilizing the mechanical shutter, and up to 8 fps3 with full AF\/AE tracking while silent shooting. The α6400 can also shoot continuously for up to 116 JPEG and 46 compressed RAW frames, thanks to a large buffer. These shots can be viewed immediately after shooting, even when in high-speed continuous shooting mode.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e4K movie2 w\/ 2.4x oversampling4, full pixel readout, no pixel binning\u003c\/strong\u003e\u003cbr\u003eThe α6400 offers internal 4K (QFHD: 3840 x 2160) recording in Super 35mm format with full pixel readout and no pixel binning at 2.4x oversampling (6K equivalent) for the ultimate 4K footage with exceptional detail and depth. Additional professional video features include; HDR (HLG), S-Gamut3\/S-Log3and 3, plus Gamma Display Assist, the ability to record Full HD at 120 fps for up to 5x slow motion HD video, both a mic jack and XLR compatibility via the MI shoe, enhanced Zebra functionality, focus peaking, picture profile settings, as well as Time Code \/ User Bit, clean HDMI output and much more.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFast Hybrid AF allows smooth focusing for movies\u003c\/strong\u003e\u003cbr\u003eEffective use of the focal plane phase-detection system makes focusing during movie shooting fast and stable. The upgraded Fast Hybrid AF technology keeps your subject in constant smooth focus no matter the scene. This advanced AF plus touch focus functionality on the 180-degree titlable LCD make it an ideal camera choice for many vloggers and video creators that are regularly creating and uploading content online. Touching the subject that you wish to focus on the screen initiates accurate and smooth continuous focus tracking, while analyzing color, brightness pattern, distance (depth) and face information. AF drive speed and AF Tracking Sensitivity are also adjustable to support creative moviemaking.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e180-degree fully tiltable LCD touch screen for self-recording\u003c\/strong\u003e\u003cbr\u003eThe fully tiltable (180-degree), 3” (3.0-type) LCD flip screen with 921k-dots of high-resolution allows for simple and effective selfie-style shooting for both still image and video capture. Utilizing this capability, vloggers will be able to check and monitor composition throughout their entire creative process. The LCD screen is also equipped with touch functionality, with options for Touch Pad, Touch Focus, Touch Shutter and new Touch Tracking which quickly activates “Real-time Tracking” through the touch screen.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eA wide variety of touch screen operations\u003c\/strong\u003e\u003cbr\u003eThe LCD offers a wide variety of touch operations enabling intuitive shooting and fast focus operation. The Touch Focus function allows the desired focus point to be specified instantaneously by touching the subject on the monitor. Touch Shutter function instantaneously focuses on the subject touched on the monitor and releases the shutter, so that the desired subject can be captured with one touch. The touchpad function allows smooth focus position adjustment while using the viewfinder. Sliding a finger across the monitor moves the focus area position and can be moved smoothly while looking through the viewfinder. Touch Tracking function, works by touching the subject that you wish to focus on the screen and then half-pressing the shutter button activates Real-time Tracking. When shooting movies, touching the subject initiates tracking that maintains focus on the subject.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eInterval recording for time-lapse videos\u003c\/strong\u003e\u003cbr\u003eTime-lapse movies document changes with the passing of time. The a6400 features built-in interval recording, for time-lapse movie creation, that can be set anywhere between 1 and 60 seconds, with a total number up of shots from 1 to 9999. AE tracking sensitivity can be adjusted to “High”, “Mid” or “Low” during interval shooting, allowing for reduced changes in exposure over the shooting interval. The still images shot can then be edited into a time-lapse movie on a computer with the Viewer software from the Imaging Edge software suite. A convenient variable-speed preview function is also provided to get an image, on the camera, of how the finished movie will look. Combining with silent shooting means that you need not worry about durability of the mechanical shutter. When interval shooting is carried out over a long period, the camera can use an optional mobile battery or the multi-battery adaptor kit NPA-MQZ1K to supply power (not provided), so shooting outdoors and\/or for extended periods is worry-free.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHDR video with LG (Hybrid Log-Gamma)\u003c\/strong\u003e\u003cbr\u003eHLG (Hybrid Log-Gamma) picture profile that supports an instant HDR workflow. Recorded movies played back on an HDR (HLG) compatible TV, without the need for color grading, will appear true-to-life, with no blocked shadows or blown highlights. The BT.2020 color space is supported, providing a wider color gamut. Four gamma settings are provided (HLG, HLG1, HLG2, HLG3). The HLG setting conforms to ITU-R BT.2100, while The HLG1, HLG2, and HLG3 gamma settings provide wider dynamic range. The balance of dynamic range and noise produced by each setting is different, allowing selection to best match the scene being recorded.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eS-Log shooting support\u003c\/strong\u003e\u003cbr\u003eThe S-Log3 and S-Log2 Gamma curves feature wide dynamic range (up to 1300%) to minimize whiteout and blackout, and permit wider movie expression by performing color grading in post-production. The S-Log3 gamma setting further realizes a 14-stop latitude. The S-Gamut, S-Gamut3, and S-Gamut3.Cine color spaces are handled. A wide variety of professional end-uses such as cinema and broadcast are supported.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eZebra function\u003c\/strong\u003e\u003cbr\u003eChecking exposure is often difficult especially when shooting movies in the S-Log setting, but the Zebra function is provided to simplify the task. The Zebra display brightness level standard is IRE 0 – 109%, and the target range can be set freely between +10% and -10% of a selected value in 1% increments. This helps users to easily adjust exposure whether shooting still images, 4K video and when using S-Log2 and S-Log3, by specifying the target value and range of the exposure level for Zebra display in accordance with their intentions. Furthermore, users can set a minimum brightness level.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGamma Display Assist8\u003c\/strong\u003e\u003cbr\u003eGamma Display Assist8 is a function that allows users to monitor images or check focus while enlarging images of natural contrast when recording in the S-Log setting. It converts S-Log and S-Log into ITU709 (800%) gamma for monitoring on the LCD screen or viewfinder.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUltra-fast OLED w\/ EVF benefits and optical viewfinder immediacy\u003c\/strong\u003e\u003cbr\u003eThe 2.36 million-dot XGA OLED Tru-Finder electronic viewfinder has the ability to deliver continuous live shooting at up to 8 fps with AF\/AE tracking - making it easy to track fast moving subjects - thanks to overall improvements in the EVF algorithm. This offers photographers a shooting experience with the immediacy of an optical viewfinder, while still offering all of the benefits of an electronic viewfinder including a live preview of exposure, white balance and several other camera settings. The viewfinder frame rate can be selected at either “Standard” or “High” to match the subject.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSlow and quick motion9\u003c\/strong\u003e\u003cbr\u003eSlow and quick motion offers an almost endless variety of creative ways to express the passage of time. Video shooting frame rate are selectable in 8 steps from 1fps to 120fps, and the recording frame rate is selectable from 24p\/30p\/60p. Capture Full HD up to 50 Mbps with up to 5-times slow motion and up to 60-times quick motion.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRugged body and durable shutter mechanism\u003c\/strong\u003e\u003cbr\u003eDesigned for solid reliability and steady handling, the compact α6400 is built to withstand the rigors of shooting in the field, thanks to an internal structure of the strong and rigid magnesium alloy body. The highly durable and reliable shutter unit has been proven to endure approximately 200,000 shutter releases which ensure long-lasting shooting performance that takes into consideration the high-speed continuous shooting capabilities up to 11fps and the large number of photos shot by enthusiasts.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMake it your own with easy button and dial customization\u003c\/strong\u003e\u003cbr\u003eMake operation more intuitive, quick and easy. You can assign any of 89 functions to any of 8 custom buttons. Independent function sets can be assigned for stills, movies, and playback. “My Dial” allows for frequently-used functions to be assigned to the control dial and control wheel. The My Menu function allows up to 30 frequently-used menu items to be registered. They can be re-ordered by frequency of use, and little-used items can be deleted, allowing the user to create a menu that reflects their usage patterns.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWi-Fi®\/NFC™\/QR code for easy file transfer and remote control11\u003c\/strong\u003e\u003cbr\u003eEasily connect with NFC or QR code (for non-NFC devices) to smartphones or tablets with the built-in Wi-Fi® and Sony’s Imaging Edge mobile application available for free on the Android™ and iOS platforms. Control your camera or transfer photos and video to your device for fast and easy sharing without the need of a computer.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e16-bit processing and 14-bit RAW output\u003c\/strong\u003e\u003cbr\u003eThe a6400 employs 16-bit processing and 14-bit RAW output for natural gradations. The digital signal from the image sensor’s AD converter is processed in 16-bit form by the front-end LSI and BIONZ X processor before being output as 14-bit RAW data to the memory card. The result is smoother, more natural gradations that contribute to higher overall image quality. Compressed and uncompressed 14-bit RAW format are supported.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh-quality view mode for finer, natural detail\u003c\/strong\u003e\u003cbr\u003eA menu setting allows viewfinder and monitor display quality to be set to “Standard” or “High.” The “High” mode takes maximum advantage of the data read from the 24.2 effective megapixel sensor to provide extra fine viewfinder and monitor displays, with finer detail and a more natural overall view that can be a huge advantage when focus is critical. The Standard setting provides longer battery life.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMonitor OFF selectable via DISP button\u003c\/strong\u003e\u003cbr\u003eA new “Monitor OFF” selection has been added for the DISP button while shooting. When “Monitor OFF” is selected the monitor will be off except during image playback and when using the menus. This can be useful when shooting the night sky or in other situations where a bright monitor might be a distraction.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGPS location data via Bluetooth\u003c\/strong\u003e\u003cbr\u003eThe α6400 offers location data acquisition via a Bluetooth connection to a compatible mobile device with Imaging Edge Mobile App installed. After the camera has been paired to the Imaging Edge Mobile installed on a compatible mobile phone or tablet device, it can acquire location data from the mobile device and record that data with still images. The acquired location data can also be used to correct the camera’s date\/time and location settings.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSilent Shooting\u003c\/strong\u003e\u003cbr\u003eSilent Shooting features an electronic shutter that is noiseless so you can shoot high-resolution images in situations that require complete silence. Continuous autofocus and auto exposure is available when using silent shooting.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAF accuracy in dark scenes\u003c\/strong\u003e\u003cbr\u003eAdvanced AF algorithm contribute to high AF precision in AF-S mode down to light levels as low as EV-2 (ISO 100 equivalent, F2.0 lens), a step darker than the α6300. Shooting using highly precise AF is possible even in dark scenes.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMore detailed face detection settings\u003c\/strong\u003e\u003cbr\u003eThe face detection feature has been updated with individual AF Face Detection Priority [ON\/OFF], Face Detect Frame Display [ON\/OFF] and Multi AE Face Detect Priority [ON\/OFF] settings that were not available on the α6300. This provides the flexibility needed for a variety of situations, such as where face priority needs to be applied in AF only, for example.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAF in Focus Magnifier\u003c\/strong\u003e\u003cbr\u003eWhen shooting stills, it is possible to use autofocus while the selected image area is magnified in the viewfinder or monitor. You can even magnify the view after autofocus has been achieved for finer focus confirmation or refocusing. Since this function can be used to focus on an area smaller than the Flexible Spot, it is ideal for macro photography and other situations where focus must be precise.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAdditional 1:1 image aspect ratio\u003c\/strong\u003e\u003cbr\u003eIn addition to 3:2 and 16:9 aspect (width: height) ratios, the 1:1 aspect ratio used by Instagram etc. can also be selected. This eliminates the need for cumbersome hand-trimming of images after shooting before they can be posted on social media.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProxy recording\u003c\/strong\u003e\u003cbr\u003e4K movies and lower-resolution proxy movies can be recorded simultaneously. Proxy movie files are smaller than the corresponding 4K files, and are therefore ideal for quick previewing or pre-editing that can reduce the time required for final 4K editing.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePhoto Capture (image extraction from movies)\u003c\/strong\u003e\u003cbr\u003eUsers can select, extract and save still images of decisive moments from movie footage (frame grabs). High-quality 8-megapixels stills can be extracted from 4K video and 2-megapixels from Full HD video in camera during playback and stored as separate files on the media card.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePeaking function makes manual focus even easier\u003c\/strong\u003e\u003cbr\u003eThe excellent performance of the advanced BIONZ X image processor has improved the detection accuracy of the peaking function that color-highlights the most sharply focused area during manual focus and direct manual focus shooting. It’s now easier than ever to identify the focus peak areas during the delicate focusing required in macro or portrait shooting. Blue has been added to the peaking colors (red, yellow, white). The expanded range of colors from which an easily-visible peaking color can be selected, depending on the subject and environment, improves the visibility when using the peaking display.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAF tracking sensitivity adjustment\u003c\/strong\u003e\u003cbr\u003eWhen shooting movies, the sensitivity with which autofocus will follow subjects that move outside the focus area can be adjusted. Sensitivity should be set [High] for subjects at varying distances which require repeated refocusing, whereas the [Standard] setting can prevent the focus from jumping to new objects and maintain stable focus on a subject that is briefly obscured by other objects.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eISO value display while movie shooting\u003c\/strong\u003e\u003cbr\u003eWhen shooting movies in ISO Auto mode, the current ISO value can be constantly displayed. If concerned about noise levels in a dark location, for example, the user can monitor the current ISO value.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAdditional initial focus magnification setting\u003c\/strong\u003e\u003cbr\u003eWhen shooting movies, it is now possible to set the initial focus magnification. In addition to the current 1x \u0026gt; 4x, a new 4x only setting has been added. Through the setting of frequently-used magnifications, the number of focus magnification operations can be minimized.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e4K movie transfer to smartphone\u003c\/strong\u003e\u003cbr\u003eBy using the newly introduced smartphone app Imaging Edge Mobile, high-bitrate movies including 4K can be transferred to smartphones (Probability of transfer \/ playback depends on the performance of the smartphone). Refer to the product information for Imaging Edge Mobile for details\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMicrophone jack and XLR adaptor kit compatible\u003c\/strong\u003e\u003cbr\u003eThe a6400 provides a microphone jack for an external microphone and a MI (Multi-interface) shoe which provides direct connectivity to a range of compatible MI-shoe microphones. The MI-shoe also provides line input via optional XLR adaptor kits (XLR-K2M\/XLR-K1M) that allow the connection of many types of pro (XLR) microphones. A modest audio set-up with some noise reduction supports better sound quality suitable for serious movie shooting or self-shooting for vlog.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh bitrate Full HD high-speed recording at 120 fps2\u003c\/strong\u003e\u003cbr\u003eHigh-quality slow-motion sequences can be created during post-production processing as high-speed Full HD recording at 120 fps2 is supported. A max. 100 Mbps high bit rate recording is possible with XAVC S2 format.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEnhanced menu usability\u003c\/strong\u003e\u003cbr\u003eAn illustration to indicate position of camera control keys and buttons are added to the custom settings screen. A glance confirms which button or switch one is attempting to assign to. Another improvement in menu usability is that function menu options can be viewed when setting the function menu, improving ease of operation.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRestricted display of AF area and ISO display limit\u003c\/strong\u003e\u003cbr\u003eOn the AF area setting screen, a new function has been added that displays only focus area types that the user uses frequently. Another new function on the ISO setting screen displays only frequently-used ISO ranges. These allow setting changes to be made efficiently while shooting. These display restrictions apply even when “Switch Focus Area” is assigned to a custom button.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eImproved AWB control\u003c\/strong\u003e\u003cbr\u003eAuto white balance can now be locked or unlocked at any time with the “AWB Lock function”. This is convenient when one wants to fix auto white balance in an environment with multiple (artificial and natural) light sources. Setting the white balance color temperature has been simplified as well as reducing the steps in setting of custom white balance. With “Priority Set in AWB”, when white balance is set to Auto and incandescent lamps or similar are the light source, the color tone priority can be set to Standard, Ambience, or White. Ambience priority produces a warm tone, while white priority produces accurate white reproduction.\u003c\/p\u003e\u003cp\u003ePower supply via USB \"The α6400 can be powered via USB connection to AC adaptor, a PC or mobile battery. This conserves the camera’s battery, allowing you extended use of the camera without worrying that the battery will run out. When the camera is turned off, the battery can be charged via the same connection.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\u003cbr\u003ep.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px 'Trebuchet MS'; color: #000000; -webkit-text-stroke: #000000}\u003cbr\u003espan.s1 {font-kerning: none}\u003cbr\u003espan.s2 {font: 6.7px 'Trebuchet MS'; font-kerning: none}\u003cbr\u003espan.s3 {font: 10.0px 'PingFang SC'; font-kerning: none}\u003cbr\u003espan.s4 {text-decoration: underline ; font-kerning: none; color: #0000ff; -webkit-text-stroke: 0px #0000ff}\u003cbr\u003e--\u003e\u003c\/style\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAmong interchangeable-lens digital cameras equipped with an APS-C image sensor as of January 2019, based on Sony research, measured using CIPA-compliant guidelines, and internal measurement method with an E 18-135mm F3.5-5.6 OSS lens mounted, Pre-AF off and viewfinder in use.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003e2\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e SDHC\/SDXC memory card of Class 10 or higher is required for movie recording in XAVC S format.\u003cspan class=\"Apple-converted-space\"\u003e\u003c\/span\u003eUHS-I (U3) SDHC\/SDXC card is required for 100Mbps recording. Movie recording is possible for approximately 29 minutes.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003e3\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e High-speed continuous shooting is available at up to approx. 11fps in “Hi+” continuous shooting mode and up to approx. 8fps in “Hi” continuous shooting mode. Maximum fps will depend on camera settings.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003e4\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e With \"Hi\" continuous shooting mode. Sony internal measurement.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003e5\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e The latest version of Imaging Edge “Viewer” and PlayMemories Home desktop applications are required\u003cspan class=\"Apple-converted-space\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003e6\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e Connect this product to an HDR (HLG) compatible Sony TV via a USB cable when displaying HDR (HLG) movies.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003e7\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e S-Log2 and S-Log3 functions assume video processing after shooting.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003e8\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e The Gamma Display Assist function is not available for monitoring on external displays and television sets.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003e9\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e Sound cannot be recorded during S\u0026amp;Q. SDHC\/SDXC memory card of Class 10 or higher is required. Full HD up to 50 Mbps; 60x quick motion\/5x slow in NTSC and 50x quick motion\/4x slow in PAL.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003e10\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e Based on Sony research .\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003e11\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e The latest version of Imaging Edge Mobile is required for the smartphone or tablet device. Mobile devices that can communicate with this camera via Bluetooth are the following (as at the release date of this camera): Android terminals (Android 5.0 or later, Bluetooth 4.0 or later), iPhone\/iPad iPhone 4S or later \/ iPad\u003c\/span\u003e\u003cspan class=\"s3\"\u003e（\u003c\/span\u003e\u003cspan class=\"s1\"\u003e3rd generation\u003cspan class=\"Apple-converted-space\"\u003e\u003c\/span\u003eor later). Please refer to detailed instructions at \u003ca href=\"http:\/\/www.sony.net\/pmm\/btg\/\"\u003e\u003cspan class=\"s4\"\u003ehttp:\/\/www.sony.net\/pmm\/btg\/\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":35176770568237,"sku":"41355","price":899.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/a6400_front_black.jpg?v=1701468314"},{"product_id":"sony-a6400-w-18-135mm","title":"Sony Alpha a6400 Mirrorless Camera with 18-135mm Lens","description":"Advanced APS-C camera with 24.2 MP Exmor® CMOS sensor, the World’s fastest autofocus (AF) speed1at 0.02 sec., advanced Real-time Eye-AF and Real-time object Tracking AF with Wide 425-phase\/425-contrast detection AF points over 84% of sensor, up to 11fps continuous shooting3with continuous autofocus and auto-exposure,4K HDR video2, 180-degree tiltable touchscreen LCDand Wi-Fi® for easy file transfer and remote control.\u003cbr\u003e\u003cp\u003eAdvanced APS-C camera with 24.2 MP Exmor® CMOS sensor, the World’s fastest autofocus (AF) speed1at 0.02 sec., advanced Real-time Eye-AF and Real-time object Tracking AF with Wide 425-phase\/425-contrast detection AF points over 84% of sensor, up to 11fps continuous shooting with continuous autofocus and auto-exposure,4K HDR video, 180-degree tiltable touchscreen LCDand Wi-Fi® for easy file transfer and remote control.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e24.2MP and incredible image quality\u003c\/strong\u003e\u003cbr\u003eThe a6400’s APS-C image sensor with approximately 24.2 effective megapixels uses copper wiring and a highly effective circuit process, resulting in efficient light collection that achieves a wide sensitivity range (Expandable ISO 100 – 102400) and excellent low noise performance even at high ISO. The design significantly increases readout speed, enabling functionality including 11fps continuous shooting, 4K recording with full pixel readout without pixel binning and Full HD 120fps high-speed shooting. A front-end LSI supports the image processing of the new-generation BIONZ X image processing engine. Advances in image processing algorithms have further improved the superb image clarity, texture reproduction and image quality.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWorld’s fastest autofocus with 4D FOCUS™\u003c\/strong\u003e\u003cbr\u003e\"The α6400’s unrivaled 4D FOCUS™ system boasts the world’s fastest autofocus (AF) acquisition time that can lock focus on even the fastest moving subject in as little as 0.02 seconds. It also boasts an incredible 425 phase detection and 425 contrast detection AF points that are densely positioned over 84% of the image area, effectively tracking subjects as they move across the frame. Moreover, the α6400 takes full advantage of its enhanced fast hybrid AF for movies in both HD and 4K. With the optimized new-generation subject motion prediction algorithm from the α9. Both AF detection accuracy and tracking performance have been boosted.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAdvanced Real-time Eye-AF\u003c\/strong\u003e\u003cbr\u003eAdvanced “Real-time Eye AF” employs artificial intelligence to detect and process eye data in real time, resulting in improved accuracy, speed and tracking performance of Eye AF. With a half press of the shutter button, the camera can automatically detect the eyes of the subject and activate Eye AF in all autofocus modes and when in either AF-C or AF-A mode, eye capture is continuously maintained. Additionally, the preferred eye (left or right) of your subject can be selected as the focus point. Choices include Auto\/Right Eye\/Left Eye, and a Switch Right\/Left Eye function is assignable to a custom function as well.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eReal-time Tracking AF\u003c\/strong\u003e\u003cbr\u003eReal-time Tracking” utilizes a special object recognition algorithm that processes color, subject distance (depth), brightness (pattern) as spatial information, plus AI information including face and eye location, ensuring that all subjects can be captured with extreme accuracy and precision. This can be activated by a simple half press of the shutter button, or can be assigned to a custom function as well.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUp to 11fps at 24.2MP with AE\/AF tracking\u003c\/strong\u003e\u003cbr\u003eThe α6400 has been designed to allow for high resolution, continuous shooting at high frame rates. It features a front-end LSI that works with the image sensor, BIONZ X image processing engine and a newly designed shutter mechanism with ‘braking feature’ to enable continuous shooting at impressive speeds up to 11fps with continuous autofocus and auto-exposure tracking at full 24.2MP resolution while utilizing the mechanical shutter, and up to 8 fps3 with full AF\/AE tracking while silent shooting. The α6400 can also shoot continuously for up to 116 JPEG and 46 compressed RAW frames, thanks to a large buffer. These shots can be viewed immediately after shooting, even when in high-speed continuous shooting mode.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e4K movie2 w\/ 2.4x oversampling4, full pixel readout, no pixel binning\u003c\/strong\u003e\u003cbr\u003eThe α6400 offers internal 4K (QFHD: 3840 x 2160) recording in Super 35mm format with full pixel readout and no pixel binning at 2.4x oversampling (6K equivalent) for the ultimate 4K footage with exceptional detail and depth. Additional professional video features include; HDR (HLG), S-Gamut3\/S-Log3and 3, plus Gamma Display Assist, the ability to record Full HD at 120 fps for up to 5x slow motion HD video, both a mic jack and XLR compatibility via the MI shoe, enhanced Zebra functionality, focus peaking, picture profile settings, as well as Time Code \/ User Bit, clean HDMI output and much more.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFast Hybrid AF allows smooth focusing for movies\u003c\/strong\u003e\u003cbr\u003eEffective use of the focal plane phase-detection system makes focusing during movie shooting fast and stable. The upgraded Fast Hybrid AF technology keeps your subject in constant smooth focus no matter the scene. This advanced AF plus touch focus functionality on the 180-degree titlable LCD make it an ideal camera choice for many vloggers and video creators that are regularly creating and uploading content online. Touching the subject that you wish to focus on the screen initiates accurate and smooth continuous focus tracking, while analyzing color, brightness pattern, distance (depth) and face information. AF drive speed and AF Tracking Sensitivity are also adjustable to support creative moviemaking.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e180-degree fully tiltable LCD touch screen for self-recording\u003c\/strong\u003e\u003cbr\u003eThe fully tiltable (180-degree), 3” (3.0-type) LCD flip screen with 921k-dots of high-resolution allows for simple and effective selfie-style shooting for both still image and video capture. Utilizing this capability, vloggers will be able to check and monitor composition throughout their entire creative process. The LCD screen is also equipped with touch functionality, with options for Touch Pad, Touch Focus, Touch Shutter and new Touch Tracking which quickly activates “Real-time Tracking” through the touch screen.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eA wide variety of touch screen operations\u003c\/strong\u003e\u003cbr\u003eThe LCD offers a wide variety of touch operations enabling intuitive shooting and fast focus operation. The Touch Focus function allows the desired focus point to be specified instantaneously by touching the subject on the monitor. Touch Shutter function instantaneously focuses on the subject touched on the monitor and releases the shutter, so that the desired subject can be captured with one touch. The touchpad function allows smooth focus position adjustment while using the viewfinder. Sliding a finger across the monitor moves the focus area position and can be moved smoothly while looking through the viewfinder. Touch Tracking function, works by touching the subject that you wish to focus on the screen and then half-pressing the shutter button activates Real-time Tracking. When shooting movies, touching the subject initiates tracking that maintains focus on the subject.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eInterval recording for time-lapse videos\u003c\/strong\u003e\u003cbr\u003eTime-lapse movies document changes with the passing of time. The a6400 features built-in interval recording, for time-lapse movie creation, that can be set anywhere between 1 and 60 seconds, with a total number up of shots from 1 to 9999. AE tracking sensitivity can be adjusted to “High”, “Mid” or “Low” during interval shooting, allowing for reduced changes in exposure over the shooting interval. The still images shot can then be edited into a time-lapse movie on a computer with the Viewer software from the Imaging Edge software suite. A convenient variable-speed preview function is also provided to get an image, on the camera, of how the finished movie will look. Combining with silent shooting means that you need not worry about durability of the mechanical shutter. When interval shooting is carried out over a long period, the camera can use an optional mobile battery or the multi-battery adaptor kit NPA-MQZ1K to supply power (not provided), so shooting outdoors and\/or for extended periods is worry-free.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHDR video with LG (Hybrid Log-Gamma)\u003c\/strong\u003e\u003cbr\u003eHLG (Hybrid Log-Gamma) picture profile that supports an instant HDR workflow. Recorded movies played back on an HDR (HLG) compatible TV, without the need for color grading, will appear true-to-life, with no blocked shadows or blown highlights. The BT.2020 color space is supported, providing a wider color gamut. Four gamma settings are provided (HLG, HLG1, HLG2, HLG3). The HLG setting conforms to ITU-R BT.2100, while The HLG1, HLG2, and HLG3 gamma settings provide wider dynamic range. The balance of dynamic range and noise produced by each setting is different, allowing selection to best match the scene being recorded.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eS-Log shooting support\u003c\/strong\u003e\u003cbr\u003eThe S-Log3 and S-Log2 Gamma curves feature wide dynamic range (up to 1300%) to minimize whiteout and blackout, and permit wider movie expression by performing color grading in post-production. The S-Log3 gamma setting further realizes a 14-stop latitude. The S-Gamut, S-Gamut3, and S-Gamut3.Cine color spaces are handled. A wide variety of professional end-uses such as cinema and broadcast are supported.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eZebra function\u003c\/strong\u003e\u003cbr\u003eChecking exposure is often difficult especially when shooting movies in the S-Log setting, but the Zebra function is provided to simplify the task. The Zebra display brightness level standard is IRE 0 – 109%, and the target range can be set freely between +10% and -10% of a selected value in 1% increments. This helps users to easily adjust exposure whether shooting still images, 4K video and when using S-Log2 and S-Log3, by specifying the target value and range of the exposure level for Zebra display in accordance with their intentions. Furthermore, users can set a minimum brightness level.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGamma Display Assist8\u003c\/strong\u003e\u003cbr\u003eGamma Display Assist8 is a function that allows users to monitor images or check focus while enlarging images of natural contrast when recording in the S-Log setting. It converts S-Log and S-Log into ITU709 (800%) gamma for monitoring on the LCD screen or viewfinder.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUltra-fast OLED w\/ EVF benefits and optical viewfinder immediacy\u003c\/strong\u003e\u003cbr\u003eThe 2.36 million-dot XGA OLED Tru-Finder electronic viewfinder has the ability to deliver continuous live shooting at up to 8 fps with AF\/AE tracking - making it easy to track fast moving subjects - thanks to overall improvements in the EVF algorithm. This offers photographers a shooting experience with the immediacy of an optical viewfinder, while still offering all of the benefits of an electronic viewfinder including a live preview of exposure, white balance and several other camera settings. The viewfinder frame rate can be selected at either “Standard” or “High” to match the subject.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSlow and quick motion9\u003c\/strong\u003e\u003cbr\u003eSlow and quick motion offers an almost endless variety of creative ways to express the passage of time. Video shooting frame rate are selectable in 8 steps from 1fps to 120fps, and the recording frame rate is selectable from 24p\/30p\/60p. Capture Full HD up to 50 Mbps with up to 5-times slow motion and up to 60-times quick motion.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRugged body and durable shutter mechanism\u003c\/strong\u003e\u003cbr\u003eDesigned for solid reliability and steady handling, the compact α6400 is built to withstand the rigors of shooting in the field, thanks to an internal structure of the strong and rigid magnesium alloy body. The highly durable and reliable shutter unit has been proven to endure approximately 200,000 shutter releases which ensure long-lasting shooting performance that takes into consideration the high-speed continuous shooting capabilities up to 11fps and the large number of photos shot by enthusiasts.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMake it your own with easy button and dial customization\u003c\/strong\u003e\u003cbr\u003eMake operation more intuitive, quick and easy. You can assign any of 89 functions to any of 8 custom buttons. Independent function sets can be assigned for stills, movies, and playback. “My Dial” allows for frequently-used functions to be assigned to the control dial and control wheel. The My Menu function allows up to 30 frequently-used menu items to be registered. They can be re-ordered by frequency of use, and little-used items can be deleted, allowing the user to create a menu that reflects their usage patterns.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWi-Fi®\/NFC™\/QR code for easy file transfer and remote control11\u003c\/strong\u003e\u003cbr\u003eEasily connect with NFC or QR code (for non-NFC devices) to smartphones or tablets with the built-in Wi-Fi® and Sony’s Imaging Edge mobile application available for free on the Android™ and iOS platforms. Control your camera or transfer photos and video to your device for fast and easy sharing without the need of a computer.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e16-bit processing and 14-bit RAW output\u003c\/strong\u003e\u003cbr\u003eThe a6400 employs 16-bit processing and 14-bit RAW output for natural gradations. The digital signal from the image sensor’s AD converter is processed in 16-bit form by the front-end LSI and BIONZ X processor before being output as 14-bit RAW data to the memory card. The result is smoother, more natural gradations that contribute to higher overall image quality. Compressed and uncompressed 14-bit RAW format are supported.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh-quality view mode for finer, natural detail\u003c\/strong\u003e\u003cbr\u003eA menu setting allows viewfinder and monitor display quality to be set to “Standard” or “High.” The “High” mode takes maximum advantage of the data read from the 24.2 effective megapixel sensor to provide extra fine viewfinder and monitor displays, with finer detail and a more natural overall view that can be a huge advantage when focus is critical. The Standard setting provides longer battery life.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMonitor OFF selectable via DISP button\u003c\/strong\u003e\u003cbr\u003eA new “Monitor OFF” selection has been added for the DISP button while shooting. When “Monitor OFF” is selected the monitor will be off except during image playback and when using the menus. This can be useful when shooting the night sky or in other situations where a bright monitor might be a distraction.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGPS location data via Bluetooth\u003c\/strong\u003e\u003cbr\u003eThe α6400 offers location data acquisition via a Bluetooth connection to a compatible mobile device with Imaging Edge Mobile App installed. After the camera has been paired to the Imaging Edge Mobile installed on a compatible mobile phone or tablet device, it can acquire location data from the mobile device and record that data with still images. The acquired location data can also be used to correct the camera’s date\/time and location settings.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSilent Shooting\u003c\/strong\u003e\u003cbr\u003eSilent Shooting features an electronic shutter that is noiseless so you can shoot high-resolution images in situations that require complete silence. Continuous autofocus and auto exposure is available when using silent shooting.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAF accuracy in dark scenes\u003c\/strong\u003e\u003cbr\u003eAdvanced AF algorithm contribute to high AF precision in AF-S mode down to light levels as low as EV-2 (ISO 100 equivalent, F2.0 lens), a step darker than the α6300. Shooting using highly precise AF is possible even in dark scenes.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMore detailed face detection settings\u003c\/strong\u003e\u003cbr\u003eThe face detection feature has been updated with individual AF Face Detection Priority [ON\/OFF], Face Detect Frame Display [ON\/OFF] and Multi AE Face Detect Priority [ON\/OFF] settings that were not available on the α6300. This provides the flexibility needed for a variety of situations, such as where face priority needs to be applied in AF only, for example.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAF in Focus Magnifier\u003c\/strong\u003e\u003cbr\u003eWhen shooting stills, it is possible to use autofocus while the selected image area is magnified in the viewfinder or monitor. You can even magnify the view after autofocus has been achieved for finer focus confirmation or refocusing. Since this function can be used to focus on an area smaller than the Flexible Spot, it is ideal for macro photography and other situations where focus must be precise.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAdditional 1:1 image aspect ratio\u003c\/strong\u003e\u003cbr\u003eIn addition to 3:2 and 16:9 aspect (width: height) ratios, the 1:1 aspect ratio used by Instagram etc. can also be selected. This eliminates the need for cumbersome hand-trimming of images after shooting before they can be posted on social media.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProxy recording\u003c\/strong\u003e\u003cbr\u003e4K movies and lower-resolution proxy movies can be recorded simultaneously. Proxy movie files are smaller than the corresponding 4K files, and are therefore ideal for quick previewing or pre-editing that can reduce the time required for final 4K editing.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePhoto Capture (image extraction from movies)\u003c\/strong\u003e\u003cbr\u003eUsers can select, extract and save still images of decisive moments from movie footage (frame grabs). High-quality 8-megapixels stills can be extracted from 4K video and 2-megapixels from Full HD video in camera during playback and stored as separate files on the media card.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePeaking function makes manual focus even easier\u003c\/strong\u003e\u003cbr\u003eThe excellent performance of the advanced BIONZ X image processor has improved the detection accuracy of the peaking function that color-highlights the most sharply focused area during manual focus and direct manual focus shooting. It’s now easier than ever to identify the focus peak areas during the delicate focusing required in macro or portrait shooting. Blue has been added to the peaking colors (red, yellow, white). The expanded range of colors from which an easily-visible peaking color can be selected, depending on the subject and environment, improves the visibility when using the peaking display.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAF tracking sensitivity adjustment\u003c\/strong\u003e\u003cbr\u003eWhen shooting movies, the sensitivity with which autofocus will follow subjects that move outside the focus area can be adjusted. Sensitivity should be set [High] for subjects at varying distances which require repeated refocusing, whereas the [Standard] setting can prevent the focus from jumping to new objects and maintain stable focus on a subject that is briefly obscured by other objects.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eISO value display while movie shooting\u003c\/strong\u003e\u003cbr\u003eWhen shooting movies in ISO Auto mode, the current ISO value can be constantly displayed. If concerned about noise levels in a dark location, for example, the user can monitor the current ISO value.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAdditional initial focus magnification setting\u003c\/strong\u003e\u003cbr\u003eWhen shooting movies, it is now possible to set the initial focus magnification. In addition to the current 1x \u0026gt; 4x, a new 4x only setting has been added. Through the setting of frequently-used magnifications, the number of focus magnification operations can be minimized.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e4K movie transfer to smartphone\u003c\/strong\u003e\u003cbr\u003eBy using the newly introduced smartphone app Imaging Edge Mobile, high-bitrate movies including 4K can be transferred to smartphones (Probability of transfer \/ playback depends on the performance of the smartphone). Refer to the product information for Imaging Edge Mobile for details\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMicrophone jack and XLR adaptor kit compatible\u003c\/strong\u003e\u003cbr\u003eThe a6400 provides a microphone jack for an external microphone and a MI (Multi-interface) shoe which provides direct connectivity to a range of compatible MI-shoe microphones. The MI-shoe also provides line input via optional XLR adaptor kits (XLR-K2M\/XLR-K1M) that allow the connection of many types of pro (XLR) microphones. A modest audio set-up with some noise reduction supports better sound quality suitable for serious movie shooting or self-shooting for vlog.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh bitrate Full HD high-speed recording at 120 fps2\u003c\/strong\u003e\u003cbr\u003eHigh-quality slow-motion sequences can be created during post-production processing as high-speed Full HD recording at 120 fps2 is supported. A max. 100 Mbps high bit rate recording is possible with XAVC S2 format.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEnhanced menu usability\u003c\/strong\u003e\u003cbr\u003eAn illustration to indicate position of camera control keys and buttons are added to the custom settings screen. A glance confirms which button or switch one is attempting to assign to. Another improvement in menu usability is that function menu options can be viewed when setting the function menu, improving ease of operation.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRestricted display of AF area and ISO display limit\u003c\/strong\u003e\u003cbr\u003eOn the AF area setting screen, a new function has been added that displays only focus area types that the user uses frequently. Another new function on the ISO setting screen displays only frequently-used ISO ranges. These allow setting changes to be made efficiently while shooting. These display restrictions apply even when “Switch Focus Area” is assigned to a custom button.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eImproved AWB control\u003c\/strong\u003e\u003cbr\u003eAuto white balance can now be locked or unlocked at any time with the “AWB Lock function”. This is convenient when one wants to fix auto white balance in an environment with multiple (artificial and natural) light sources. Setting the white balance color temperature has been simplified as well as reducing the steps in setting of custom white balance. With “Priority Set in AWB”, when white balance is set to Auto and incandescent lamps or similar are the light source, the color tone priority can be set to Standard, Ambience, or White. Ambience priority produces a warm tone, while white priority produces accurate white reproduction.\u003c\/p\u003e\u003cp\u003ePower supply via USB \"The α6400 can be powered via USB connection to AC adaptor, a PC or mobile battery. This conserves the camera’s battery, allowing you extended use of the camera without worrying that the battery will run out. When the camera is turned off, the battery can be charged via the same connection.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\u003cbr\u003ep.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px 'Trebuchet MS'; color: #000000; -webkit-text-stroke: #000000}\u003cbr\u003espan.s1 {font-kerning: none}\u003cbr\u003espan.s2 {font: 6.7px 'Trebuchet MS'; font-kerning: none}\u003cbr\u003espan.s3 {font: 10.0px 'PingFang SC'; font-kerning: none}\u003cbr\u003espan.s4 {text-decoration: underline ; font-kerning: none; color: #0000ff; -webkit-text-stroke: 0px #0000ff}\u003cbr\u003e--\u003e\u003c\/style\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAmong interchangeable-lens digital cameras equipped with an APS-C image sensor as of January 2019, based on Sony research, measured using CIPA-compliant guidelines, and internal measurement method with an E 18-135mm F3.5-5.6 OSS lens mounted, Pre-AF off and viewfinder in use.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003e2\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e SDHC\/SDXC memory card of Class 10 or higher is required for movie recording in XAVC S format.\u003cspan class=\"Apple-converted-space\"\u003e\u003c\/span\u003eUHS-I (U3) SDHC\/SDXC card is required for 100Mbps recording. Movie recording is possible for approximately 29 minutes.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003e3\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e High-speed continuous shooting is available at up to approx. 11fps in “Hi+” continuous shooting mode and up to approx. 8fps in “Hi” continuous shooting mode. Maximum fps will depend on camera settings.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003e4\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e With \"Hi\" continuous shooting mode. Sony internal measurement.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003e5\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e The latest version of Imaging Edge “Viewer” and PlayMemories Home desktop applications are required\u003cspan class=\"Apple-converted-space\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003e6\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e Connect this product to an HDR (HLG) compatible Sony TV via a USB cable when displaying HDR (HLG) movies.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003e7\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e S-Log2 and S-Log3 functions assume video processing after shooting.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003e8\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e The Gamma Display Assist function is not available for monitoring on external displays and television sets.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003e9\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e Sound cannot be recorded during S\u0026amp;Q. SDHC\/SDXC memory card of Class 10 or higher is required. Full HD up to 50 Mbps; 60x quick motion\/5x slow in NTSC and 50x quick motion\/4x slow in PAL.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003e10\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e Based on Sony research .\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003csup\u003e11\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e The latest version of Imaging Edge Mobile is required for the smartphone or tablet device. Mobile devices that can communicate with this camera via Bluetooth are the following (as at the release date of this camera): Android terminals (Android 5.0 or later, Bluetooth 4.0 or later), iPhone\/iPad iPhone 4S or later \/ iPad\u003c\/span\u003e\u003cspan class=\"s3\"\u003e（\u003c\/span\u003e\u003cspan class=\"s1\"\u003e3rd generation\u003cspan class=\"Apple-converted-space\"\u003e\u003c\/span\u003eor later). Please refer to detailed instructions at \u003ca href=\"http:\/\/www.sony.net\/pmm\/btg\/\"\u003e\u003cspan class=\"s4\"\u003ehttp:\/\/www.sony.net\/pmm\/btg\/\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":35176770601005,"sku":"41376","price":1299.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/a6400_sel18135_front_top_black.jpg?v=1701468221"},{"product_id":"sony-fe-135mm-f-1-8-gm-lens","title":"Sony FE 135mm f\/1.8 GM Lens","description":"\u003ch3\u003eSony Alpha Full-frame E-mount Telephoto Prime G Master Lens\u003c\/h3\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003cspan\u003eBeauty beyond belief\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e135mm F1.8 prime using XA, Super ED and ED glass elements with four XD linear focus motors to drive two focus groups for fast, quiet and precise autofocus while delivering breathtaking G Master sharpness and bokeh.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":35176776040493,"sku":"42837","price":2249.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/SEL135F18GM_A.jpg?v=1634872998"},{"product_id":"sony-alc-f72s-72mm-lens-cap","title":"Sony 72mm Front Lens Cap","description":"\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eSony Front Lens Cap for 67mm\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThis replacement \u003cstrong\u003eLens Cap\u003c\/strong\u003e protects the front element when your lens is not in use. It incorporates a center-pinch snap-on design, providing secure attachment and effortless operation.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHigh-quality replacement front black lens cap\u003c\/li\u003e\n\u003cli\u003eProtect your lens from dust and dirt\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eUltra-lightweight design\u003c\/li\u003e\n\u003cli\u003eStylish matte black finish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSize:\u003c\/h3\u003e\n\u003cp\u003e72mm\u003c\/p\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e72mm Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003e⌀ 2.875 x 0.375\"\u003c\/p\u003e\n\u003ch3\u003eWeight:\u003c\/h3\u003e\n\u003cp\u003e0.0375 lbs\u003c\/p\u003e\n\u003ch3\u003eMaterial:\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eABS\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eManufacturer SKU:\u003c\/h3\u003e\n\u003cp\u003eALC-F72S\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eSony Front Lens Cap for 72mm\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":35176780660781,"sku":"44269","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/1333033560_850508_3.jpg?v=1614037126"},{"product_id":"sony-alc-f67s-67mm-lens-cap","title":"Sony Front Lens Cap for 67mm","description":"\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eSony Front Lens Cap for 67mm\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThis replacement \u003cstrong\u003eLens Cap\u003c\/strong\u003e protects the front element when your lens is not in use. It incorporates a center-pinch snap-on design, providing secure attachment and effortless operation.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHigh-quality replacement front black lens cap\u003c\/li\u003e\n\u003cli\u003eProtect your lens from dust and dirt\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eUltra-lightweight design\u003c\/li\u003e\n\u003cli\u003eStylish matte black finish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSize:\u003c\/h3\u003e\n\u003cp\u003e67mm\u003c\/p\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e67mm Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003e⌀ 2.875 x 0.375\"\"\u003c\/p\u003e\n\u003ch3\u003eWeight:\u003c\/h3\u003e\n\u003cp\u003e0.0375 lbs\u003c\/p\u003e\n\u003ch3\u003eMaterial:\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eABS\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eManufacturer SKU:\u003c\/h3\u003e\n\u003cp\u003eALC-F82S\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eSony Front Lens Cap for 67mm\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":35176780693549,"sku":"44262","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/1333033560_850508_2.jpg?v=1614037128"},{"product_id":"sony-alc-f82s-82mm-lens-cap","title":"Sony Front Lens Cap for 82mm","description":"\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003eSony Front Lens Cap for 82mm\u003c\/h3\u003e\n\u003cp\u003eThis replacement \u003cstrong\u003eLens Cap\u003c\/strong\u003e protects the front element when your lens is not in use. It incorporates a center-pinch snap-on design, providing secure attachment and effortless operation.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHigh-quality replacement front black lens cap\u003c\/li\u003e\n\u003cli\u003eProtect your lens from dust and dirt\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSize:\u003c\/h3\u003e\n\u003cp\u003e82mm\u003c\/p\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e82mm Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003e⌀ 3.375 x 0.41\"\u003c\/p\u003e\n\u003ch3\u003eWeight:\u003c\/h3\u003e\n\u003cp\u003e0.05625 lbs\u003c\/p\u003e\n\u003ch3\u003eMaterial:\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eABS\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eManufacturer SKU:\u003c\/h3\u003e\n\u003cp\u003eALC-F82S\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eSony Front Lens Cap for 82mm\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":35176780726317,"sku":"44255","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/1333033560_850508_1.jpg?v=1614037130"},{"product_id":"sony-alc-f77s-77mm-lens-cap","title":"Sony Front Lens Cap for 77mm","description":"\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003eSony Front Lens Cap for 77mm\u003c\/h3\u003e\n\u003cp\u003eThis replacement \u003cstrong\u003eLens Cap\u003c\/strong\u003e protects the front element when your lens is not in use. It incorporates a center-pinch snap-on design, providing secure attachment and effortless operation.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHigh-quality replacement front black lens cap\u003c\/li\u003e\n\u003cli\u003eProtect your lens from dust and dirt\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSize:\u003c\/h3\u003e\n\u003cp\u003e77mm\u003c\/p\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e77mm Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003e⌀ 2.875 x 0.375\"\u003c\/p\u003e\n\u003ch3\u003eWeight:\u003c\/h3\u003e\n\u003cp\u003e0.0375 lbs\u003c\/p\u003e\n\u003ch3\u003eMaterial:\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eABS\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eManufacturer SKU:\u003c\/h3\u003e\n\u003cp\u003eALC-F77S\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eSony Front Lens Cap for 77mm\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":35176780759085,"sku":"44234","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/1333033560_850508.jpg?v=1614036822"}],"url":"https:\/\/www.glazerscamera.com\/collections\/sony-alpha-products.oembed?page=2","provider":"Glazer's Camera","version":"1.0","type":"link"}