Canon 8.85 Megapixel Super 35mm CMOS Sensor
The heart of any Canon camera is its superb image-sensor technology. The EOS C300 Mark II Digital Cinema Camera integrates an 8.85 Megapixel Super 35mm 16:9 CMOS sensor that supports 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels. The camera fully utilizes the image data delivered by this 4K CMOS sensor to also enable Over Sampling HD Processing for 2K (DCI) and Full HD1080/60p recording.
Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch that maximizes the amount of light that falls on to each photo site, thus enhancing the EOS C300 Mark II’s sensitivity while also minimizing noise and supporting ISO speeds of up to 102,400 for extreme low-light imaging. This sensor also reduces data-readout time to about half of what it was in the original EOS C300 Camera, which results in a significant reduction in rolling-shutter artifacts.
Dual DiG!C DV 5 Image Processors
The EOS C300 Mark II Digital Cinema Camera's re-designed imaging system includes dual DiG!C DV 5 image processors, which work in concert with the camera's advanced Super 35 CMOS sensor and XF-AVC codec to enable a wide variety of image quality and feature improvements. These include 15 stops of dynamic range, Canon Log 2 recording, Dual Pixel CMOS AF, simultaneous 4K and HD proxy recording, and 2K/Full HD frame rates of up to 120 fps.
Internal CFast™ 4K Recording Technology
CFast™ (CompactFast) 2.0 cards are the next-generation mass-storage media employed by the EOS C300 Mark II for in-camera 4K video recording. The EOS C300 Mark II Digital Cinema Camera features two CFast™ card slots, each of which is protected by a convenient hinged cover. The camera also includes an SD card slot for HD and Proxy recording. For example, the camera can simultaneously record 4K on two CFast™ (2.0) cards along with 2K proxy images on its SD card for off-line editing.
Canon Log Gamma 2/ACES/REC. 2020 Support
The EOS C300 Mark II Digital Cinema Camera features a new log gamma designated as Canon Log Gamma 2, which was designed explicitly for the camera's 10-bit recording capabilities. The files produced using Log format are ideal for color correction/grading in post-production, providing users with a high level of creative freedom while minimizing degradation of image quality. When using Canon Log 2, the Cinema EOS C300 Mark II can provide a dynamic range up to 1600%.
Dual Pixel CMOS AF (Auto Focus) Technology
The EOS C300 Mark II Digital Cinema Camera features the newest generation in Canon Dual Pixel CMOS AF Technology. Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies.
The DAF focusing area has been expanded on the EOS C300 Mark II Digital Cinema Camera to approximately 80% (vertically) x 80% (horizontally) of the image area. The focusing area can also be moved using the camera's 4-direction key, allowing the user more control of AF operation.
Dual Pixel Focus Guide
Utilizing the Dual Pixel CMOS AF information focus-assist information is displayed on the screen. It employs a truly innovative user interface that enables the user to see if they are focused in front of or behind the subject through visual observation, and allows quick and accurate manual focus to be achieved.
Canon XF-AVC Codec
The EOS C300 Mark II Digital Cinema Camera incorporates the new Canon XF-AVC codec that allows 4K image data to be recorded internally onto CFast (2.0) cards. (The camera features two CFast card slots and an SD card slot.) This makes it easy for users to record high quality compressed 4K images in the camera body without the need for external recorders. If full uncompressed RAW recording is needed, the EOS C300 Mark II Digital Cinema Camera can output its signal through dual 3G-SDI outputs to an external recorder.
Slow and Fast Motion Recording
The EOS C300 Mark II Digital Cinema Camera features shooting speeds ranging from 1 fps (for time-lapse filming) to its highest speed of 120 fps (in 2K/Full HD). A wide range of expressive effects are made possible for creative digital filmmaking.
Multiple Recording Modes (HD/2K/4K)
Multiple recording modes, resolutions and frame rates make the EOS C300 Mark II Digital Cinema Camera creatively flexible and able to work in any production environment.
Fully Compatible with New and Existing EF-Mount Lenses
A major aspect of the creative filmmaking potential of the EOS C300 Mark II Digital Cinema Camera is its compatibility with the full range of more than 100 Canon EF and EF-S photographic lenses (including specialty tilt-shift and fisheye models) and Canon’s 4K CN-E Cinema prime and zoom lenses (including the “ENG-style” Canon CINE-SERVO zooms). Improved EF lens communication capabilities of the EOS C300 Mark II Digital Cinema Camera provide the display of CN-E Cinema lens T-values, compatibility with Dual-Pixel CMOS AF, lens metadata acquisition, and chromatic aberration correction.
PL and Locking EF Mount Options Users wishing to employ PL-mount lenses can convert their EOS C300 Mark II Digital Cinema Camera at a Canon Service Center.
The EOS C300 Mark II can be modified at a later point in time for a fee by authorized Canon Cinema EOS service centers for users who prefer either locking EF mount or PL mount.
Versatile and Refined Ergonomics
The EOS C300 Mark II Digital Cinema Camera builds on the innovative and efficient ergonomic design of the original, while also providing new advantages. Redesigned from the ground up to maximize shooting comfort and usability improvements asked for by users, the EOS C300 Mark II Digital Cinema Camera's modular design allows different components to be added or removed as needed to not only meet the demands of a particular shooting environment, but to also maximize the comfort of the camera operator. In addition to the core body of the EOS C300 Mark II Digital Cinema Camera, the EOS C300 Mark II Digital Cinema Camera comes with a removable hand grip, improved low-angle camera handle extension with additional attachment points, and removable LCD monitor and control panel with XLR audio inputs.
Ultra-High Resolution OLED EVF with Adjustable Viewing Angle
The EOS C300 Mark II Digital Cinema Camera features a 0.46 Inch 1.77 Megapixel color OLED EVF (Organic Light Emitting Diode Electronic ViewFinder). OLED technology increases the color reproducibility, contrast and response of the viewfinder, making camera operation and the judging of image characteristics seen in the viewfinder much easier. The EVF also offers 60º of tilt for more comfortable operation in a variety of positions.
Connectivity and Camera Control
The EOS C300 Mark II Digital Cinema Camera comes equipped with two 3G-SDI, a genlock input, a time code input/output, and an HDMI output. (The camera's various "assist-displays" - waveform monitor, edge monitor, peaking, zebra and magnify - can be output to the SDI and HDMI outputs.)
RC-V100 Remote Support LANC Compatible
The EOS C300 Mark II Digital Cinema Camera supports the Canon RC-V100 multi-functional remote controller for enabling image quality adjustments and camera operations to be set from a distance. The EOS C300 Mark II Digital Cinema Camera is also LANC compatible and supports a variety of LANC accessories from third-party manufacturers.
Wireless Remote Capabilities
Using a standard web browser on a Wi-Fi capable device, users can take dynamic control of the functionality of the EOS C300 Mark II Digital Cinema Camera. Almost all shooting operations and settings can be controlled from a laptop, tablet or smart phone. Focusing functions have been added, and the focusing area can even be moved by touch, allowing accurate focusing operations even when direct access to the camera is not available
Full Manual Control
The EOS C300 Mark II Digital Cinema Camera is also a fully manual digital camera. Users of the EOS C300 Mark II Digital Cinema Camera have full manual control of all camera functions including iris, shutter speed, gain, zoom, focus, and audio, giving them the ability to adapt to both technical and artistic challenges when shooting. For maximum customization, users have access to Custom Picture Settings, Custom Functions, and Custom Display Options to tailor the camera precisely to their needs.
24.6 x 13.8mm effective size / 6.4 x 6.4µm pixel pitch
||Approx. 8.85 Mp (4096 x 2160)
Approx. 8.29 MP (3840 x 2160
||Approx. 9.84 Mp (4206 x 2340)
||RGB primary color filter (Bayer array)
||2 x DIGIC DV 5
|Built-In ND Filters
||Standard: 2, 4, 6 Stops
Expanded: 2, 4, 6, 8, 10 Stops
||Normal: -2 dB to 44 dB
Expanded: -6 to 54 dB
||Standard: 160 to 25,600
Expanded: 100 to 102,400
||Off, Speed, Angle, Slow Shutter, Clear Scan
||59.94i/59.94p: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15, 1/30; CS: 59.94 - 250.70 Hz
29.97p: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15; CS: 29.97 - 250.70 Hz
23.98p/24p: 1/24 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.97 - 250.70 Hz
50i/50p: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 - 250.70 Hz
25p: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 - 250.70 Hz
||59.94i/59.94p: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
29.97p: 360, 240, 216, 180, 120, 108, 90, 60, 45, 30, 22.5, 15, 11.25
23.98p/24p: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25
50i/50p: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
25p: 360, 300, 240, 180, 150, 120, 90, 75, 60, 45, 30, 22.50, 15, 11.25
||Dual Pixel CMOS
||XF AVC - H.264 in MXF wrapper
||Intra: 410 / 225 / 210 / 110 Mbps
LongGOP: 50 Mbps
LongGOP (Proxy): 35 or 24 Mbps (for proxy recording on SD cards)
||4:2:2 (YCC) 10-bit
4:4:4 (RGB) 12- or 10-bit*
*Only available with 2048 x 1080 or 1920 x 1080 at 29.97p, 23.98p, 25.00p, and 24.00p
|System Frequency Selection
||59.94 Hz,br> 50 Hz
Video compression Formats: MPEG-4 AVC/H.264
Intraframe Recording Resolution : 4096x2160/3840x2160, 2048x1080, 1920x1080
Signal Configuration : Y CC422/RG84 44 (10/12-bit)(Only with 2048x1080 or 1920x1080; 29.97p, 23.98p, 25p and 24p)
LongGOP Resolution: 2048 x 1080/1920 x 1080
Signal: YCC422 10-bit
LongGOP Recording Only (Proxy)Resolution : 2048 x 1080 / 1920 x 1080
Signal: YCC420 8-bit
Photo: JPEGResolution : 2048 x 1080, 1920 x 1080
||CFast Card: 2 x slots
SD Card: 1 x slot
||59.94 Hz Mode
59.94i/p, 29.97p, 23.98p
50 Hz Mode
24 Hz Mode
||Linear PCM; 2-channel; 16/24-bit; 48 kHz 4-ch
||2 x XLR (auto and manual level settings), switchable between mic/line
1 x 3.5mm microphone jack
|XLR Mic Trimming
||-12, -6, 0, or +12 dB
||-∞ to +18 dB
|Headphone Output Level
||16 settings; volume is muted at lowest setting
||1 KHz tone available; -12, -18, or -20 dB
||Rotating color LCD
4" (10.16 cm) diagonal
||0.46" (1.32 cm) diagonal, color
||Up and down 60°
2 Custom (2000 to 15,000K)
|Exposure & Focus Aids
||Peaking (2 types), Zebra Pattern, Magnify, Edge Monitor Focus Assist, Black and White Mode
Note: Zebra can be output via the SDI or HDMI jack (HD only)
||Index Displays: Index Display, Normal, "OK Mark" Index, "Check Mark" Index, "Shot Mark" Index, Expand Index, Photo Index
Clip Playback: Forward Search (5x, 15x, 60x), Reverse Search (5x, 15x, 60x), Forward Frame Advance, Reverse Frame Advance, Record Review, Clip Jump (Forward and Backward), Skip Playback
Playback Functions: Inter-Media Copy (Single Clip, All Clips, Last Clip); Clip Delete (Single Clip, All Clips, Last Clip)
Still Image Playback: Index, Single Playback, Erasure, Protect
||Color bars compliant with SMPTE, EBU, or ARIB standards can be selected
||3G-SDI: 2x BNC (output)
||1 x Type A
||BNC (input only)
Adjustment Range: -1023 to +1023
|Time Code I/O
||1 x BNC
Drop Frame (DF) and Non-Drop Frame (NDF)
Time Code Modes: Regen, Record Run, Free Run, and External Source
Note: Drop Frame works with NTSC modes only and is not available in 24p
|Audio Input Terminals
||2 x Balanced 3-pin XLR (Mic Level, Mic Level with phantom power and Line Level) 1 x 3.5mm microphone jack
||3.5mm stereo mini-jack
||2.5mm LANC-compatible terminal
||WFT terminal for compatible Wi-Fi accessory
||14.4 VDC (battery pack), 16.7 VDC (DC input)
|Dimensions (W x H x D)
||Approx. 5.9 x 7.2 x 7.2" / 149 x 183 x 183 mm (without grip)
7.5 x 7.2 x 7.4" / 19.1 x 18.3 x 18.8 cm (with grip)
||Not specified by manufacturer