Canon 8.85 Megapixel Super 35mm CMOS Sensor
The heart of any Canon camera is its superb image-sensor technology. The EOS C300 Mark II Digital Cinema Camera integrates an 8.85 Megapixel Super 35mm 16:9 CMOS sensor that supports 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels. The camera fully utilizes the image data delivered by this 4K CMOS sensor to also enable Over Sampling HD Processing for 2K (DCI) and Full HD1080/60p recording.
Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch that maximizes the amount of light that falls on to each photo site, thus enhancing the EOS C300 Mark II’s sensitivity while also minimizing noise and supporting ISO speeds of up to 102,400 for extreme low-light imaging. This sensor also reduces data-readout time to about half of what it was in the original EOS C300 Camera, which results in a significant reduction in rolling-shutter artifacts.
Dual DiG!C DV 5 Image Processors
The EOS C300 Mark II Digital Cinema Camera's re-designed imaging system includes dual DiG!C DV 5 image processors, which work in concert with the camera's advanced Super 35 CMOS sensor and XF-AVC codec to enable a wide variety of image quality and feature improvements. These include 15 stops of dynamic range, Canon Log 2 recording, Dual Pixel CMOS AF, simultaneous 4K and HD proxy recording, and 2K/Full HD frame rates of up to 120 fps.
Internal CFast™ 4K Recording Technology
CFast™ (CompactFast) 2.0 cards are the next-generation mass-storage media employed by the EOS C300 Mark II for in-camera 4K video recording. The EOS C300 Mark II Digital Cinema Camera features two CFast™ card slots, each of which is protected by a convenient hinged cover. The camera also includes an SD card slot for HD and Proxy recording. For example, the camera can simultaneously record 4K on two CFast™ (2.0) cards along with 2K proxy images on its SD card for off-line editing.
Canon Log Gamma 2/ACES/REC. 2020 Support
The EOS C300 Mark II Digital Cinema Camera features a new log gamma designated as Canon Log Gamma 2, which was designed explicitly for the camera's 10-bit recording capabilities. The files produced using Log format are ideal for color correction/grading in post-production, providing users with a high level of creative freedom while minimizing degradation of image quality. When using Canon Log 2, the Cinema EOS C300 Mark II can provide a dynamic range up to 1600%.
Dual Pixel CMOS AF (Auto Focus) Technology
The EOS C300 Mark II Digital Cinema Camera features the newest generation in Canon Dual Pixel CMOS AF Technology. Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies.
The DAF focusing area has been expanded on the EOS C300 Mark II Digital Cinema Camera to approximately 80% (vertically) x 80% (horizontally) of the image area. The focusing area can also be moved using the camera's 4-direction key, allowing the user more control of AF operation.
Dual Pixel Focus Guide
Utilizing the Dual Pixel CMOS AF information focus-assist information is displayed on the screen. It employs a truly innovative user interface that enables the user to see if they are focused in front of or behind the subject through visual observation, and allows quick and accurate manual focus to be achieved.
Canon XF-AVC Codec
The EOS C300 Mark II Digital Cinema Camera incorporates the new Canon XF-AVC codec that allows 4K image data to be recorded internally onto CFast (2.0) cards. (The camera features two CFast card slots and an SD card slot.) This makes it easy for users to record high quality compressed 4K images in the camera body without the need for external recorders. If full uncompressed RAW recording is needed, the EOS C300 Mark II Digital Cinema Camera can output its signal through dual 3G-SDI outputs to an external recorder.
Slow and Fast Motion Recording
The EOS C300 Mark II Digital Cinema Camera features shooting speeds ranging from 1 fps (for time-lapse filming) to its highest speed of 120 fps (in 2K/Full HD). A wide range of expressive effects are made possible for creative digital filmmaking.
Multiple Recording Modes (HD/2K/4K)
Multiple recording modes, resolutions and frame rates make the EOS C300 Mark II Digital Cinema Camera creatively flexible and able to work in any production environment.
Fully Compatible with New and Existing EF-Mount Lenses
A major aspect of the creative filmmaking potential of the EOS C300 Mark II Digital Cinema Camera is its compatibility with the full range of more than 100 Canon EF and EF-S photographic lenses (including specialty tilt-shift and fisheye models) and Canon’s 4K CN-E Cinema prime and zoom lenses (including the “ENG-style” Canon CINE-SERVO zooms). Improved EF lens communication capabilities of the EOS C300 Mark II Digital Cinema Camera provide the display of CN-E Cinema lens T-values, compatibility with Dual-Pixel CMOS AF, lens metadata acquisition, and chromatic aberration correction.
PL and Locking EF Mount Options Users wishing to employ PL-mount lenses can convert their EOS C300 Mark II Digital Cinema Camera at a Canon Service Center.
The EOS C300 Mark II can be modified at a later point in time for a fee by authorized Canon Cinema EOS service centers for users who prefer either locking EF mount or PL mount.
Versatile and Refined Ergonomics
The EOS C300 Mark II Digital Cinema Camera builds on the innovative and efficient ergonomic design of the original, while also providing new advantages. Redesigned from the ground up to maximize shooting comfort and usability improvements asked for by users, the EOS C300 Mark II Digital Cinema Camera's modular design allows different components to be added or removed as needed to not only meet the demands of a particular shooting environment, but to also maximize the comfort of the camera operator. In addition to the core body of the EOS C300 Mark II Digital Cinema Camera, the EOS C300 Mark II Digital Cinema Camera comes with a removable hand grip, improved low-angle camera handle extension with additional attachment points, and removable LCD monitor and control panel with XLR audio inputs.
Ultra-High Resolution OLED EVF with Adjustable Viewing Angle
The EOS C300 Mark II Digital Cinema Camera features a 0.46 Inch 1.77 Megapixel color OLED EVF (Organic Light Emitting Diode Electronic ViewFinder). OLED technology increases the color reproducibility, contrast and response of the viewfinder, making camera operation and the judging of image characteristics seen in the viewfinder much easier. The EVF also offers 60º of tilt for more comfortable operation in a variety of positions.
Connectivity and Camera Control
The EOS C300 Mark II Digital Cinema Camera comes equipped with two 3G-SDI, a genlock input, a time code input/output, and an HDMI output. (The camera's various "assist-displays" - waveform monitor, edge monitor, peaking, zebra and magnify - can be output to the SDI and HDMI outputs.)
RC-V100 Remote Support LANC Compatible
The EOS C300 Mark II Digital Cinema Camera supports the Canon RC-V100 multi-functional remote controller for enabling image quality adjustments and camera operations to be set from a distance. The EOS C300 Mark II Digital Cinema Camera is also LANC compatible and supports a variety of LANC accessories from third-party manufacturers.
Wireless Remote Capabilities
Using a standard web browser on a Wi-Fi capable device, users can take dynamic control of the functionality of the EOS C300 Mark II Digital Cinema Camera. Almost all shooting operations and settings can be controlled from a laptop, tablet or smart phone. Focusing functions have been added, and the focusing area can even be moved by touch, allowing accurate focusing operations even when direct access to the camera is not available
Full Manual Control
The EOS C300 Mark II Digital Cinema Camera is also a fully manual digital camera. Users of the EOS C300 Mark II Digital Cinema Camera have full manual control of all camera functions including iris, shutter speed, gain, zoom, focus, and audio, giving them the ability to adapt to both technical and artistic challenges when shooting. For maximum customization, users have access to Custom Picture Settings, Custom Functions, and Custom Display Options to tailor the camera precisely to their needs.
Canon CN7x17 KAS S Cine-Servo 17-120mm T2.95 - EF Mount
High Zoom Magnification 7x
The new CINE-SERVO 17-120mm T2.95-3.9 lens offers a high magnification range of 7-times, coupled with an extremely versatile focal length that is continuously variable from 17mm to 120 mm. Its compact size and light weight include the same type of removable drive unit found on conventional broadcast-use ENG lenses, with ergonomics that provide a familiar feel that many ENG cameramen expect.
The lens offers 4K-ready optical performance for digital cameras equipped with Super35mm CMOS sensors that offer four times the image resolution of conventional HD media. The lenses' high optical performance across a wide zoom range matches that of 4K single-chip, large-format digital cameras, for both cinema and broadcast applications, with outstanding picture quality extending from the image center to the edges.
The use of an 11-blade iris produces artistic and beautiful out-of-focus areas or "Bokeh." The 11 blades allow for attractive circular blurring in out-of-focus regions, while the use of an odd number of blades help reduce flaring of specular highlights. Additionally, the iris ring is mechanically controlled with no click stops for smooth exposure adjustments while recording.
Designed for Cinema Style and Broadcast Applications
With large-format digital cameras now being used during both cinema and broadcast/ENG shoots, videographers and operators are seeking zoom lenses that accommodate both types of production. The lens incorporates a removable drive unit that provides remote control of the focus, zoom and iris/aperture settings. Focus indicators on the front side of the lens are marked on a beveled surface, making them easier to identify from the rear of the camera especially when mounted on a shoulder. A 180-degree focus rotation angle not only fulfills the focusing accuracy required for 4K shoots, but also the operational range needed for broadcast productions.
Enhanced Servo Drive Unit
The LCD display enables users to easily access functions on the drive unit. User settings are also accessible from the drive unit. The drive unit can provide a very fast zoom speed of up to 0.5 seconds from end to end, or a very slow speed of 300 seconds. These can be changed using a toggle switch on the drive unit. The small and lightweight ergonomic drive unit can be detached when full manual use of the lens is desired, and doesn't require any alignment when re-attached to the lens. While the lens can operate independently of the drive unit, the drive unit is matched by serial number to the lens it ships with and will only function with that lens.
Compact and Lightweight
Despite being designed for large-format digital cameras, the lens is extremely compact and lightweight, with the type of shoulder-shot portability desired by broadcast-production and ENG/EFP markets.
Multiple Communication Capability with Compatible Cameras
The PL mount model is equipped with the Cooke/i mount interface for compatible cameras. ‡The lens also features three, 20-pin ports that provide full remote control of zoom servo, focus servo and iris/aperture settings, compatible with a wide range of digital cameras, virtual data systems and remote-control protocols. They are also compatible with 12-pin lens cables used for cameras that accommodate other broadcast-compliant serial interfaces. The lens is only capable of communicating with a camera when used with the servo drive unit.
16-bit Metadata Output for Virtual Studio Systems
The lens can be connected to different types of virtual control systems via its 16-bit encoder outputs, including Canon's Digital Drive ZSD-300D zoom demand and FPD-400D focus demand. The FDJ-P01 focus demand can also be used via a 20-pin conversion cable to remotely control the iris by changing the setting from the display on the drive unit. The 16-bit, high-resolution encoders provide accurate lens data to the system to help avoid any discrepancy between the changes made in the lens settings and the virtual images.
High Durability and Ruggedness
Leveraging Canon's more than 50 years of designing broadcast lenses, the lens offers the high level of ruggedness and in-use reliability required to fulfill the exacting needs of broadcast applications, with a robust chassis construction that is weather and shock proof.
In some cases the camera will be able to provide power to the lens through the mount. Otherwise the lens will require an external battery. Please ask Canon or any authorized dealers for details.