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For example: you have the option of using just the Small Unit, just a Medium Unit, or using both together to equal a Large Core Unit volume.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLightweight Water-Resistant \u0026amp; Multi-purpose Skin\u003c\/strong\u003e: The included Skin’s primary function is a storage case for the padded Core Units, ideal for when your gear is at home and not in use. It keeps the Core Unit sealed and dust free. Its secondary function is to use as a packing cell. A user can fill it with clothing or other common items and pack it in their backpack or carry-on roller.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEVA Protective Shell and Dividers\u003c\/strong\u003e: Walls and dividers are constructed with EVA which ensures much greater protection than cheaper PE foams used in most camera bags. With EVA we have greater control over the density and quality of materials used to protect your gear. It also means our walls can be thinner and use less internal volume while still providing superior protection.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSize:\u003c\/h3\u003e\n\u003cp\u003e40L\u003c\/p\u003e\n\u003ch3\u003eFits:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded \u003cmeta charset=\"utf-8\"\u003eMedium DSLR Core Unit v2\u003c\/strong\u003e: Most\u003cmeta charset=\"utf-8\"\u003emirrorless and DSLR cameras (including gripped bodies) up to 16 cm (6.3 in) tall along with lenses as long as a 70-200mm 2.8.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLaptop\/Tablet\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e: Fits a laptop up to 16\" (x2)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eBackpack:\u003c\/strong\u003e\u003cbr\u003eOutside: 11.8 x 20.9 x 7.9\"\u003cbr\u003eInside: 11.6 x 20.7 x 7.5\"\u003cbr\u003eLaptop Compartment - Combined: 10 x 15 x 0.8\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCore Unit:\u003c\/strong\u003e\u003cbr\u003eOutside: 11.4 x 11.4 x 7\"\u003cbr\u003eInside: 10.6 x 10.6 x 6.7\"\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eWeight:\u003c\/h3\u003e\n\u003cp\u003eBackpack: 6 lbs\u003cbr\u003eCore Unit: 1.34 lbs\u003c\/p\u003e\n\u003ch3\u003eMaterials:\u003c\/h3\u003e\n\u003cp\u003eFabric\u003c\/p\u003e\n\u003ch3\u003eManufacturer SKU:\u003c\/h3\u003e\n\u003cp\u003e520-132\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eShimoda Action X40 v2 Backpack - Black\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eShimoda Core Unit Medium DSLR v2 (520-214)\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAdjustable Waist Belt\u003cbr\u003eHelmet Holder\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Shimoda Action X70 HD Backpack Starter Kit with XL DV Core Unit - Black\"}'\u003eRain Cover for\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Shimoda Action X50 v2 Backpack Starter Kit with Medium DSLR Core Unit - Black\"}'\u003e40L - 60L Backpacks (520-096)\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003eAccessory Straps\u003cbr\u003eLimited 5-Year Manufacturer Warranty\u003c\/p\u003e","brand":"Shimoda","offers":[{"title":"Default Title","offer_id":41669739675693,"sku":"93948","price":419.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/93948520-13201Hero.png?v=1776967781"},{"product_id":"fe-16-35mm-f2-8-gm-ii","title":"Sony FE 16-35mm f\/2.8 GM II Lens","description":"\u003cstrong\u003eThe world’s smallest, lightest full-frame F2.8 wide-angle zoom\u003c\/strong\u003e\u003cbr\u003eEven though it is the smallest and lightest full-frame F2.8 16-35 mm zoom in the world1, the FE 16-35mm F2.8 GM II delivers extraordinary image quality thanks to XA elements and Super ED glass (extra-low dispersion) in an advanced optical design. Lightweight high-thrust XD Linear Motors further contribute to a low overall weight of just 19.3 oz. (547 g) – about 20% lighter than FE 16-35mm F2.8 GM. Overall length is a just 4.5 in. (111.5 mm).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBreathtaking G MasterTM image quality right out to the edges of the frame\u003c\/strong\u003e\u003cbr\u003eHigh spatial resolution results in detailed rendering of dynamic wide-angle scenes right out to the image edges throughout the 16-35 mm zoom range, even with the aperture wide open. Five aspherical elements include three XA (extreme aspherical) elements, and aberration is controlled for a superb blend of high resolution and gorgeous bokeh.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExtraordinary resolution and bokeh throughout the zoom range\u003c\/strong\u003e\u003cbr\u003eSmooth, beautiful bokeh that can add depth to this remarkable lens’s outstanding resolution is made possible by a large F2.8 maximum aperture, innovative optical design, and an advanced 11-blade aperture unit. Gorgeous circular bokeh can add extra appeal and expressive impact to a wide range of images.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAutofocus that is smooth, precise, quiet, and lightning fast\u003c\/strong\u003e\u003cbr\u003eThe FE 16-35mm F2.8 GM II uses a floating focus mechanism that includes four original XD Linear Motors and precise lens control for up to approx. 2x faster AF speed. Continuous shooting at up to 30 fps is possible with Sony’s α1 camera. It reliably acquires focus and smoothly tracks subjects, easily achieving the critical focus required for slow motion and 4K\/8K movies.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRevealing close-up performance at all focal lengths\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe FE 16-35mm F2.8 GM II offers outstanding close-up performance with a minimum focusing distance of just 8.7” (0.22 m) throughout the zoom range and a maximum magnification of 0.32x. This makes it possible to get close for dynamic perspectives while deep bokeh adds extra expressive capability.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRefined movie imagery with minimized focus breathing, focus and axial shift\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe latest lens technology reduces focus breathing, focus shift, and axis shift when zooming. Image movement and angle of view variations are minimized for smooth movie imagery without distractions. XD (extreme dynamic) Linear Motors and an advanced aperture unit also reduce noise and vibration that can interfere with movie recording.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOptimally balanced for filmmaking on gimbals\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn addition to being lightweight, the FE 16-35mm F2.8 GM II has been designed for ideal balance with minimal extension when zooming. A center of gravity that changes very little contributes to agile, stable maneuverability when shooting handheld, and eliminates the need for readjustment after changing the zoom setting when using a gimbal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNano AR coating II suppresses reflections, flare and ghosting\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003eFlare and ghosting can occur when the sun or other strong light source is in the frame. Sony’s original Nano AR Coating II produces a uniform anti-reflection coating on lens surfaces, effectively subduing flare and ghosting in tricky lighting conditions. Internal reflections that can reduce clarity are also suppressed.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAperture ring, click\/de-click switch and iris lock for flexible iris control\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe FE 16-35mm F2.8 GM II features a dedicated aperture ring with both a click ON\/OFF switch and an iris lock switch for quick, flexible aperture control. The aperture ring click stops can be turned ON to provide tactile feedback when shooting stills, or OFF for seamless, silent aperture control when shooting movies.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNatural, linear and precise manual focus response\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eLinear Response MF ensures that the focus ring responds directly, repeatably and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise when shooting stills or movies.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTwo customizable focus hold buttons, AF\/MF switch\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eTwo customizable focus hold buttons are provided for easy access and convenient control when shooting in horizontal or vertical orientation. One function can be assigned to the focus hold buttons from the camera’s menus. AF\/MF switch allows direct access to auto and manual focus modes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe FE 16-35mm F2.8 GM II offers improved dust and moisture resistance. All seams feature structural sealing, buttons and switches are fitted with silicone rubber gaskets, and a rubber ring seals the lens mount. These refinements work together to minimize the possibility of dust and moisture incursion in challenging outdoor environments.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFluorine front element coating\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePetal shaped, ALC-SH177 lens hood with low profile design\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile effectively blocking unwanted light, the new lens hood supplied with the FE 16-35mm F2.8 GM II is smaller than the lens hood supplied with the FE 16-35mm F2.8 GM, making it less obtrusive in use or when stored in a camera bag.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":41730780299309,"sku":"95969","price":2599.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/95969_Hero.png?v=1693335006"},{"product_id":"benro-supadupa72-cf-monopod","title":"Benro MSD46C72 SupaDupa Carbon Fiber Monopod with Tilt Head (72\")","description":"\u003cp\u003eIntroducing the \u003cstrong\u003eSupaDupa Carbon Fiber Monopod\u003c\/strong\u003e from Benro, a game-changer for photographers seeking excellence in long lens photography. This carbon fiber monopod has been crafted with meticulous attention to detail to make your photography experiences a breeze. \u003c\/p\u003e\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSturdy Carbon Fiber Construction:\u003c\/strong\u003e This monopod is built to last, capable of effortlessly supporting the weight of long lenses while remaining remarkably lightweight and portable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStands Tall:\u003c\/strong\u003e The 72\" max height makes sure you will never have to stoop (bend) while tracking your subject.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComfortable Padded Grip:\u003c\/strong\u003e The padded grip¬ ensures your customers' hands and shoulders stay comfortable during extended use. And if it's ever in the way, it can be easily removed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEffortless Lock Adjustment:\u003c\/strong\u003e Thanks to strategically placed locks, your customers can adjust the monopod with one hand, leaving their shutter finger free to capture stunning images.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSmooth Panning with Rubber Foot:\u003c\/strong\u003e A rubber foot with ball bearings enables smooth panning movements, enhancing the quality of their shots. For added stability on uneven terrain, there's also a spike foot option.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated Tilt Head:\u003c\/strong\u003e The 72 model of this monopod line boasts an integrated tilt head that allows for a wide range of angles and movements without the need to lean over.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepositionable Knobs:\u003c\/strong\u003e All knobs on the tilt head are repositionable, ensuring they won't interfere with each other. This simplifies precise adjustments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArca Clamp Included:\u003c\/strong\u003e With an included Arca clamp, customers can mount their camera directly to the tilt head, giving them more control over their shooting angles. Perfect for seamless transitions between monopod and tripod setups.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConvenient Carry Case:\u003c\/strong\u003e When the shoot is done, the SupaDupa72 monopod easily fits into the included carry case, simplifying transportation and gear protection.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIn The Box:\u003c\/strong\u003e\u003cbr\u003eBenro MSD46C72 SupaDupa Carbon Fiber Monopod with Tilt Head (72\")\u003cbr\u003eArca-Type Quick-Release Plate\u003cbr data-mce-fragment=\"1\"\u003eComfortable Padded Grip\u003cbr data-mce-fragment=\"1\"\u003eCarrying Case\u003cbr data-mce-fragment=\"1\"\u003eLimited 3-Year Manufacturer Warranty\u003cbr data-mce-fragment=\"1\"\u003eRegistration Extension: 2-Year\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Benro","offers":[{"title":"Default Title","offer_id":41842245009453,"sku":"99275","price":299.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/99275_01_Hero.png?v=1701383893"},{"product_id":"sony-a9-iii-mirrorless-camera","title":"Sony Alpha a9 III Mirrorless Camera","description":"\u003ch3\u003eUnprecedented imagery from the world’s first camera with global shutter full-frame image sensor\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eSony α9 III\u003c\/strong\u003e features the world’s first full-frame stacked 24.6 MP CMOS image sensor with a global shutter system. Unlike a rolling shutter sensor that records images sequentially from the top row of pixels to the bottom, the newly developed Exmor RS™ image sensor exposes and reads all pixels simultaneously so the camera can capture fast-moving subjects with absolutely no rolling shutter distortion. Combined with a maximum shutter speed of 1\/80,000 second (1\/16,000 second during continuous shooting), the α9 III is a game changer for professional photography.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBlackout-free, 120 fps continuous shooting with full AF\/AE tracking\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe α9 III is defined by speed and accuracy, enabling it to capture decisive moments with ease. It’s capable of shooting continuous bursts at up to 120 fps with full AF\/AE tracking3, all without viewfinder blackout, and its highly advanced AI processing unit recognizes subjects with astonishingly high precision and reliability.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePreserve split-second moments with maximum shutter speed of 1\/80,000 second\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt 1\/80,000 second, the maximum shutter speed of the α9 III makes it easy to capture fast-moving subjects in almost any situation. What's more, a compatible flash unit from Sony (such as the HVL-F60RM2 or HVL-F46RM) can synchronize at all shutter speeds, eliminating the steep, nonlinear drop-off in illumination that occurs with high-speed sync (HSS) and ensuring even illumination across the image.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExmor RS image sensor with global shutter system\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe new full-frame global shutter image sensor is equipped with 24.6 million effective pixels, a stacked CMOS architecture and integral memory. This offers high resolution, overwhelming speed, and simultaneous full-pixel readout, so even fast-moving subjects can be captured distortion-free. The sensor's stacked structure and advanced A\/D conversion enable high-speed processing to proceed with minimal delay.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBIONZ XR™ image processing engine boosts overall processing speed by up to 8x6\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith up to eight times more processing power than previous versions, the BIONZ XR image processing engine minimizes processing latency while markedly boosting image processing power. The high volume of data generated by the newly developed Exmor RS™ image sensor can be processed in real time even while shooting continuous bursts at up to 120 fps to significantly improves image quality. The camera can also capture high-quality 14-bit RAW images in all still shooting modes.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposite RAW Shooting reduces noise\u003c\/strong\u003e\u003cbr\u003eComposite RAW Shooting captures multiple images (4, 8, 16, or 32, selectable) which can then be merged using Sony’s Imaging Edge Desktop™ computer application software to create full-resolution images with very low noise. This makes it possible to shoot wildlife at high shutter speeds or portraits in low light, achieving exceptionally high image quality with low noise, even at higher ISO settings. When shooting at low sensitivity levels, the α9 III can use Composite RAW to create images with reduced false color and jaggies.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAdvanced optical 5-axis image stabilization\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eShoot handheld with confidence. The α9 III is packed with a high-precision image stabilization unit, advanced gyro sensors, and optimized image stabilization algorithms to effectively detect and correct camera shake, offering 8.0-step stabilization. This is further supported by compatible lenses with built-in image stabilization and improved communication between the camera and lenses, providing effective control for blur-free shooting even at telephoto focal lengths.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBlackout-free shooting for uninterrupted view during fast-paced shooting\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eEnjoy an uninterrupted view through the blackout-free viewfinder, even during fast-paced continuous shooting — a game changer for shooting sports and other fast-moving subjects. What’s more, the distracting time lag that is usually associated with EVF viewing has been reduced to a minimum, so that fleeting moments can be captured with confidence.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUp to 120 AF\/AE tracking calculations per second\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eLet the camera keep track — the high-speed readout of the new image sensor enables the α9 III to make up to 120 AF\/AE tracking calculations per second, twice that of its predecessor. AF tracks complex subject motions and predicts sudden movements with greater precision than ever before, while AE easily responds to sudden brightness variations. The α9 III continues to track even during continuous shooting, also contributing to greater precision. \u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNever miss a moment with Pre-Capture\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003ePre-Capture records the moments that occurred before the shutter was released. Settable from 0.005 to 1 second, it’s available in any file format up to 120 fps with full AF\/AE tracking. This makes it easier to capture split-second moments, such as images of birds taking flight, even if actual shutter release is a little late.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eContinuous Shooting Speed Boost rapidly increases frame rate to capture the action\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eContinuous Shooting Speed Boost temporarily boosts the shooting speed while shooting bursts, ensuring you capture all the action. This is beneficial when shooting sports and other fast-paced activities when the timing of the key moment can be roughly predicted.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eReal-time Recognition AF identifies and tracks subjects even if face\/eye obscured\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith its innovative AI processing unit, the α9 III can use subject form data to accurately recognize movement. Human pose estimation technology recognizes not just eyes but also body and head position with high precision. This makes it possible to lock onto and track a subject facing away from the camera or whose face is covered. A distant human subject that occupies only a small area of the frame (even smaller than in previous Real-time Recognition AF iterations) can be recognized if the subject is near the focus area when the shutter is half-pressed while shooting with continuous AF. This can speed up focus acquisition on an athlete approaching from a distance at a track-and-field or ski event, for example.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eReliable recognition of a wider range of subjects\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe AI processing unit supports enhanced Human, Animal, Bird, Insect, Car\/Train and Airplane recognition. In the Car\/Train category, it is now capable of recognizing helmets, such as those worn by the drivers of formula race cars. Animal recognition can recognize the eyes of some grazing and small animals, in addition to the eyes, heads, and bodies of dogs, cats, and similarly featured animals. Bird recognition has also been updated, more easily pinpointing the eyes of a variety of bird types as well as recognizing bird bodies. Plus, a new Animal\/Bird setting eliminates the need to switch between two settings to shoot animals or birds. (643)\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eWide, fast, precise autofocus and tracking\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe α9 III now features 759 phase-detection points in a high-density focal plane phase-detection AF system that covers approximately 95.6% of the image area. The large volume of data read from the image sensor is processed at high speed via the advanced BIONZ XR processing engine, while optimized algorithms ensure high accuracy and high density. This Fast Hybrid AF system combines the speed and tracking performance of phase-detection AF with the precision of contrast-detection AF, reliably locking onto and tracking subjects that move rapidly and\/or erratically.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMatch AF tracking response to subject movement\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhether the subject is moving, still or changing speed, AF tracking can keep track. Simply select a setting [Stable], [Standard], and [Responsive], depending on the speed of the subject and shooting scenario.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCustomizable focus area to match the subject\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eKeep what you need in focus, with XL and XS focus area spot sizes added to the line-up. XS can be useful when shooting wildlife and trying to avoid focusing on foreground branches, for example. You can also create a custom focus area of specified size and even vertical aspect ratio if necessary. For example, at a track event where the participants are lined up side-by-side, setting the AF frame to a custom horizontal format could make it easier to focus on the leading runner.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFlash sync at up to 1\/80,000 shutter speed vastly expands creative possibilities\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith a compatible flash unit from Sony (such as the HVL-F60RM2 or HVL-F46RM, the α9 III can perform full flash synchronization right up to the maximum 1\/80,000 second shutter speed. This allows flash to be used for extra subject illumination when shooting outdoors in bright daylight with a high shutter speed, reducing the need for large lighting setups and vastly expanding creative shooting possibilities.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFlicker-free shooting compensates for interference from artificial lighting\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe global-shutter image sensor exposes all pixels simultaneously, so flicker cannot occur within a single image, but may appear between frames. To reduce this type of flicker, Anti-flicker Shooting16 or Hi frequency flicker-free shooting (Var. Shutter) functions can be used.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003eGlobal shutter eliminates flash banding\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe α9 III’s advanced image sensor is equipped with a global shutter system that exposes and reads out all pixels at once, eliminating exposure differences that can arise, for example, when shooting alongside press photographers covering an event. This eradicates the issue of “flash banding” that is common in cameras that use a rolling shutter system.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e4K movies free of rolling shutter with high resolution and detail\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eShoot 4K movies in either the full-frame or Super 35mm (approx. APS-C) formats. The α9 III captures 4K (3840 x 2160) movies at up to 120p, and at 60p with full pixel readout and 6K oversampling for dramatically reduced moiré and jaggies.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e4K 120p without cropping for the first time in an α camera\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor the first time in the α line-up from Sony, the α9 III offers 4K (3840 x 2160) 120p movie recording without cropping, allowing users to utilize the full angle of view provided by any lens. For example, 4K footage shot in slow motion 120p and footage shot at normal speed 24p within the same scene will have the same angle of view and can be easily edited together without the need for reframing.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eS-Cinetone™ for a cinematic look without the need for color gradin\u003c\/strong\u003eg\u003cbr data-mce-fragment=\"1\"\u003eSony’s S-Cinetone picture profile provides the same color science that delivers beautiful colors and skin tones throughout the highly regarded Cinema Line range. S-Cinetone produces natural mid-tones that are essential to healthy-looking skin, plus soft colors and gorgeous highlights. This lets creators concentrate on shooting while achieving a cinematic look without the need for color grading.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBreathing compensation for consistent angle of view when focusing\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eFocus breathing compensation effectively reduces focus breathing when shooting movies. Sony’s original Clear Image Zoom technology is used to automatically maintain a consistent angle of view throughout focus changes for more stable images.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDynamic active Mode stabilization\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA high-precision stabilization unit and gyro sensors built into the camera, plus optimized image stabilization algorithms, allow advanced electronic stabilization to work in conjunction with the camera's 5-axis optical in-body image stabilization system in a Dynamic active Mode that improves stabilization by more than 30% over the existing Active Mode (approx.).\u003cbr\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAuto Framing keeps the subject in a prominent position when shooting movies\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing AI-based subject recognition technology, the Auto Framing feature automatically crops the frame to keep the subject in a prominent position when shooting movies. Even when the camera is mounted on a tripod, for example, the framing is continually adjusted so that the recorded footage looks like the subject was being followed by an experienced camera operator. (367)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUniquely flexible tilting monitor for enhanced shooting flexibility\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe α9 III features a 4-axis multi-angle monitor that combines the utility of a conventional tilting monitor with side-opening vari-angle flexibility, allowing for unrestricted angle adjustment whether shooting vertically or horizontally. Slim, unobtrusive, and robust22, the mechanism enables the monitor to be pulled away from the rear of the body and tilted upward by up to 98°, downward by up to 40°, and swung sideways by up to 180°. The touch sensitive, 3.2 type LCD monitor is optimized for outdoor shooting, providing 2.1 million-dot resolution, a wide color gamut and ample brightness for clear and easy viewing.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNew front Custom button provides easier operation while holding the grip\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn update to the Sony’s Alpha design, the α9 III comes with a custom button on the front for faster, easier operation while holding the grip. This makes it even more adaptable to different shooting styles and needs. For example, you can assign the Continuous Speed Shooting Boost function to the front button to allow instant speed boost when shooting bursts.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eQXGA 9.44 million dot viewfinder with up to 240fps refresh rate\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 9.44 million-dot (approx.) OLED viewfinder includes 0.90x magnification with a 41° FOV for a clear, wide view, and an updated structure that results in a 25 mm high eyepoint. An original optical design minimizes aberration that can be distracting when looking around the viewfinder image, providing a more consistent viewing experience. Viewfinder and monitor lag time have also been reduced to allow more stable framing, especially during continuous shooting. The finder frame rate can be set to Standard (60 fps), High (120 fps), or Higher (240 fps). The 240 fps setting provides an extremely smooth viewfinder image with minimum motion blur when shooting moving subjects, and greatly reduces motion blur when panning or tilting.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003eDual CFexpress Type A \/SDXC\/SDHC compatible media slots\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs well as UHS-I and UHS-II SD cards, the α9 III’s media slots support CFexpress Type A cards. These are ideally suited to high-speed continuous still shooting at up to 120 fps and provide high write speeds that quickly clear the buffers of cameras that generate high volumes of still image and movie data. Users can also save data to different media slots according to file type, image size, and image quality, streamlining workflow. (440)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003eOptional VG-C5 Vertical Grip\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe optional VG-C5 Vertical Grip provides outstanding comfort and operability for long shooting sessions. The grip and shutter button feature the same ergonomic design as the camera body. Control access is similar too, with an independent front custom button (C5), a front dial, rear L and R dials, and a lock function on the R dial. The VG-C5 Vertical Grip can house two NP-FZ100 batteries for extended shooting sessions.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRugged reliability for challenging environments\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe α9 III features outstanding dust and moisture resistance, thanks to design refinements with silicone rubber packing around buttons, lens-lock button, cushioning around the lens mount, and other areas. An improved EVF design effectively seals the viewfinder's optical path, achieving the same effect as a double glass structure. Combined with dust and moisture resistant lenses, flash units, and the optional the VG-C5 Vertical Grip, the α9 III becomes the core of a rugged dust and moisture resistant system.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003eRobust and durable\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith lightweight, high-rigidity magnesium alloy for its top cover, front cover, internal frame, and rear cover, the α9 III boasts high body durability, high shock resistance and effective heat dissipation. It’s built to withstand challenging professional environments while remaining relatively compact and lightweight.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eShading curtain closed on power-off\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA shading curtain protects the image sensor from dust and particles while changing lenses. When set to ON, it automatically closes when the camera’s power is turned off.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eErgonomic grip design\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe α9 III features a grip with a new shape that improves hold and reduces physical stress on the user, even when shooting with heavy telephoto lenses or for long periods of time. An ergonomically refined contour ensures that the grip fills the user’s hand for a secure hold that does not cause fatigue.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eImproved group display\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eWorkflow efficiency gets a drastic boost thanks to image groups. Images taken at up to 120 fps3 in continuous bursts can be defined as “groups,” making it easier to locate a specific image within a large group of images. These groups can also be assigned a rating, which can then be used for filtering and searching, and are retained after the images are imported into a computer editing application.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBuilt-in Wi-Fi for FTP and smartphone transfers plus PC Remote tethering\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eBuilt-in Wi-Fi (IEEE 802.11ac) with 2x2 MIMO support allows high-speed data transfer, enabling the α9 III to transfer data up to twice as fast as its predecessor. 5 GHz communication offers maximum speed and stability, essential for news and sports shooters who need to deliver immediately, as well as for studio environments. The simple in-camera interface makes it easy to transfer still and movie data via an FTP server, Wi-Fi, fast-wired LAN, or USB tethering with a smartphone.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eClearer voice memo recording\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eAdd clear voice memo metadata to still images through a dedicated voice memo microphone that’s built into the camera’s rear panel, close to the user’s mouth for better recording quality. Voice memos can be transferred to an FTP server along with the corresponding images, allowing the photographer to communicate effectively to the editor. The photographer can also use the Transfer \u0026amp; Tagging (Ver. 1.9 or later) mobile application to convert the voice memos to text.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMultiple IPTC presets\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eIPTC (International Press Telecommunications Council) metadata can be added to still images, with the α9 III capable of internally storing up to 20 presets that can then be quickly selected when needed. This can be extremely useful at multi-sports events, for example, where different IPTC information is required for different competitions.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDedicated Still\/Movie\/S\u0026amp;Q dial for flexible hybrid operation\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eIndependently operable stacked drive mode and focus mode dials allow fast access and selection.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003eAnti-dust system increases dust removal efficiency\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eDriven by an ultrasonic actuator, a filter in front of the image sensor oscillates at more than 70000 cycles per second, effectively removing dust and particles from the filter surface.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e1000BASE-T Ethernet for fast communication\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe α9 III provides a built-in connector for wired 1000BASE-T, enabling fast, stable, up to 1 Gbps data transfers, and remote shooting data transfer operations, including remote shooting at up to 1 Gbps.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUSB Type-C® connector supports SuperSpeed USB 10 Gbps (USB 3.2)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA USB Type-C® connector supports fast SuperSpeed USB 10 Gbps (USB 3.2) data transfer for backups as well as PC Remote (tethered) shooting. It also supports USB PD (Power Delivery for reliable power delivery and battery charging.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTouch operation during shooting and playback\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Touch Focus, Touch Tracking and Touch Shutter functions can be sequentially activated by touching an icon on the shooting display. During playback images can be selected by touch.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUVC\/UAC support for high-quality webcam applications\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eEasy streaming in 4K30 is possible with a UVC\/UAC compatible smartphone or PC31 via USB connection32, so the α9 III can be used as a high-resolution webcam. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUSB PD (Power Delivery) supports fast charging\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe α9 III supports USB PD (Power Delivery), allowing higher power to be supplied from an external source. A USB charger or mobile battery that supports USB PD can be connected to the camera's USB Type-C® port, supplying power or charging the internal battery at three to four times the rate of the previous model.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":41860608655405,"sku":"99643","price":6399.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/99643_Hero.png?v=1699377123"},{"product_id":"sony-fe-300mm-f-2-8-gm-oss-lens","title":"Sony FE 300mm f\/2.8 GM OSS Lens","description":"\u003cstrong\u003eLightweight and ideally balanced telephoto 300mm F2.8\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe SEL300F28GM is the lightest large-aperture telephoto prime lens in its class, delivering outstanding optical performance and rendering plus astonishingly fast, precise AF in a versatile lens that weighs just 51.9 oz. (1470 grams). The lens has been designed so that its weight is not concentrated near the front, for ideal balance. This can minimize stress and fatigue during long handheld shooting sessions.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBreathtaking G MasterTM image quality right out to the edges of the frame\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn innovative optical design that includes three Super ED (extra-low dispersion) glass elements and one ED glass element effectively subdues axial and lateral chromatic aberration. Outstanding resolution and contrast are maintained right out to the image edges, which also allows for more flexible cropping and editing.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eExtraordinary resolution and bokeh to emphasize the subject\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe gorgeous and creamy bokeh allows the use of narrow depth of field to make subjects stand out from the background. In addition to Super ED (extra-low dispersion) and ED elements in a new optical design, each lens is individually calibrated during manufacture to optimize bokeh quality. An 11-blade circular aperture mechanism contributes to smooth, rounded bokeh.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFast, precise AF brings out the full potential of advanced cameras\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe lens maximizes the speed potential of high-performance cameras, making it easy to capture important moments in dynamic sports action or fast-moving wildlife scenes. Two high thrust XD (extreme dynamic) Linear Motors and an advanced control algorithm have been specially fine-tuned for fast response. Additionally, AF tracking speed and precision are maintained even when shooting continuous bursts.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe lightest in its class and ideally balanced for precise, agile handling\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn optical design that includes Super ED (extra-low dispersion) glass elements reduces the subjective weight by using fewer elements near the front of the lens, so that the weight is not concentrated at the front. This optimizes balance and reduces moment of inertia, allowing precise, agile lens movement and panning while shooting.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOptical SteadyShot™ stabilization for sharp handheld telephoto images\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eBuilt-in optical image stabilization makes it easier to shoot sharp images handheld at telephoto focal lengths. MODE 2 offers ideal stabilization for panned shots, while MODE 3 provides enhanced stabilization for dynamic, unpredictable sports action. Additionally, compatible cameras5 provide detailed communication and control that can effectively manage blur.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNano AR coating II suppresses reflections, flare and ghosting\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eSony’s original Nano AR Coating II produces a uniform anti-reflection coating on lens surfaces, minimizing flare and ghosting in challenging lighting. Reflections inside the lens barrel are also carefully controlled for crisp, clear images.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFunction ring provides direct access to power focus or frame size selection\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA programmable function ring directly controls power focus or Full-frame\/APS-C selection. Power Focus (default) initiates constant speed focusing in the selected rotation direction. Or select Full-frame\/APS-C for instant selection of frame size by rotating the ring.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFull-time Direct Manual Focus (DMF) to access MF while in autofocus mode\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen the Full-time DMF switch is ON, manual focus is immediately engaged by simply rotating the focus ring, even while shooting in the AF-C mode. DMF can be used to correct focus when the autofocus targets the wrong subject or to focus beyond a set focus range limit. Releasing the MF ring instantly restores AF function.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePrecise, repeatable and linear response manual focus ring\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eLinear Response MF ensures that the focus ring responds directly, repeatably and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise when shooting stills or movies.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFour customizable focus hold buttons and focus range limiter switch\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eCustomizable focus hold buttons are provided in four locations for easy, instant access when shooting in any orientation. Several alternate functions can be assigned from the camera’s menu. Focus range limiter switch allows the autofocus range to be set from 6 meters to infinity, or allow full range AF with no limit.\u003cbr\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSupport for rear-mounted drop-in filters\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe SEL300F28GM can use standard 40.5 mm diameter drop-in ND and other filters as well as Sony’s own VF-DCPL1 circular polarizer. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003eHigh AF tracking performance with 1.4x and 2.0x teleconverters\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eFast, precise AF performance is available even when the SEL300F28GM is used with the optional SEL14TC (1.4x) or SEL20TC (2.0x) teleconverter.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDust and moisture resistant for robust reliability\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA dust and moisture resistant design provides extra reliability. The use of a durable magnesium alloy for internal components and other refinements maximizes durability while reducing weight.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFluorine front element coating\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eALC-SH175 lens hood and padded soft case supplied\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA new lens hood design uses a high-strength engineering plastic that provides an ideal blend of durability and low weight. A dedicated soft case that protects the lens against vibration is also supplied. Also, lens strap is supplied as well.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":41860811423789,"sku":"99650","price":6799.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/99650_Hero.png?v=1699379583"},{"product_id":"fe-28-70mm-f2-0-gm","title":"Sony FE 28-70mm f\/2 GM Lens","description":"\u003ch3\u003eThe first G Master standard zoom with a constant f\/2 aperture is ideal for portraits and a wide range of other subjects. Sharpness and contrast rival prime lens quality*1, while f\/2 brightness, unrivaled AF, a versatile zoom range, and a compact, lightweight design offer extraordinary creative scope for stills and movies. \u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch4\u003eA bright, versatile F2 standard zoom\u003c\/h4\u003e\n\u003cp\u003eThe first G MasterTM standard zoom with a constant F2 aperture is ideal for portraits and a wide range of other subjects. Sharpness and contrast rival prime lens quality, while F2 brightness, unrivalled AF, a versatile zoom range, and a compact, lightweight design offer extraordinary creative scope for stills and movies.\u003c\/p\u003e\n\u003ch4\u003eSharpness that maximizes body potential\u003c\/h4\u003e\n\u003cp\u003eAdvanced design and optical simulation result in zoom quality that rivals prime lenses. Large elements including three XA (extreme aspherical) elements manufactured using original techniques ensure high corner-to-corner resolution at f\/2 throughout the zoom range. Floating focus allows close focus down to 0.38 m\/1.25 ft throughout the zoom range.\u003c\/p\u003e\n\u003ch4\u003ef\/2 G Master design for extraordinary depth\u003c\/h4\u003e\n\u003cp\u003eAn f\/2 max. aperture and G Master optics deliver exquisite, soft bokeh for deep, dimensional images. Spherical aberration is carefully controlled for ideal resolution\/bokeh balance, and a new 11-blade circular aperture unit helps to deliver gorgeous ball bokeh. Onion-ring bokeh and color bleeding are effectively suppressed for refined image quality.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eConstant f\/2 in a compact, lightweight lens\u003c\/h4\u003e\n\u003cp\u003eThis versatile standard zoom lens delivers image quality that rivals prime lenses plus amazing AF. Innovative optics and XD (extreme dynamic) linear motors make all of this fit in a constant F2 zoom that is only 92.9 x 139.8 mm (3-3\/4 x 5-5\/8) and weighs just 918 g (32.4 oz). Stress-free shooting with all the advantages of zoom and no compromise on image quality.\u003c\/p\u003e\n\u003ch4\u003ePrecise, reliable, responsive AF tracking\u003c\/h4\u003e\n\u003cp\u003eFour XD (extreme dynamic) linear motors and the latest algorithm precisely control the large f\/2 focus group. Reliable focus tracking and instant response are essential at weddings or sports events where every frame counts. This lens is fully compatible with the 120 fps burst capability of the α9 III, and tracking continues even while zooming.\u003c\/p\u003e\n\u003ch4\u003eRefined, expressive movie production\u003c\/h4\u003e\n\u003cp\u003eFocus breathing is subdued for refined movie imagery. Rack focus and zoom effects can be used with f\/2 depth of field to create smooth, natural transitions. Critical focus for high frame rate 4K 120p\/FHD 240p recording is easy. The XD linear motors and a new aperture unit operate quietly, and α body breathing compensation is supported.\u003c\/p\u003e\n\u003ch4\u003eChromatic aberration controlled\u003c\/h4\u003e\n\u003cp\u003eSony’s original Nano AR Coating II minimizes flare\/ghosting, making it possible to shoot clear images even in strong backlighting. Optics designed to suppress internal reflections provide further flare resistance, ensuring high clarity whenever a strong light source appears in the frame. Perfect for portraits, sports, movies, live events, and more.\u003c\/p\u003e\n\u003ch4\u003eResistant to flare and ghosting\u003c\/h4\u003e\n\u003cp\u003eSony’s original Nano AR Coating II minimizes flare\/ghosting, making it possible to shoot clear images even in strong backlighting. Optics designed to suppress internal reflections provide further flare resistance, ensuring high clarity whenever a strong light source appears in the frame. Perfect for portraits, sports, movies, live events, and more.\u003c\/p\u003e\n\u003ch4\u003eProfessional control\u003c\/h4\u003e\n\u003cp\u003eImportant control functions include Linear Response MF for intuitive manual focus, adjustable zoom ring torque, and an aperture ring with a click ON\/OFF switch. There are also two customizable focus hold buttons, an iris lock switch, and an AF\/MF switch. Filter diameter is 86 mm, and the lens hood has a window for easy variable filter operation. \u003c\/p\u003e\n\u003ch4\u003eRugged and reliable\u003c\/h4\u003e\n\u003cp\u003eButtons and switches feature silicone gaskets, the lens mount includes a rubber ring, and all other critical areas are painstakingly designed to prevent the incursion of dust and moisture and ensure maximum reliability in challenging outdoor conditions. A fluorine coating on the front element effectively repels contaminants and makes cleaning easy. \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFull-Frame f\/2 to f\/22\u003c\/li\u003e\n\u003cli\u003eUltra-Fast Standard Zoom\u003c\/li\u003e\n\u003cli\u003eFour XD Linear AF Motors, Floating Focus\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMin. Focus: 1.2' Throughout Zoom Range\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAperture De-Click and Lock Switches\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eZoom Smoothness Switch\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eXA and Super ED Elements\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNano AR Coating II and Fluorine Coating\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDust and Moisture-Resistant Construction\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRounded 11-Blade Diaphragm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSony FE 28-70mm f\/2 GM Lens\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSony Lens hood (ALC-SH132: petal shape, bayonet type) \u003c\/li\u003e\n\u003cli\u003eSony Lens front cap\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSony Lens rear cap\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLens case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eProduct SKU:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eSEL2870GM\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":43129531564077,"sku":"17309","price":3299.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/17309_17309_Hero_01.png?v=1732036397"},{"product_id":"sony-alpha-a1-ii-body","title":"Sony Alpha 1 II Mirrorless Camera","description":"\u003cp\u003eThe α1 II gives users everything they need to achieve a higher capture success rate and more, including 50MP high resolution, AI-based subject recognition AF, high-speed continuous shooting, and an advanced workflow from capture to delivery that provides professionals with unrivalled efficiency and freedom.\u003c\/p\u003e\n\u003ch3\u003eA fusion of leading technologies delivers overwhelming performance\u003c\/h3\u003e\n\u003cp\u003eThe massive volume of data from the 50.1 megapixel full-frame Exmor RS™ image sensor is processed in real time by Sony’s BIONZ XR™ image processing engine. An advanced AI processing unit applies high-level subject recognition to reliably recognize a wide range of subjects. These state-of-the-art technologies make it easy to capture even the most challenging subjects in extraordinary resolution, with blackout-free viewing and full AF\/AE tracking at up to 30 fps.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eAn advanced AI processing unit achieves high-level subject recognition\u003c\/h3\u003e\n\u003cp\u003eThe α1 II features a dedicated AI processing unit that helps to recognize people more accurately based on human pose estimation and supports recognition of a wide range of subjects other than people, such as animals, vehicles and insects, with high accuracy. This results in a dramatic improvement in Real-time Recognition AF and Real-time Tracking capability, and higher overall AF performance.\u003c\/p\u003e\n\u003ch3\u003eHuman eye recognition improved by up to approximately 30%\u003c\/h3\u003e\n\u003cp\u003eReal-time Recognition AF has improved human eye recognition by approximately 30%*6, and its human pose estimation technology also delivers precise recognition of subjects facing away from the camera, wearing sunglasses, or with the face obscured. Recognition of distant human subjects occupying only a small part of the frame has been notably improved, so approaching subjects are recognized and tracked sooner. Subjects can also be tracked better across occlusions among many people.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eA wide variety of subjects accurately recognized\u003c\/h3\u003e\n\u003cp\u003eA wider variety of subjects is now recognized for stills and movies, with a new [Auto] mode letting the camera select. Recognition of animals overall is improved by approximately 30%, with eyes of some small animals added, and the eyes, heads and faces of animals like dogs and cats recognized. Recognition of birds is improved by 50%.\u003c\/p\u003e\n\u003ch3\u003eAF tracking response settable to match subject speed changes\u003c\/h3\u003e\n\u003cp\u003eFast Hybrid AF combines phase detection and contrast detection for superb speed, precision and tracking performance. 759 phase-detection points cover 92% of the image sensor. The AF tracking response for stills can now be selected from [Stable], [Standard], and [Responsive] to suit the likely subject motion, useful for example in bird photography. High AF precision is achieved right down to light levels as low as EV-4.0 in AF-S mode, with improved contrast AF response.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eFlexible focus area settings\u003c\/h3\u003e\n\u003cp\u003eXL and XS focus area spot sizes are now available in addition to the existing L, M, and S. XS can be useful to avoid focusing on foreground objects such as branches. It is also possible to create a custom focus area of specified size and aspect ratio, useful in situations like a track event where athletes are lined up side-by-side and you want to focus on the leading runner.\u003c\/p\u003e\n\u003ch3\u003eSelectable release time lag\u003c\/h3\u003e\n\u003cp\u003eSelectable release time lag modes are available via the [Release Lag] \/ [Start Display] menu. With blackout occurring on only the first image in a continuous burst, [Fastest Release\/On] provides the shortest possible release time lag, while [Stable Release\/On] minimizes variations in release time lag making it easier to release the shutter at the intended moment. The default [Auto\/Off] setting gives no blackout when shooting is started.\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eHigh-speed continuous shooting at full 50.1 MP resolution\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eHigh-speed continuous shooting at up to 30 fps*2 with full AF\/AE tracking is possible at a stunning 50.1 MP*1 resolution, with up to 120 AF\/AE calculations per second*12 on the data from the image sensor. Blackout-free shooting with no loss of viewfinder image allows seamless framing and capture of the subject as if viewed with the naked eye.\u003c\/p\u003e\n\u003ch3\u003ePre-Capture and Continuous Shooting Speed Boost\u003c\/h3\u003e\n\u003cp\u003ePre-capture retroactively captures moments that occurred before the shutter was released, without compromising resolution, even when shooting continuously at up to 30 fps with selectable recording time options. Continuous Shooting Speed Boost can temporarily change the burst speed. Both features reduce the chance of missing that vital instant.\u003c\/p\u003e\n\u003ch3\u003eStunning resolution with 50.1 megapixels\u003c\/h3\u003e\n\u003cp\u003eSony’s extensive high-performance G Master line work with the 50.1 megapixel Exmor RS image sensor and BIONZ XR image processing engine to create deep, lifelike, high-resolution rendering. The sensor’s high pixel count means that resolution is still a very impressive 21 megapixels (approx.) when shooting in APS-C mode or cropping to APS-C size after shooting.\u003c\/p\u003e\n\u003ch3\u003eSelectable RAW image size and quality\u003c\/h3\u003e\n\u003cp\u003eCompressed, Uncompressed, and high-compression Lossless compressed RAW still images are provided. Compressed RAW images can be shot continuously at up to 30 fps. Three Lossless compressed RAW image sizes can be selected to suit the application: L, M, and S. Lossless compressed RAW, JPEG, and HEIF images in M and S size have the same number of pixels whether shot in the full-frame or APS-C mode, making it possible to seamlessly switch modes while maintaining the same image resolution. JPEG and RAW sizes can be freely mixed and matched to meet the needs of the application.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eHigh sensitivity, low noise, and wide dynamic range\u003c\/h3\u003e\n\u003cp\u003eFeedback from professionals has been taken into account to create noise reduction that is highly effective without sacrificing image detail, so users can shoot clear images of indoor sports at mid to high sensitivity without hesitation. Dynamic range at lower sensitivities is an impressively wide 15 stops for smooth, realistic gradations.\u003c\/p\u003e\n\u003ch3\u003eConsistently accurate exposure and color\u003c\/h3\u003e\n\u003cp\u003eExposure and color reproduction are notably improved compared to the α1. The AE algorithm detects faces and optimizes exposure for stills and movies. Exposure stability has been improved by approximately 20%*18, even when the face is backlit and dark, or over-illuminated in direct sunlight, or not facing the camera. Working with a “Visible Light and IR Sensor” on the front of the body, the advanced AI processing unit helps to achieve accurate white balance even where the subject is in shade.\u003c\/p\u003e\n\u003ch3\u003eOptical 5-axis image stabilization achieves 8.5-step performance at the center\u003c\/h3\u003e\n\u003cp\u003eA high-precision image stabilization unit, advanced gyro sensors, and leading-edge algorithms detect and correct camera shake, achieving a groundbreaking up to 8.5-step effect at the center and 7.0-step at the periphery, and transforming handheld shooting with precision down to the single-pixel level and the finest subject details. With compatible lenses that include built-in stabilization, improved body-lens synchronization provides effective blur control even at otherwise problematic telephoto focal lengths.\u003c\/p\u003e\n\u003ch3\u003eComposite RAW modes for lower noise and higher resolution\u003c\/h3\u003e\n\u003cp\u003eThe NR Shooting Settings mode captures between 4 and 32 RAW images which can then be composited using Sony’s Imaging Edge Desktop™ application to create a full-resolution image with very low noise even at mid to high sensitivities. Pixel Shift Multi Shooting captures 4 or 16 pixel-shifted images that are later composited with the same PC application to achieve overwhelming resolution in a single image.  \u003c\/p\u003e\n\u003ch3\u003eReal-time Recognition AF for movies\u003c\/h3\u003e\n\u003cp\u003eReal-time Recognition AF utilizes advanced AI-based human pose estimation technology that recognizes and tracks not just eyes, but body and head position for human subjects with high precision. The range of subjects recognized with AI assistance, for both movies and stills, has been expanded relative to the α1, and now includes birds in movies for example. Other subjects are acquired and tracked in real time by processing color, pattern, and spatial data.\u003c\/p\u003e\n\u003ch3\u003eHigh-resolution 8K*22 \/4K recording for impressive realism\u003c\/h3\u003e\n\u003cp\u003e4K (3840 x 2160) movies can be cropped and edited from 8K source footage with overwhelming resolution from 8.6K oversampling. 8K 4:2:2 10-bit XAVC HS recording with optional Full HD proxy is available, as are 4K recording in XAVC HS, S, or S-I formats in full-frame, or Super 35mm size oversampled from 5.8K with full pixel readout and no pixel binning. XAVC S-I allows recording at up to 600 Mbps for outstanding image quality.\u003c\/p\u003e\n\u003ch3\u003eHigh frame rate recording at up to 120p\u003c\/h3\u003e\n\u003cp\u003e4K can be recorded at up to 120p right in the camera. 4K footage can be played back in up to 5x slow motion. The Slow \u0026amp; Quick Motion (S\u0026amp;Q) mode makes it convenient to play recorded footage back at slow or high speed in the camera. Full HD footage recorded at 240 fps offers even greater range: up to 10x slow motion (24p) to create impressive sports movies, for example. The frame rate setup menu allows intuitive selection of frame rates. \u003c\/p\u003e\n\u003ch3\u003eBetter S-Log matching with Cinema Line cameras\u003c\/h3\u003e\n\u003cp\u003eThe S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-grey (18% grey). Minimum ISO when shooting S-Log is 800, while the expanded ISO range is 200 - 640. Compared to the α1, detail reproduction has been improved and footage can be more easily matched with the output from digital cinema cameras that also offer S-Log3 such as Sony’s VENICE and BURANO. The ability to import User LUTs into the camera makes it easy to get an idea of the final post-edit look right in the camera.\u003c\/p\u003e\n\u003ch3\u003eDynamic active Mode stabilization\u003c\/h3\u003e\n\u003cp\u003eIn addition to standard mode, Active Mode combines a precision image stabilization unit and gyro sensor, while Dynamic active Mode adds electronic stabilization for an additional approximately 30%, enabling stable recording even when the user is jogging.\u003c\/p\u003e\n\u003cp\u003eAuto Framing automatically adjusts composition for the subject\u003cbr\u003eUsing AI-based subject recognition technology, Auto Framing automatically crops the frame to keep the subject in a prominent position when shooting movies. The framing is continually adjusted so that the recorded footage looks like the subject was being followed by an experienced camera operator. The timing at which Auto Framing begins, the size of the subject in the frame, and the tracking speed can be controlled. Auto Framing can be ideal for recording interviews, music performance, cooking, and much more.\u003c\/p\u003e\n\u003ch3\u003eFraming Stabilizer automatically maintains subject position\u003c\/h3\u003e\n\u003cp\u003eFraming Stabilizer automatically maintains subject location within the frame when the camera operator is moving alongside the subject or in other situations where maintaining consistent framing can be difficult. AI-based subject recognition and Dynamic active Mode image stabilization maintain the composition and achieve stable imagery even when shooting handheld. [Center] mode automatically keeps the subject in the center of the frame, while [Manual] mode lets subject position be freely specified.\u003c\/p\u003e\n\u003ch3\u003eBreathing compensation for consistent angle of view when focusing\u003c\/h3\u003e\n\u003cp\u003eFocus breathing compensation effectively reduces focus breathing when shooting movies. Sony’s original Clear Image Zoom technology is used to automatically maintain a consistent angle of view throughout focus changes for more stable images.\u003c\/p\u003e\n\u003ch3\u003eFeatures for smooth focusing\u003c\/h3\u003e\n\u003cp\u003eA range of focusing tools support intuitive and professional movie making. AF Assist for temporary switching to manual focus, focus peaking display, and AF transition speed and sensitivity settings all help the user when shooting movies. Focus Map overlays a visual depth-of-field map on the live view display. Real-time Recognition AF, Real-time Tracking, and Focus Area are now available during digital zoom and Clear Image Zoom operation.\u003c\/p\u003e\n\u003ch3\u003eFlexible LCD monitor positioning\u003c\/h3\u003e\n\u003cp\u003eThe 4-axis multi-angle monitor can be positioned for optimal viewing in horizontal or vertical orientation. The extended monitor can be tilted upward by approximately 98° and downward by approximately 40° to the camera back, and sideways by a full 180°. The hinge is unobtrusive but robust. The large 3.2 type 2.1 million dot display panel is touch sensitive, has a wide color gamut, and is designed for clear outdoor viewing.\u003c\/p\u003e\n\u003ch3\u003eAdvanced grip hold and ease of use\u003c\/h3\u003e\n\u003cp\u003eThe improved grip ergonomics ensure comfortable and stable shooting over long sessions with a shape that allows firm holding in the palm of the hand. A C5 custom button has also been added, and the grip design is replicated for prolonged vertical shooting with the optional VG-C5 Vertical Grip, which additionally offers extended battery life over the previous model.\u003c\/p\u003e\n\u003ch3\u003eHigh-performance electronic viewfinder\u003c\/h3\u003e\n\u003cp\u003eA 9.44 million-dot (approx.) electronic viewfinder with high-definition OLED display and refined optics delivers clear viewing. Magnification is 0.90x with a 41° FOV for a clear, wide view, the updated structure giving a 25 mm high eyepoint. Time lag has been reduced for more stable framing. The finder frame rate for shooting stills can be set to [Standard] (60 fps), [High] (120 fps), or [Higher] (240 fps). Overall image quality has been significantly improved and aberration minimized.\u003c\/p\u003e\n\u003ch3\u003eStandard and deep viewfinder eyecups provided\u003c\/h3\u003e\n\u003cp\u003eThe α1 II is supplied with two viewfinder eyecups: the standard FDA-EP19 type and a deep FDA-EP21 type that the user can choose according to ambient conditions or personal preference. The new FPA-EP21 design is deeper than the standard FDA-EP19 type, enhancing viewing clarity by effectively blocking extraneous light that can enter between the eye and eyecup in bright shooting environments. The soft, close-fitting material and design enhance viewing comfort.\u003c\/p\u003e\n\u003ch3\u003eSupplied charger charges two NP-FZ100 batteries in 155 minutes\u003c\/h3\u003e\n\u003cp\u003eThe supplied BC-ZD1 quick charger can simultaneously charge two NP-FZ100 batteries in approximately 155 minutes. when used with an AC adaptor providing USB PD (Power Delivery) power. This charger is ideal for charging two batteries for use at events or in other applications that require continuous operation over extended periods of time.\u003c\/p\u003e\n\u003ch3\u003eDual slots support CFexpress Type A memory cards\u003c\/h3\u003e\n\u003cp\u003eThe α1 II has two media slots that both support CFexpress Type A memory cards as well as UHS-I and UHS-II SD cards. CFexpress Type A cards are ideal for recording the huge volume of data produced by the image sensor, allowing 30 fps continuous still shooting and high bitrate 8K and 4K movie recording. The same data can be simultaneously recorded to both cards, or files can be separated by type and size. A “relay” mode automatically switches recording to the second card when the first becomes full.\u003c\/p\u003e\n\u003ch3\u003eImage playback functions that support immediate-delivery workflows\u003c\/h3\u003e\n\u003cp\u003eMultiple media playback lets you seamlessly display all images on two memory cards by selecting all slots as the display target during playback. Group display of images such as those shot continuously or with interval shooting is also supported. And if set in advance, a rating can automatically be applied to the first image in continuous burst or Pre-Capture groups, or a divider image inserted before the first image in groups, enabling quick scrolling through and location of groups using the custom dial during playback.\u003c\/p\u003e\n\u003ch3\u003eDedicated microphone for clear voice memos\u003c\/h3\u003e\n\u003cp\u003eA dedicated voice memo microphone is built into the rear panel, making it easy to record clear voice memos even in noisy environments. These can be transferred to an FTP server along with the corresponding images, allowing the photographer to communicate effectively to the editor, or the Transfer \u0026amp; Tagging mobile application can be used to convert the voice memos to text prior to transfer. Either approach can significantly speed up the delivery workflow.\u003c\/p\u003e\n\u003ch3\u003eIPTC metadata embedding and presets\u003c\/h3\u003e\n\u003cp\u003eIPTC (International Press Telecommunications Council) metadata can be added to still images. IPTC information can be written to IPTC metadata presets and loaded into the camera via a memory card. The α1 II can internally store up to 20 presets that can then be quickly selected when needed. This can be extremely useful at multi-sports events, for example, where different IPTC information is required for different competitions. The appropriate preset can be easily selected in-camera.\u003c\/p\u003e\n\u003ch3\u003eEfficient data transfer by high-speed wired LAN and wireless LAN\u003c\/h3\u003e\n\u003cp\u003eStill image and movie files can be directly transferred from the camera to a specified remote FTP server via wired and wireless LAN. 2.5GBASE-T wired LAN connectivity allowing data transfer at up to 2.5 Gbps is now provided for stable, high-speed transfer of still and movie data from the camera to an FTP server and stable communication for PC Remote shooting. Built-in Wi-Fi (IEEE 802.11a\/b\/g\/n\/ac) with 2x2 MIMO support allows high-speed 5 GHz wireless communication with maximum speed and stability for news and sports shooters who need to deliver immediately via FTP, as well as for studio environments.\u003c\/p\u003e\n\u003ch3\u003eTools that support professional workflow\u003c\/h3\u003e\n\u003cp\u003eThe α1 II is compatible with Transfer \u0026amp; Tagging and Remote Camera Tools. Transfer \u0026amp; Tagging is a smartphone application that can speed up still-image workflows for professional sports and news photographers, allowing background FTP transfers to smartphone as well as fast tag\/caption attachment, while Remote Camera Tool is a software application that allows PC Remote (tethered) shooting via wired LAN.\u003c\/p\u003e\n\u003ch3\u003eCreators' Cloud platform\u003c\/h3\u003e\n\u003cp\u003eCreators' Cloud is a platform that supports creative work from shooting to production by combining Sony's advanced camera technology and the cloud. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.\u003c\/p\u003e\n\u003ch3\u003eGreater accessibility for all users\u003c\/h3\u003e\n\u003cp\u003eAccessibility features such as Screen Reader that reads menu screen text aloud, Enlarged Menu Display, and others make it easier for everyone to enjoy shooting and playback using the α1 II. Furthermore, advanced features like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the widest possible range of users.\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e50 Megapixel Full-Frame Stacked BSI CMOS Sensor\u003c\/li\u003e\n\u003cli\u003eAI Tracking \u0026amp; Human Pose Estimation\u003c\/li\u003e\n\u003cli\u003e8K 30p and 4K 120p Video in 10-Bit\u003c\/li\u003e\n\u003cli\u003eUp to 30 fps Shooting with AF\/AE\u003c\/li\u003e\n\u003cli\u003ePre-Capture \u0026amp; Speed Boost Button\u003c\/li\u003e\n\u003cli\u003e8.5-Stop IBIS + Dynamic Stabilization\u003c\/li\u003e\n\u003cli\u003e9.44m-Dot EVF with 240 fps Refresh Rate\u003c\/li\u003e\n\u003cli\u003e3.2\" 2.1m-Dot 4-Axis Touchscreen LCD\u003c\/li\u003e\n\u003cli\u003e5 GHz MIMO Wi-Fi, 2.5GBASE-T Ethernet\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type A\/SD Card Slots\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAlpha 1 II Mirrorless Camera\u003c\/li\u003e\n\u003cli\u003eBody cap\u003c\/li\u003e\n\u003cli\u003eStandard Eyepiece cup (FDA-EP19) \u003c\/li\u003e\n\u003cli\u003eDeep Eyepiece cup (FDA-EP21)\u003c\/li\u003e\n\u003cli\u003eMulti Interface Shoe Cap\u003c\/li\u003e\n\u003cli\u003eRechargeable Battery NP-FZ100 \u003c\/li\u003e\n\u003cli\u003eExternal Battery Charger BC-ZD1\u003c\/li\u003e\n\u003cli\u003eCable Protector\u003c\/li\u003e\n\u003cli\u003eShoulder strap\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eProduct SKU\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eILCE-1M2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":43129531596845,"sku":"17302","price":6999.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/17302_ILCE-1M2_Hero_01.png?v=1732032712"},{"product_id":"fe-50-150mm-f2-0-gm","title":"Sony FE 50-150mm f\/2 GM Lens","description":"\u003ch3\u003eA breakthrough F2 telephoto zoom for new expression\u003c\/h3\u003e\n\u003cp\u003eDeveloped for creators who want next-generation versatility and expression, this telephoto zoom is the world’s first with a maximum focal length of 150mm and f\/2 aperture. Smooth bokeh works with telephoto compression for creative portraits, and the large aperture is ideal for indoor events. All of this plus internal zoom in an agile lens that weighs just 1,340 g (47.3 oz), without tripod base.\u003c\/p\u003e\n\u003ch3\u003eResolution that rivals prime lenses\u003c\/h3\u003e\n\u003cp\u003eTwo precision XA (extreme aspherical) elements in an innovative optical design, plus advanced manufacturing, and carefully controlled aberration, deliver resolution that rivals high- quality prime lenses throughout the image area at all apertures, including f\/2. This superb lens brings out the best in the latest high-resolution camera bodies.\u003c\/p\u003e\n\u003ch3\u003eOutstanding clarity and contrast\u003c\/h3\u003e\n\u003cp\u003eTwo Super ED (Extra-low Dispersion) and three ED glass elements minimize both longitudinal and lateral chromatic aberration for exceptionally sharp imagery without color bleeding. Contrast and clarity are further enhanced by Nano AR Coating II that effectively suppresses flare and ghosting even when a strong light source appears in the frame.\u003c\/p\u003e\n\u003ch3\u003eExquisite bokeh makes subjects stand out\u003c\/h3\u003e\n\u003cp\u003eSeveral innovations contribute to outstanding resolution and bokeh, including a new 11-blade circular aperture and two precision XA (extreme aspherical) lens elements that effectively suppress onion-ring bokeh. Bokeh is unusually smooth and creamy for a zoom lens. Telephoto compression and shallow depth of field contribute to memorable images.\u003c\/p\u003e\n\u003ch3\u003eGet close for stunning detail\u003c\/h3\u003e\n\u003cp\u003eWith a maximum magnification of 0.2x and minimum focus distances of 0.4 m (1.32 ft) at 50mm and 0.74 m (2.43 in) at 150mm, close-up performance is superb. This lightweight 50- 150mm zoom can be used handheld to shoot small items at weddings without having to change lenses. Floating focus ensures excellent sharpness.\u003c\/p\u003e\n\u003ch3\u003eEasy, stable handheld shooting\u003c\/h3\u003e\n\u003cp\u003eCareful layout and the use of resin barrel parts has resulted in a lens that measures just 102.8 x 200mm (4-1\/8 x 7-7\/8 in) and weighs just 1,340 g (47.3 oz), without tripod base. That’s small and light enough for smooth handheld shooting. Internal zoom and optimized balance make it ideal for indoor events, without the need for lens changes that can interrupt the flow.\u003c\/p\u003e\n\u003ch3\u003eFast, precise AF and tracking\u003c\/h3\u003e\n\u003cp\u003eFour precision XD (extreme dynamic) linear motors drive the focus group for fast, accurate, and quiet focusing that maximizes the AF performance potential of modern camera bodies. Tracking easily keeps up with the 120 fps maximum burst speed of the α9 III and is consistently reliable even while zooming. Perfect for professionals who must get the shot.\u003c\/p\u003e\n\u003ch3\u003eRefined expression for movies\u003c\/h3\u003e\n\u003cp\u003eThe latest lens technology minimizes focus breathing for refined movie imagery. Rack focus and zoom effects can be used with F2 depth of field to create natural transitions that smoothly guide the viewer’s eye. Critical focus for high frame rate 4K 120p\/FHD 240p recording is easy, and the entire system operates with minimal noise and vibration.\u003c\/p\u003e\n\u003ch3\u003eSmooth operation for movie capture\u003c\/h3\u003e\n\u003cp\u003eLinear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually. An internal zoom mechanism minimizes center of gravity shift, so gimbal mounting is easy, and the breathing compensation and Active Mode image stabilization functions provided in compatible α bodies are supported.\u003c\/p\u003e\n\u003ch3\u003eProfessional control\u003c\/h3\u003e\n\u003cp\u003eOperability is enhanced by an aperture ring with click ON\/OFF and lock switches, three assignable focus hold buttons, and a DMF switch that enables temporary switchover to manual focus while using AF. Ample clearance is provided for the camera grip. The lens accepts standard 95 mm filters, and the tripod foot has 1\/4” and 3\/8” screw holes.\u003c\/p\u003e\n\u003ch3\u003eRobust and reliable in the field\u003c\/h3\u003e\n\u003cp\u003eButtons and switches sealed with silicone gaskets, a rubber ring that seals the lens mount, an internal zoom mechanism, and other measures prevent the incursion of dust and moisture even in challenging outdoor conditions. The front element features a fluorine coating that repels\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFull-Frame  f\/2 to f\/22\u003c\/li\u003e\n\u003cli\u003eUltra-Fast Portrait-Length Zoom\u003c\/li\u003e\n\u003cli\u003eFour XD Linear AF Motors, Floating Focus\u003c\/li\u003e\n\u003cli\u003eAperture De-Click and Lock Switches\u003c\/li\u003e\n\u003cli\u003eInternal Zoom and Internal Focus Design\u003c\/li\u003e\n\u003cli\u003eXA, Aspherical, and Super ED Elements\u003c\/li\u003e\n\u003cli\u003eNano AR Coating II and Fluorine Coating\u003c\/li\u003e\n\u003cli\u003eDust and Moisture-Resistant Construction\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRemovable Tripod Foot\u003c\/li\u003e\n\u003cli\u003eRounded 11-Blade Diaphragm\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's In the Box:\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFE 50-150mm f\/2 GM Lens\u003c\/li\u003e\n\u003cli\u003eLens hood\u003c\/li\u003e\n\u003cli\u003eLens front cap\u003c\/li\u003e\n\u003cli\u003eLens rear cap\u003c\/li\u003e\n\u003cli\u003eTripod Mount\u003c\/li\u003e\n\u003cli\u003eSoft Case w\/strap\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eProduct SKU\u003c\/strong\u003e: \u003cspan\u003eSEL50150GM\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":43437246939181,"sku":"23087","price":3999.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/23087_SEL50150GM_Hero_01.png?v=1745339764"},{"product_id":"fx2b","title":"Sony FX2 Full-Frame Cinema Camera","description":"\u003ch3\u003eA new versatile tool for cinematic expression\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe latest entry to our Cinema Line, the \u003cstrong\u003eFX2\u003c\/strong\u003e delivers newfound versatility by combining the high-quality imagery produced by a full-frame sensor with expressive capabilities modelled on Sony’s flagship VENICE cinema camera, enabling you to bring your creative visions to life through video or photos.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eCinematic Expression With A Full-Frame Sensor\u003c\/h6\u003e\n\u003cdiv\u003eThe full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R CMOS sensor supported by our BIONZ XR image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP*1 resolution, giving ambitious cinematic visionaries all the tools they need.\u003c\/div\u003e\n\u003ch6\u003eOutstanding Image Quality For Maximum Editing Flexibility\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2’s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3*2, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3\/S-Gamut3.Cine color gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.\u003c\/div\u003e\n\u003ch6\u003eLog Recording Modes For Production Flexibility\u003c\/h6\u003e\n\u003cdiv\u003eFor creative flexibility, there are three modes available for Log recording — Flexible ISO, Cine EI, and Cine EI Quick — with Cine EI widely used in professional filmmaking for footage shot with post-production*3*4 in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post-production to achieve your desired cinematic look.\u003c\/div\u003e\n\u003ch6\u003eMultiple Recording Formats For Versatile Shooting And Editing\u003c\/h6\u003e\n\u003cdiv\u003e7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p)*5 recording is available in Super 35mm mode. Professional quality is supported by 10-bit depth, 4:2:2 color sampling, an efficient MPEG-H HEVC\/H.265 codec, and Intra recording including DCI-4K (4096 x 2160).\u003c\/div\u003e\n\u003ch6\u003eImport Up To 16 User Luts\u003c\/h6\u003e\n\u003cdiv\u003eWith the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies. Up to 16 user LUT files*7 can be imported from memory cards or Sony’s Creators’ Cloud and selected as needed*8. The LUT used for recording can then be embedded in the video metadata.\u003c\/div\u003e\n\u003ch6\u003eCreate Moods Right In The Camera\u003c\/h6\u003e\n\u003cdiv\u003ePicture Profile presets make it easy to adjust color and gradation to create a variety of moods in camera. These include the acclaimed S-Cinetone, which can help produce beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.\u003c\/div\u003e\n\u003ch6\u003eDesqueeze Display For Anamorphic Lenses\u003c\/h6\u003e\n\u003cdiv\u003eAnamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings*9, and Sony’s Monitor \u0026amp; Control app provides even more detailed settings for monitoring on a tablet or other external display devices*10.\u003c\/div\u003e\n\u003ch6\u003eFrame Rate Freedom\u003c\/h6\u003e\n\u003cdiv\u003eAn FPS menu inherits features from our professional Cinema Line models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion*11 at 4K resolution, or up to 5x slow motion*11 when recording in Full HD at up to 120 fps.*12\u003c\/div\u003e\n\u003ch6\u003eAn Extensive Range Of Expressive E-Mount Lenses\u003c\/h6\u003e\n\u003cdiv\u003eSony offers a range of more than 70 high-performance E-mount lenses*13, including ultra-wide angles, super telephoto zooms, primes and powered zooms. Combine with Sony microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.\u003c\/div\u003e\n\u003ch3\u003eDesigned For Solo Shooting\u003c\/h3\u003e\n\u003cdiv\u003eCombining advanced video functions from our Cinema Line with enhanced options for stills that support filmmaking, the FX2 is designed to handle solo shooting in a wide range of circumstances, giving you maximum flexibility.\u003c\/div\u003e\n\u003ch6\u003eCompact And Lightweight With Built-In Accessory Mount Points\u003c\/h6\u003e\n\u003cdiv\u003eWith the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1\/4-20 (UNC) screw holes in three locations for mounting accessories, and two additional screw holes are located on the bottom panel for secure tripod mounting.\u003c\/div\u003e\n\u003ch6\u003eAI-Based Real-Time Recognition AF\u003c\/h6\u003e\n\u003cdiv\u003eEquipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects*14. A detection frame indicates the recognized subject*15 and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognizes subject movement, and human eye recognition has been improved by about 30% compared to the FX3\/FX30*16.\u003c\/div\u003e\n\u003ch6\u003eFine-Tuned Focus Control\u003c\/h6\u003e\n\u003cdiv\u003eAF Assist*17 allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualize depth of field by overlaying focus info on the live view display, and the Breathing Compensation function*18 can significantly enhance image stability.\u003c\/div\u003e\n\u003ch6\u003eAutomatic Framing Using Advanced Ai\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2’s Auto Framing feature*19 automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.\u003c\/div\u003e\n\u003ch6\u003eStabilization For Dynamic Handheld Shooting\u003c\/h6\u003e\n\u003cdiv\u003eActive Mode boosts stabilization while walking and shooting. Or, for shooting at an even faster pace, there’s Dynamic active Mode that utilizes electronic stabilization for an even greater effect (up to 30%*20), making it possible to shoot stable footage even when running*21. Corresponding stabilization metadata is embedded in the footage for efficient post-production.*21\u003c\/div\u003e\n\u003ch6\u003eStills At The Flip Of A Switch\u003c\/h6\u003e\n\u003cdiv\u003eA single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to capture stills while recording or playing video that has a previously imported user LUT.\u003c\/div\u003e\n\u003ch6\u003eVisual Consistency Across Stills And Videos\u003c\/h6\u003e\n\u003cdiv\u003eThe Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post-production. Transform your stills in editing applications such as Black Magic Design DaVinci Resolve, ready for a variety of uses while maintaining the same look.*23\u003c\/div\u003e\n\u003ch3\u003eOperability For Professional Filmmaking\u003c\/h3\u003e\n\u003cdiv\u003eThe FX2 is well-suited for professional projects, supporting an expedient workflow throughout production.\u003c\/div\u003e\n\u003ch6\u003eTiltable High-Definition Electronic Viewfinder\u003c\/h6\u003e\n\u003cdiv\u003eKeep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 diopter), and the angle of view and eyepoint are optimized for video recording. The viewfinder itself can be rotated from 0 ° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.*24\u003c\/div\u003e\n\u003ch6\u003eFrequently Used Parameters All In One Place\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed\/angle), Aperture or ND Filter, Look, and White Balance. This screen contributes to smooth, intuitive operation, and provides quick access to Variable\/Fixed parameters.\u003c\/div\u003e\n\u003ch6\u003eEffective Heat Management\u003c\/h6\u003e\n\u003cdiv\u003eEnjoy uninterrupted video recording time for formats up to 4K 59.94p*25. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilization unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.\u003c\/div\u003e\n\u003ch6\u003ePlenty Of Power For Long Shoots\u003c\/h6\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time*26 or up to 155 minutes of continuous shooting*27. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD)*28. The optional DC-C1 DC Coupler can supply stable power without occupying the camera’s USB Type-C® terminal.\u003c\/span\u003e\u003c\/div\u003e\n\u003ch6\u003eDigital Audio Without Degradation\u003c\/h6\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eWith an XLR Handle Unit XLR-H1*29 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.\u003c\/span\u003e\u003c\/div\u003e\n\u003ch6\u003eEasy Live Streaming\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2 is also a great choice for live streaming to a computer via USB (UVC\/UAC) or a wireless or wired LAN*30 network. You can stream up to 4K (3840 x 2160) 59.94p*31 video via LAN while simultaneously recording to the camera’s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.\u003c\/div\u003e\n\u003ch6\u003eCFexpress Type A Memory Card Support\u003c\/h6\u003e\n\u003cdiv\u003eTwo card slots support SDXC\/SDHC UHS-II\/UHS-I memory cards, with one also supporting CFexpress Type A*32 cards, providing plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.\u003c\/div\u003e\n\u003ch6\u003e4:2:2 10-BIT or 16-BIT RAW Output Via HDMI\u003c\/h6\u003e\n\u003cdiv\u003eAn HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post-production. 16-bit RAW video is output*31 at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]\/[29.97p]\/[23.98p]\/[24.00p] frame rates. Video output via HDMI can occur simultaneously with proxy recording to an internal memory card.\u003c\/div\u003e\n\u003ch6\u003eCompact, Yet Easy To Operate\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2 boasts the size and weight advantages of mirrorless cameras while delivering professional operability, concentrating key controls around the grip and with easily pressable long-stroke buttons on the top panel.\u003c\/div\u003e\n\u003ch6\u003eDust And Moisture Resistant Design*34\u003c\/h6\u003e\n\u003cdiv\u003eNumerous refinements in the body design have enhanced dust and moisture resistance*34, ensuring maximum reliability even in austere outdoor conditions.\u003c\/div\u003e\n\u003ch6\u003eDurable Magnesium Alloy Body\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2’s main body is constructed from a lightweight magnesium alloy to enhance durability and performance even in harsh environments.\u003c\/div\u003e\n\u003ch6\u003eConnectivity For High Expandability\u003c\/h6\u003e\n\u003cdiv\u003eIn addition to an HDMI Type-A port, the FX2 is equipped with a USB Type-C port for power and communication, Multi\/Micro USB terminal, a headphone jack and a mic jack, allowing high expandability for diverse shooting situations and needs.\u003c\/div\u003e\n\u003ch6\u003eFlexible Vari-Angle Lcd Monitor\u003c\/h6\u003e\n\u003cdiv\u003eThe high-definition 3.0 type vari-angle 1.03 million dot LCD monitor can be rotated through a wide range of angles without interference from an HDMI cable. Touch operation remains available when the monitor is open in a sideways position.\u003c\/div\u003e\n\u003ch6\u003eTally Lamps And High Visibility Recording Indication\u003c\/h6\u003e\n\u003cdiv\u003eThe camera is equipped with tally lamps on both its front (top) and back. The illuminated REC button also functions as a tally lamp linked to the rear lamp, and a red frame on the LCD monitor acts as another indicator for recording.\u003c\/div\u003e\n\u003ch6\u003eMonitor \u0026amp; Control\u003c\/h6\u003e\n\u003cdiv\u003eSony’s Monitor \u0026amp; Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad*35*36 All of this can contribute to smoother workflows with a minimal crew.\u003c\/div\u003e\n\u003ch6\u003eCatalyst Browse, Catalyst Prepare\/Plugin\u003c\/h6\u003e\n\u003cdiv\u003eThe Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK\/NG\/KEEP flags*37 added while recording can also be imported for easier shot selection. Image stabilization, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post-production.\u003c\/div\u003e\n\u003ch6\u003eCreators' Cloud Platform\u003c\/h6\u003e\n\u003cdiv\u003eCreators' Cloud is a platform that supports creative work from shooting to production by combining Sony's advanced camera technology and the cloud. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.\u003c\/div\u003e\n\u003ch6\u003eCloud Upload (Camera Direct)\u003c\/h6\u003e\n\u003cdiv\u003eRecorded files can be directly uploaded to Creators’ Cloud*38 storage from the camera without having to transfer via a smartphone or other device. Once in the Creators’ Cloud, data can be transferred to other cloud services such as Ci Media Cloud, Google Drive or Adobe Lightroom to suit your workflow.*39\u003c\/div\u003e\n\u003ch3\u003eFor A Better Planet\u003c\/h3\u003e\n\u003ch6\u003eEnvironmentally Conscious\u003c\/h6\u003e\n\u003cdiv\u003eSony’s environmental plan “Road to Zero” aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimized from development through the supply chain, production, and packaging.\u003c\/div\u003e\n\u003ch6\u003eNon-Plastic Packaging Materials\u003c\/h6\u003e\n\u003cdiv\u003eSony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimizing environmental stress.\u003c\/div\u003e\n\u003ch6\u003eGreater Accessibility For All Users\u003c\/h6\u003e\n\u003cdiv\u003eAccessibility features, such as a menu magnifier and a screen reader*40 that reads an expanded range of menu items aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the widest possible range of users.\u003c\/div\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFull-frame Exmor R CMOS 33MP*1 sensor and BIONZ XR image processor engine\u003c\/li\u003e\n\u003cli\u003e15+ stops dynamic range in Log mode with Dual base ISO (800\/4000)\u003c\/li\u003e\n\u003cli\u003eFlexible Log shooting modes — Flexible ISO, Cine EI, and Cine EI Quick\u003c\/li\u003e\n\u003cli\u003eAngle-adjustable EVF\u003c\/li\u003e\n\u003cli\u003e\"BIG6\" interface\u003c\/li\u003e\n\u003cli\u003eAI-based Real-time Recognition AF for various objects*14 \u003c\/li\u003e\n\u003cli\u003eCompact body for handheld shooting; Cage free design \u003c\/li\u003e\n\u003cli\u003eLog shooting mode for stills shares the same video post-production workflow\u003c\/li\u003e\n\u003cli\u003eActive Mode\/Dynamic active Mode image stabilization*21\u003c\/li\u003e\n\u003cli\u003eUp to 16 LUT files*7 can be imported by memory card or Creator's Cloud\u003c\/li\u003e\n\u003cli\u003eUninterrupted*25 movie recording capability up to 4K 60p (59.94p)\u003c\/li\u003e\n\u003cli\u003e12 Creative Look profiles for in-camera visual moods.\u003c\/li\u003e\n\u003cli\u003eAnamorphic de-squeeze display for easy anamorphic monitoring \u003c\/li\u003e\n\u003cli\u003eFPS menu for frame-rate control: 2.5x slow motion*11 at 4K \/ 5x slow motion in Full HD*12\u003c\/li\u003e\n\u003cli\u003eSony offers more than 70 E-mount lenses*13 to support all shooting styles.\u003c\/li\u003e\n\u003cli\u003eAF Assist*17 empowers manual focus with AF transition speed and sensitivity settings\u003c\/li\u003e\n\u003cli\u003eAuto framing and crops and tracks subject to keep in prominent position\u003c\/li\u003e\n\u003cli\u003eA switch for MOVIE or STILL mode saves and recalls settings for each\u003c\/li\u003e\n\u003cli\u003eCooling managed via internal fan, thermal components, and a design that facilitates air intake\u003c\/li\u003e\n\u003cli\u003eNP-FZ100 battery provides up to 100 minutes actual video time*26\u003c\/li\u003e\n\u003cli\u003eXLR-H1*29 enables four-channel audio, 24-bit audio via connectors, and a digital audio interface\u003c\/li\u003e\n\u003cli\u003eStream up to 4K 59.94p*31 video via LAN*30\u003c\/li\u003e\n\u003cli\u003eTwo SD card slots with one supporting CFexpress Type A*32 cards\u003c\/li\u003e\n\u003cli\u003e4:2:2 10-bit or 16-bit RAW output to external recorder\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSony E-Mount Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHandle Unit:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eSony Top Handle Unit with XLR Input Module (Sold Separately) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eConnectivity:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eApps:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCatalyst Browse And Catalyst Prepare\u003c\/li\u003e\n\u003cli\u003eMonitor \u0026amp; Control\u003c\/li\u003e\n\u003cli\u003eCreators' Cloud\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 115%; font-family: 'SST',sans-serif; mso-fareast-font-family: SimSun; mso-bidi-font-family: Arial; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eILME-FX2B \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eSony FX2 Full-Frame Cinema Camera (Body Only)\u003cbr\u003eSony ILME-FX2B (Body only)\u003cbr\u003eSony NP-FZ100 Rechargeable Battery \u003cbr\u003eSony ALC-B1EM Body Cap\u003cbr\u003eSony Accessory Shoe Cap\u003cbr\u003eSony Eyepiece Cup\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNotes: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cem\u003e\u003cstrong\u003eThis is the Camera Body Only.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003e\u003cstrong\u003eLenses are sold separately. \u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cem\u003e-----\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFootnotes:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1    Effective megapixels. Approx. 27.6 MP for video.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2    S-Log3 recording. Sony test conditions.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e3    Catalyst Browse, Catalyst Prepare, and\/or Catalyst Prepare Plugin required for post production.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e4    See the following web page for details on Log recording: https:\/\/helpguide.sony.net\/di\/pp\/v1\/en\/index.html\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e5    Recording in 4K 60p (59.94p) is only available when using APS-C\/Super 35mm mode.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e6    The available frame rate options change depending on the recording settings.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e7    17 and 33 point CUBE (.cube) files supported.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e8    For app\/service availability by country and region, see https:\/\/creatorscloud.sony.net\/catalog\/servicearea.html\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e9    Desqueeze is not applied to still images created with the [Create Still Image] function even if an anamorphic lens has been used.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e10    See the following web page for details: https:\/\/www.sony.net\/ccmc\/\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e11    [Variable] must be selected when recording at 60 fps 23.98p. Audio is not recorded.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e12    Because the recording bit rate increases when FPS is set to [Variable], a high-speed memory card may be required.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e13    As of the May 2025 product announcement. Sony survey.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e14    Available subject settings are: AUTO, Human, Animal\/Bird, Animal, Bird, Insect, Car\/Train, and Airplane. Subject types other than the type specified may be erroneously recognised in some cases. The camera will attempt to automatically determine the subject type when [Auto] is selected, but the intended subject may not be selected in all cases. In such cases manually select the intended subject type.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e15    The detection frame is OFF by default.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e16    Compared to the FX3\/FX30. Sony tests.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e17    Not available with the E PZ 16-50mm F3.5-5.6 OSS, E PZ 16-50mm F3.5-5.6 OSS II, E 18-200mm F3.5-6.3 OSS LE E-mount lenses or any A-mount lens.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e18    Compatible lenses are listed at: https:\/\/www.sony.net\/dics\/breathing\/. Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e19    Framing is cropped from 4K images, resulting in reduced angle of view.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e20    Compared to Active Mode, Sony tests.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e21    Angle of view is reduced in Active Mode. In Dynamic active Mode, angle of view is reduced more than in Active Mode and Clear Image Zoom is not available. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e22    Using Sony’s Catalyst Browse and Catalyst Prepare apps, or the Catalyst Prepare Plugin.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e23    Log images have low contrast that can be difficult to monitor. The [Gamma Display Assist] function restores normal contrast for easier monitoring.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e24    Mounted Multi Interface (MI) Shoe accessories may interfere with EVF tilt. Visit Sony’s support web page for compatibility information.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e25    Sony internal tests. USB power supply, XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 25 deg C (ambient, camera when recording started), Auto power off temperature: High, Cooling fan: Auto. The duration will vary depending on the shooting conditions. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e26    CIPA standard. Approx. time in LCD monitor mode with intermittent record, zoom, standby, power ON\/OFF operation.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e27    CIPA standard. In LCD monitor mode.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e28    A USB PD compatible power supply device with 9V\/3A or higher output capacity and a USB Type-C cable that can handle 3A or more are required.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e29    The XLR Handle Unit XLR-H1 is not included with the ILME-FX2B (body-only model).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e30    A commercially available USB-LAN adaptor is required.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e31    The output image will be in the APS-C size \/Super 35mm equivalent angle of view.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e32    CFexpress 4 standard not supported. CFexpress 4 memory cards will function according to CFexpress 2 standard. CFexpress Type B cards not supported.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e33    The output image will be in the APS-C size \/Super 35mm equivalent angle of view.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e34    Not guaranteed to be 100% dust and moisture proof. The XLR Handle Unit XLR-H1 is not designed to be dust and moisture resistant.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e35    iPadOS 16.0 or higher required. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e36    iPadOS is a registered trademark of Apple Inc. in the United States and\/or other countries.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e37    Refer to the following web page for details: https:\/\/www.sony.net\/catalyst　\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e38    Creators’ App and Creators’ Cloud Web set-up is necessary.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e39    Refer to the following link for information on availability in various countries and regions: https:\/\/creatorscloud.sony.net\/catalog\/servicearea.html\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e40    Availability varies depending on region and language. Pre-installation of compatible audio files may be necessary. Please refer to the Accessibility section in Help Guide of this model.　\u003c\/em\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":43680535642157,"sku":"24027","price":2699.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/24027_ILME-FX2B_01_Hero.png?v=1748451241"},{"product_id":"sony-a7r-vi-body","title":"Sony Alpha a7R VI Mirrorless Camera","description":"\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003eα7R VI: An advanced fusion of class-leading resolution, image quality, speed, and AI\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch6\u003e66.8 MP*1 full-frame fully-stacked CMOS Exmor RS\u003c\/h6\u003e\n\u003cp\u003eThe first in the α7R series to feature a fully-stacked Exmor RS image sensor, the \u003cstrong\u003eA7R VI\u003c\/strong\u003e delivers enhanced image quality with readout speeds up to 5.6x faster*2. Take your shooting to the next level with 30 fps bursts at full resolution*3, 4K 60p without cropping, expanded dynamic range, and reliable low-light AF.\u003c\/p\u003e\n\u003ch6\u003eBIONZ XR2 with integrated AI processing unit\u003c\/h6\u003e\n\u003cp\u003eThe BIONZ XR2 engine with an integrated AI processing unit delivers dramatic improvements in image and sound quality, power management, and responsiveness. High-speed processing enables up to 60 AF\/AE calculations per second,*4 blackout-free shooting, and 8K video, while the integrated AI processing unit enhances subject recognition and illumination estimation for unprecedented shooting support.\u003c\/p\u003e\n\u003ch6\u003eExpansive creative potential\u003c\/h6\u003e\n\u003cp\u003eThe fully-stacked Exmor RS image sensor delivers class-leading*5 66.8 MP*1 resolution and superb image quality for landscapes, portraits, wildlife, a\u003cimg\u003e\u003cimg\u003end more. Shadow noise is minimized in high-dynamic-range landscapes, and portraits are captured with realistic skin tones.\u003c\/p\u003e\n\u003ch6\u003eUp to 16-stop*6 dynamic range\u003c\/h6\u003e\n\u003cp\u003eUp to 16 stops of dynamic range*6 at low sensitivities supports HDR processing. Outstanding resolution and high sensitivity capture stunning imagery throughout the ISO 100-32000 range. *7 Noise in night scenes is also reduced.\u003c\/p\u003e\n\u003ch6\u003eStable, accurate auto white balance\u003c\/h6\u003e\n\u003cp\u003eThe Visible Light + IR Sensor works with deep learning-based illumination estimation to achieve stable, accurate auto white balance under any lighting. Together, they enable natural color reproduction in a wide variety of scenes.\u003c\/p\u003e\n\u003ch6\u003eLifelike rendering of wide dynamic range scenes\u003c\/h6\u003e\n\u003cp\u003eThe updated D-Range Optimizer (DRO) balances bright highlights and dark shadows and offers a wider range of strength settings, up to Lv8*8. At higher levels, DRO lifts shadow areas in strong backlight, delivering more natural-looking portrait shots.\u003c\/p\u003e\n\u003ch6\u003eUp to 8.5-step central and 7.0-step peripheral stabilization*9\u003c\/h6\u003e\n\u003cp\u003eSuperb stabilization performance maximizes resolution, preventing degradation due to blur. Stabilization is even more effective with compatible lenses*10, and telephoto lens shake is also effectively suppressed.  \u003c\/p\u003e\n\u003ch6\u003eUpgraded format options with lightweight RAW\u003c\/h6\u003e\n\u003cp\u003eA [Compressed (HQ)] RAW format has been added to the existing format, providing lightweight RAW files that enable continuous shooting while maintaining high image quality.\u003c\/p\u003e\n\u003ch6\u003eThree composite RAW modes*11\u003c\/h6\u003e\n\u003cp\u003e[Pixel Shift Multi] mode creates composites with extremely high resolution, [NR Shooting] produces low-noise images, and [Shooting for HDR] captures images with a wide dynamic range.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eExtended RAW processing uses deep learning for enhanced quality*12\u003c\/h6\u003e\n\u003cp\u003eExtended RAW*12 offers two image-enhancing functions: [Extended Hi-Res], which boosts the pixel count of captured images by a factor of four to approximately 270 MP, and [Extended NR] for high noise reduction with full resolution.[Pixel Shift Multi] mode creates composites with extremely high resolution, [NR Shooting] produces low-noise images, and [Shooting for HDR] captures images with a wide dynamic range.\u003c\/p\u003e\n\u003ch6\u003eBlackout-free continuous shooting at up to 30 fps*3 with full AF\/AE\u003c\/h6\u003e\n\u003cp\u003eShoot bursts at up to 30 fps*3 at full 66.8 MP*1 resolution, with AF\/AE tracking and no viewfinder blackout. Up to 60 AF\/AE calculations per second*4 effortlessly track even complex subject movement. Plus, with the upgraded BIONZ XR2 processing engine and CFexpress Type A card support, capture up to 215 JPG and 65 Compressed (HQ) RAW images continuously*13.\u003c\/p\u003e\n\u003ch6\u003ePre-Capture for key moments prior to shutter release*14\u003c\/h6\u003e\n\u003cp\u003eCapture the decisive moment — even after it happens. Half-press the shutter button to set focus, then fully press to record a burst of images from 0.03 to 1 second*15 after the initial half-press.\u003c\/p\u003e\n\u003ch6\u003eTemporarily boost speed while shooting bursts\u003c\/h6\u003e\n\u003cp\u003eDuring continuous burst shooting, press an assigned custom button to change the shooting speed — for example, from 10 fps to 30 fps*16 — when the key moment approaches. This feature can be used even while shooting single frames.\u003c\/p\u003e\n\u003ch6\u003eEnhanced Real-time Recognition AF+ for more tenacious tracking\u003c\/h6\u003e\n\u003cp\u003eThe A7R VI utilizes the latest human pose estimation technology for improved recognition and tracking. It accurately maintains focus on the desired subject in a group or when a distant subject is small in the frame, even when the subject is moving.\u003c\/p\u003e\n\u003ch6\u003eImproved subject recognition performance*17\u003c\/h6\u003e\n\u003cp\u003eRecognition of distant animals and birds has been significantly improved. Choose from Human, Animal, Bird, Insect, Car\/Train, or Airplane*17 mode, or let Auto detect the subject type*18. Even when Subject Recognition is turned off, Sony’s original algorithm processes multiple data points for reliable tracking.\u003c\/p\u003e\n\u003ch6\u003ePrecise AF in low light\u003c\/h6\u003e\n\u003cp\u003eEnjoy reliable AF at light levels as low as EV-6*20, or EV-11*21 with Bright Monitoring enabled. The AF can also be limited to long-distance ranges for shooting low-light distant scenes*22.\u003c\/p\u003e\n\u003ch6\u003eFlexible focus area settings\u003c\/h6\u003e\n\u003cp\u003eChoose from XL, L, M, S, and XS spot focus area sizes, or create a custom vertical focus area. The XS setting assists focusing on the subject when objects are in the foreground.\u003c\/p\u003e\n\u003ch6\u003eTemporarily switch from AF to MF with Full Time DMF*23\u003c\/h6\u003e\n\u003cp\u003eWhen shooting stills with AF, rotating the lens’s focus ring temporarily switches to manual focus for fine-tuning or shifting the focus to the desired subject.\u003c\/p\u003e\n\u003ch6\u003eOptimum focus on difficult subjects with Focus Bracketing*24\u003c\/h6\u003e\n\u003cp\u003eUp to 299 images are automatically shot at specified focus increments. The best focus can then be selected, or the images can be composited in post-production for extreme depth of field.\u003c\/p\u003e\n\u003ch6\u003eFlicker-free images in artificial light\u003c\/h6\u003e\n\u003cp\u003eAnti-flicker Shooting*25 prevents exposure and color variations caused by artificial lighting, and High-frequency Flicker-free Shooting adjusts the shutter speed for best results in LED-lit settings.\u003c\/p\u003e\n\u003ch6\u003eFull-frame 4K 60p video without cropping\u003c\/h6\u003e\n\u003cp\u003eEquipped with an upgraded image sensor and processing engine, the A7R VI is capable of 4K (QFHD: 3840 x 2160) 60p and high frame rate 4K 120p recording without cropping*26. 4:2:2 color sampling and 10-bit depth further support high video quality*27.\u003c\/p\u003e\n\u003ch6\u003e8K movies for spectacular resolution*28*29\u003c\/h6\u003e\n\u003cp\u003e8K 30p*28*29 movies can be recorded in XAVC HS format with 8.2K oversampling offering spectacular resolution. This is further enhanced by precision AF performance, along with natural gradations and colors. 8K also supports 4:2:2 10-bit recording.\u003c\/p\u003e\n\u003ch6\u003eDual Gain Shooting for enhanced editing flexibility\u003c\/h6\u003e\n\u003cp\u003eLeveraging the sensor’s tonal range, Dual Gain Shooting delivers wider latitude with detailed shadows, low noise, and smooth video gradations for enhanced editing flexibility. *30\u003c\/p\u003e\n\u003ch6\u003eS-Log3 supports post-production workflows\u003c\/h6\u003e\n\u003cp\u003eThe S-Log3 gamma curve maintains smooth gradations for more effective post processing. S-Gamut3 and S-Gamut3.Cine color spaces are supported, and S-Cinetone™ and imported user LUTs offer a finished look without grading.\u003c\/p\u003e\n\u003ch6\u003eIn-camera audio processing\u003c\/h6\u003e\n\u003cp\u003eWhether recording via the internal or an external microphone*31, Audio Noise Reduction — with Noise Cut and Wind Noise Reduction modes*33 — uses digital processing to reduce background, wind, and lens noise*32.\u003c\/p\u003e\n\u003ch6\u003e32bit float audio recording for editing flexibility\u003c\/h6\u003e\n\u003cp\u003eThe optional XLR-A4 Adaptor enables 96 kHz \/ 32bit float audio recording. This delivers a wide dynamic range via the Multi Interface (MI) ShoeTM, which supports a digital audio interface. This high-quality audio offers greater flexibility during editing.\u003c\/p\u003e\n\u003ch6\u003eReal-time Recognition AF+ lets you focus on composition\u003c\/h6\u003e\n\u003cp\u003ePose estimation technology for human subjects offers reliable recognition for movies as well as stills. Choose from Human, Animal, Bird, Insect, Car\/Train, or Airplane mode, or let Auto detect the subject type*17.\u003c\/p\u003e\n\u003ch6\u003eEnhanced stabilization for smooth handheld shooting\u003c\/h6\u003e\n\u003cp\u003eAn enhanced developed stabilization unit expands the roll-direction compensation range by up to 2x, effectively reducing handheld roll shake. Select Dynamic active Mode*34 for 30% stronger compensation*35 and steadier handheld video.\u003c\/p\u003e\n\u003ch6\u003eBreathing compensation*36 for smooth movie imagery\u003c\/h6\u003e\n\u003cp\u003eSony’s original Clear Image Zoom technology stabilizes the angle of view when focusing, minimizing breathing. Compensation can also be applied via the Catalyst Browse™ and Catalyst Prepare™ applications or the Catalyst Prepare Plugin™ during post-production.\u003c\/p\u003e\n\u003ch6\u003eBright high-resolution wide-gamut electronic viewfinder\u003c\/h6\u003e\n\u003cp\u003eRetaining the class-leading*37 9.44-million-dot resolution*38 of its predecessor, the A7R VI upgrades to an OLED electronic viewfinder with a DCI-P3-equivalent color gamut, 10-bit depth, and up to 3x*39 the luminance. Enjoy clear, smooth viewing even in bright outdoor conditions or when shooting HLG stills.\u003c\/p\u003e\n\u003ch6\u003e4-axis multi-angle monitor\u003c\/h6\u003e\n\u003cp\u003eSony’s 4-axis multi-angle monitor swings up, down, and sideways, and is easily adjustable for the optimum viewing angle. The 3.2-type 2.1 million dot LCD panel is touch sensitive and has a DCI-P3-equivalent color gamut, displaying clear, natural images.\u003c\/p\u003e\n\u003ch6\u003eIlluminated rear-panel buttons\u003c\/h6\u003e\n\u003cp\u003eIlluminated rear-panel buttons allow easy status checks and smooth operation even in very dark conditions. Button illumination can be turned on via the top-panel Backlight button.\u003c\/p\u003e\n\u003ch6\u003eFront-panel tally lamp clearly shows recording status\u003c\/h6\u003e\n\u003cp\u003eShoot with confidence that the action is being recorded — a tally lamp on the front of the camera clearly indicates current recording status, helping to prevent operational errors.\u003c\/p\u003e\n\u003ch6\u003eEasy-to-use cable clamper\u003c\/h6\u003e\n\u003cp\u003eWith an enhanced design, a cable clamper provides a secure hold while being easier to use. Cables can easily be secured or removed while the clamper is attached to the camera body.\u003c\/p\u003e\n\u003ch6\u003eHigh-capacity NP-SA100 Rechargeable Battery Pack included\u003c\/h6\u003e\n\u003cp\u003eAn upgraded high-capacity 2670 mAh battery supplies power for up to 600\/710 stills (viewfinder\/monitor)*40. Advanced power management greatly improves battery life, and battery health information is provided.\u003c\/p\u003e\n\u003ch6\u003eUSB Power Delivery (PD) compatible BC-SAD1 quick charger*42\u003c\/h6\u003e\n\u003cp\u003eThe supplied BC-SAD1*41 charges two NP-SA100 batteries to full in about 115 minutes*42, and a single battery to 80% in just 55 minutes*43. Vertical battery loading saves space, and status LEDs are provided.\u003c\/p\u003e\n\u003ch6\u003eOptional DC-C2  DC Coupler for alternate power source*44\u003c\/h6\u003e\n\u003cp\u003eThe optional DC-C2 DC Coupler lets you directly power the camera from a USB Power Delivery (PD)*44 source for extended operation, while keeping the camera’s USB terminal free.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e66.8 MP full-frame fully‑stacked Exmor RS CMOS sensor\u003c\/li\u003e\n\u003cli\u003eBIONZ XR2 image processing engine with integrated AI processing unit\u003c\/li\u003e\n\u003cli\u003eUp to 16-stop dynamic range at low ISO (mechanical shutter, stills)\u003c\/li\u003e\n\u003cli\u003eVisible Light + IR sensor with deep learning for more stable and accurate auto white balance\u003c\/li\u003e\n\u003cli\u003e5-axis stabilization: up to 8.5-step center, 7.0-step periphery (CIPA2024 standard)\u003c\/li\u003e\n\u003cli\u003eBlackout-free bursts up to 30fps with AF\/AE—captures peak detail in action\u003c\/li\u003e\n\u003cli\u003eUp to 60 AF\/AE calculations per second for accurate and tenacious tracking\u003c\/li\u003e\n\u003cli\u003ePre-Capture: records 0.03–1s before full press even with full‑resolution RAW\u003c\/li\u003e\n\u003cli\u003eContinuous Shooting Speed Boost for effortless burst speed selection\u003c\/li\u003e\n\u003cli\u003eReal-time Recognition AF+ with enhanced human tracking\u003c\/li\u003e\n\u003cli\u003eSubject recognition: Human\/Animal\/Bird\/Insect\/Car\/Train\/Airplane\/Auto\u003c\/li\u003e\n\u003cli\u003eApprox. 759 phase-detect points, ~94% still-image coverage\u003c\/li\u003e\n\u003cli\u003e8K 30p XAVC HS with 8.2K oversampling; 4:2:2 10-bit recording\u003c\/li\u003e\n\u003cli\u003eFull-frame 4K 60p without cropping and high-frame-rate 4K 120p\u003c\/li\u003e\n\u003cli\u003e9.44M-dot OLED EVF, DCI‑P3‑equivalent gamut, 10-bit gradation and 3x brightness\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSony E Mount Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003e5.22 x 3.81 x 3.26”\u003c\/p\u003e\n\u003ch3\u003eWeight:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCamera Body Only\u003c\/strong\u003e: 1.37 lbs\u003cbr\u003e\u003cstrong\u003eCamera, Battery and Media Card\u003c\/strong\u003e: 1.57 lbs\u003c\/p\u003e\n\u003ch3\u003eManufacturer SKU:\u003c\/h3\u003e\n\u003cp\u003eILCE-7RM6\/B\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eSony Alpha a7R VI Mirrorless Camera ILCE-7RM6\/B\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSony Body Cap ALC-B1EM\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSony Eyepiece Cup\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSony Multi Interface Shoe Cap\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSony Rechargeable Battery NP-SA100\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSony Dual Battery Charger BC-SAD1\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSony Cable Clamp\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSony Shoulder Strap\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":66698824548397,"sku":"38012","price":4499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/38012ILCE-7RM6B01Hero.png?v=1778689418"},{"product_id":"fe-100-400mm-4-5-gm","title":"Sony FE 100-400mm f\/4.5 GM OSS Lens","description":"\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003eA professional 100-400mm super-telephoto zoom lens \u003c\/h3\u003e\n\u003cp\u003eThis exemplary \u003cstrong\u003e100-400mm super-telephoto zoom lens\u003c\/strong\u003e is ideal for wildlife, birds, sports, photojournalism and more. Maximum aperture is a constant F4.5 and AF performance is fast and precise, easily maximizing the potential of Sony’s most advanced E-mount camera bodies. A lightweight inner-zoom design results in stress-free handling, while comprehensive control meets professional needs.\u003c\/p\u003e\n\u003ch6\u003eOutstanding G Master resolution and bokeh from 100 to 400 mm\u003c\/h6\u003e\n\u003cp\u003eThis fine lens delivers superb quality over a 100-400 mm range, extendable to 800 mm with an optional teleconverter. *1 A\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003en ED XA (Extra-low Dispersion extreme aspherical) element plus XA, Super ED, and ED elements optimize chromatic and spherical aberration for high resolution throughout the zoom range. Maximum aperture is a constant F4.5 while zooming. The ED XA and XA elements contribute to exquisite G Master bokeh.\u003c\/p\u003e\n\u003ch6\u003eFast, precise AF effortlessly tracks active subjects\u003c\/h6\u003e\n\u003cp\u003eAdvanced algorithms and four of Sony’s XD (extreme dynamic) Linear Motors drive the floating focus groups for up to 3x faster AF. *2 Tracking performance has been improved by up to 50%. *2  With the α9 III body (sold sep.), reliable AF tracking is achieved at bursts of up to 120 fps.*3 Focus breathing and zoom related focus and axial shifts are minimized for smooth, professional looking movie imagery.\u003c\/p\u003e\n\u003ch6\u003eLightweight for fatigue-free shooting\u003c\/h6\u003e\n\u003cp\u003eMagnesium alloy parts and painstaking design have resulted in an overall weight of just 1,840g (approx.). That is remarkably light for a super-telephoto zoom, allowing users to shoot long sessions with minimum fatigue. Inner zoom minimizes center-of-gravity shift when zooming, further enhancing handling and maneuverability. Even the zoom torque has been optimized to ensure smooth operation.\u003c\/p\u003e\n\u003ch6\u003eAdvanced optical stabilization and professional control\u003c\/h6\u003e\n\u003cp\u003eOptical lens stabilization works with α in-body stabilization to achieve outstanding results. A function ring can be assigned to control Preset Focus*4 for quick registration and recall of a specific focus point, APS-C\/Full Frame switching that allows quick shifts to the equivalent of 1.5x optical zoom, or Power Focus. *5 A zoom smoothness switch and security slot are also provided.\u003c\/p\u003e\n\u003ch6\u003eRugged reliability in challenging conditions\u003c\/h6\u003e\n\u003cp\u003eIn addition to a dust and moisture resistant overall design, *6 the outer surface of the front element features a fluorine coating that prevents adhesion of fingerprints, dust, water, oil, and other contaminants. The coating also makes it easy to wipe the lens surface clean.\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eOutstanding G Master resolution and bokeh from 100 to 400mm\u003c\/li\u003e\n\u003cli\u003eMinimal ghosting and stunning close-ups\u003c\/li\u003e\n\u003cli\u003eConstant F4.5 maximum aperture\u003c\/li\u003e\n\u003cli\u003eFast, precise AF effortlessly tracks active subjects\u003c\/li\u003e\n\u003cli\u003eLightweight for fatigue-free shooting\u003c\/li\u003e\n\u003cli\u003eAdvanced optical stabilization\u003c\/li\u003e\n\u003cli\u003eCustomizable for any shooting style\u003c\/li\u003e\n\u003cli\u003eRugged reliability in challenging conditions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCameras:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSony E Mount Cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFilters\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e95mm (Front)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e40.5mm (Drop-In)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003eΦ 4.75” x 13.0”\u003c\/p\u003e\n\u003ch3\u003eWeight:\u003c\/h3\u003e\n\u003cp\u003e4.05 lbs\u003c\/p\u003e\n\u003ch3\u003eManufacturer SKU:\u003c\/h3\u003e\n\u003cp\u003eSEL100400MC\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eSony FE 100-400mm f\/4.5 GM OSS Lens\u003cbr\u003eSony Lens Hood ALC-SH187\u003cbr\u003eSony Lens Front Cap ALC-F95S\u003cbr\u003eSony Lens Rear Cap ALC-R1EM\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSony Drop-In Filter Holder\u003cbr\u003eSony Soft Case with Strap\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e-----\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFootnotes:\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eSEL20TC and SEL14TC teleconverters supported.\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eCompared to the FE 100-400mm F4.5-5.6 GM OSS (SEL100400GM) mounted on an α9 III body (sold sep.).\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eSony tests. Continuous burst speed may be lower in some shooting conditions. Continuous burst speed may vary depending on the lens used in AF-C focus mode.\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eFunctions that can be assigned to the Function Ring will depend on the camera used. Refer to the corresponding camera Help Guide for details.\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003ebody compatibility information: https:\/\/www.sony.com\/electronics\/support\/articles\/00199251\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eNot guaranteed to be 100% dust and moisture proof.\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":66698824843309,"sku":"37998","price":4299.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/37998SEL100400MC01Hero_763a0927-1cad-48d1-8898-758d13e59913.png?v=1778772876"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/collections\/Reza_Sports_Collection_Header.png?v=1781311114","url":"https:\/\/www.glazerscamera.com\/collections\/reza-malayeri-gear.oembed","provider":"Glazer's Camera","version":"1.0","type":"link"}